printer friendly pageMUSIC 208C: Architecture, Acoustics and Ritual in Byzantium (ARTHIST 208C, ARTHIST 408C, CLASSART 108, CLASSART 208, MUSIC 408C, REES 208C, REES 408C, RELIGST 208C, RELIGST 308C)
Onassis Seminar "Icons of Sound: Architecture, Acoustics and Ritual in Byzantium". This year-long seminar explores the creation and operations of sacred space in Byzantium by focusing on the intersection of architecture, acoustics, music, and ritual. Through the support of the Onassis Foundation (USA), nine leading scholars in the field share their research and conduct the discussion of their pre-circulated papers. The goal is to develop a new interpretive framework for the study of religious experience and assemble the research tools needed for work in this interdisciplinary field.
Terms: Aut, Win, Spr
| Units: 1-3
| UG Reqs: WAY-A-II
| Repeatable
3 times
(up to 9 units total)
Instructors:
Pentcheva, B. (PI)
MUSIC 220A: Fundamentals of Computer-Generated Sound
Techniques for digital sound synthesis, effects, and reverberation. Topics: summary of digital synthesis techniques (additive, subtractive, nonlinear, wavetable, spectral-modeling, and physical-modeling); digital effects algorithms (phasing, flanging, chorus, pitch-shifting, and vocoding); and techniques for digital reverberation. Majors (undergraduate or graduate) must take for 4 units. See
http://ccrma.stanford.edu/.
Terms: Aut
| Units: 2-4
Instructors:
Chafe, C. (PI)
MUSIC 220B: Compositional Algorithms, Psychoacoustics, and Computational Music
The use of high-level programming language as a compositional aid in creating musical structures. Advanced study of sound synthesis techniques. Simulation of a reverberant space and control of the position of sound within the space. See
http://ccrma.stanford.edu/. Prerequisite: 220A.
Terms: Win
| Units: 2-4
| UG Reqs: WAY-A-II
Instructors:
Wang, G. (PI)
;
Michon, R. (TA)
MUSIC 220C: Research Seminar in Computer-Generated Music
Individual projects in composition, psychoacoustics, or signal processing. See
http://ccrma.stanford.edu. May be repeated for credit. Prerequisite: 220B.
Terms: Spr
| Units: 2-4
| Repeatable
for credit
Instructors:
Chafe, C. (PI)
MUSIC 220D: Research in Computer-Generated Music
Independent research projects in composition, psychoacoustics, or signal processing. See
http://ccrma.stanford.edu/. May be repeated for credit. Prerequisite: 220C.
Terms: Aut, Win, Spr, Sum
| Units: 1-10
| Repeatable
for credit
Instructors:
Abel, J. (PI)
;
Berger, J. (PI)
;
Berners, D. (PI)
...
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Instructors:
Abel, J. (PI)
;
Berger, J. (PI)
;
Berners, D. (PI)
;
Bosi, M. (PI)
;
Chafe, C. (PI)
;
Fujioka, T. (PI)
;
Kadis, J. (PI)
;
Kapuscinski, J. (PI)
;
Lopez-Lezcano, F. (PI)
;
Mathews, M. (PI)
;
Rossing, T. (PI)
;
Selfridge-Field, E. (PI)
;
Slaney, M. (PI)
;
Smith, J. (PI)
;
Verplank, W. (PI)
;
Wang, G. (PI)
MUSIC 222: Sound in Space
Historical background, techniques and theory on the use of space in music composition and diffusion. Listening and analysis of relevant pieces. Experimental work in spatialization techniques leading to short studies to be diffused in concert at the end of the quarter.
Last offered: Spring 2013
| UG Reqs: WAY-CE
MUSIC 223: Composition for Electronic Musicians
Composition for any combination of acoustic and electroacoustic instrumentation, computer-generated sound, invented instruments, sound-sculptures, and multi-disciplinary elements including theater and visual media. Project-based laboratory to advance original student works, supported by lectures on the fundamentals of composition. Concert performance of final works. Taught at CCRMA with a focus on engendering deliberate conversation on the enrichment of a cultural context for new media. Open to undergraduates and graduates.
Last offered: Spring 2012
| UG Reqs: WAY-CE
| Repeatable
3 times
(up to 12 units total)
MUSIC 230: Advanced Orchestral Conducting
May be repeated for credit a total of 8 times. Prerequisite: 130B.
Terms: Aut, Win
| Units: 2-4
| Repeatable
9 times
(up to 36 units total)
Instructors:
Cai, J. (PI)
MUSIC 231: Advanced Choral Conducting
Individual instruction continuing trajectory of
Music 130C. Focus on gestural technique and analysis of works by genre and historical period. May be repeated for credit a total of 8 times. Prerequisite: 130C.
Terms: Aut, Win, Spr
| Units: 2-4
| Repeatable
9 times
(up to 36 units total)
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