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1 - 10 of 41 results for: CLASSICS ; Currently searching spring courses. You can expand your search to include all quarters

CLASSICS 3G: Beginning Greek

(Formerly CLASSGRK 3.) Vocabulary and syntax of the classical language. Prerequisite: CLASSICS 2G or equivalent placement. CLASSICS 3G fulfills University language requirement.
Terms: Spr | Units: 5 | UG Reqs: Language

CLASSICS 3L: Beginning Latin

(Formerly CLASSLAT 3.) Vocabulary and syntax of the classical language. Prerequisite: CLASSICS 2L or equivalent placement. CLASSICS 3L fulfills the University language requirement.
Terms: Spr | Units: 5 | UG Reqs: Language
Instructors: Klopacz, J. (PI)

CLASSICS 7G: Biblical Greek (JEWISHST 5B)

(Formerly CLASSGRK 6) This is a continuation of the Winter Quarter Biblical Greek Course. Pre-requisite: CLASSICS 6G (Formerly CLASSGRK 5) or a similar introductory course in Ancient Greek.
Terms: Spr | Units: 3-5

CLASSICS 13G: Intermediate Greek: Homer

(Formerly CLASSGRK 103.) We will read selected episodes from the Odyssey in Greek, and the entirety of the poem in translation. Our primary goal will be to master Homeric Greek's syntax, morphology, vocabulary, and meter, though we will also discuss narrative technique, poetic style, and the history of the scholarship. Classics majors and minors may repeat for credit with advance approval from the Director of Undergraduate Studies.
Terms: Spr | Units: 5 | UG Reqs: Language | Repeatable for credit
Instructors: Kelting, T. (PI)

CLASSICS 13L: Intermediate Latin: Cicero and Catullus

(Formerly CLASSLAT 103.) In this class you will practice with and reinforce the advanced vocabulary, forms, and syntax of classical Latin you have previously acquired by reading continuous works of Latin prose (Cicero) and poetry (Catullus). While the primary emphasis of this course is on developing fluency in reading Latin, you will have opportunities to discuss and research the biographical, political, and literary issues raised by the readings. Your knowledge of the content and syntax of the readings will be assessed by several short translation/grammar quizzes. You will also sit for mid-quarter and end-quarter tests. Classics majors and minors may repeat for credit with advance approval from the Director of Undergraduate Studies.
Terms: Spr | Units: 5 | UG Reqs: Language | Repeatable for credit
Instructors: Klopacz, J. (PI)

CLASSICS 16N: Sappho: Erotic Poetess of Lesbos (FEMGEN 24N)

(Formerly CLASSGEN 24N.) Preference to freshmen. Sappho's surviving fragments in English; traditions referring to or fantasizing about her disputed life. How her poetry and legend inspired women authors and male poets such as Swinburne, Baudelaire, and Pound. Paintings inspired by Sappho in ancient and modern times, and composers who put her poetry to music.
Terms: Spr | Units: 4-5 | UG Reqs: GER:EC-Gender, WAY-CE, GER:DB-Hum, WAY-EDP
Instructors: Peponi, A. (PI)

CLASSICS 18N: The Artist in Ancient Greek Society (ARTHIST 100N)

Given the importance of art to all aspects of their lives, the Greeks had reason to respect their artists. Yet potters, painters and even sculptors possessed little social standing. n nWhy did the Greeks value the work of craftsmen but not the men themselves? Why did Herodotus dismiss those who worked with their hands as "mechanics?" What prompted Homer to claim that "there is no greater glory for a man¿ than what he achieves with his own hands," provided that he was throwing a discus and not a vase on a wheel?n nPainted pottery was essential to the religious and secular lives of the Greeks. Libations to the gods and to the dead required vases from which to pour them. Economic prosperity depended on the export of wine and oil in durable clay containers. At home, depictions of gods and heroes on vases reinforced Greek values and helped parents to educate their children. Ceramic sets with scenes of Dionysian excess were reserved for elite symposia from which those who potted and painted them were excluded.n nSculptors were less lowly but even those who carved the Parthenon were still regarded as "mechanics," with soft bodies and soft minds (Xenophon) "indifferent to higher things" (Plutarch).n nThe seminar addresses these issues. Students will read and discuss texts, write response papers and present slide lectures and gallery talks on aspects of the artist's profession.
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II, GER:DB-Hum
Instructors: Maxmin, J. (PI)

CLASSICS 21Q: Eight Great Archaeological Sites in Europe

(Formerly CLASSART 21Q.) Preference to sophomores. Focus is on excavation, features and finds, arguments over interpretation, and the place of each site in understanding the archaeological history of Europe. Goal is to introduce the latest archaeological and anthropological thought, and raise key questions about ancient society. The archaeological perspective foregrounds interdisciplinary study: geophysics articulated with art history, source criticism with analytic modeling, statistics interpretation. A web site with resources about each site, including plans, photographs, video, and publications, is the basis for exploring.
Terms: Aut, Spr | Units: 3-5 | UG Reqs: GER:DB-Hum, Writing 2, WAY-A-II
Instructors: Shanks, M. (PI)

CLASSICS 28N: Inequality: the Last 100,000 Years (HISTORY 15N)

(Formerly CLASSHIS 13N.) This seminar traces the evolution of resource inequality from the Stone Age to the present. Only this long-term perspective reveals the forces that drive inequality and allows us to address two key questions: what causes inequality, and what factors have been capable of reducing it, at least for a while? We are going to confront challenging arguments: that inequality has been closely tied up with overall economic and human development, and that over the long course of history, war, revolution and pestilence were the most effective equalizers of income and wealth. This class will help you appreciate contexts and complexities that are usually obscured by partisan polemics and short-term thinking. Seminar participants will be directly involved in the instructor's current research project on the history of inequality.
Terms: Spr | Units: 3
Instructors: Scheidel, W. (PI)

CLASSICS 31: Greek Mythology

(Formerly CLASSGEN 18.) The heroic and divine in the literature, mythology, and culture of archaic Greece. Interdisciplinary approach to the study of individuals and society. Illustrated lectures. Readings in translation of Homer, Hesiod, Herodotus, and the poets of lyric and tragedy. Weekly participation in a discussion section is required.
Terms: Spr, Sum | Units: 3-5 | UG Reqs: WAY-A-II, GER:DB-Hum
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