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1 - 10 of 196 results for: COMPLIT

COMPLIT 10N: Shakespeare and Performance in a Global Context

Preference to freshmen. The problem of performance including the performance of gender through the plays of Shakespeare. In-class performances by students of scenes from plays. The history of theatrical performance. Sources include filmed versions of plays, and readings on the history of gender, gender performance, and transvestite theater. Note: To be eligible for WAYS credit, you must take the course for a Letter Grade. In AY 2020-21, a 'CR' grade will satisfy the WAYS requirement.
Last offered: Spring 2021 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-A-II

COMPLIT 10SC: The Cult of Happiness: Pursuing the Good Life in America and China (CHINA 10SC)

What is happiness? Might writing your own (mock) obituary help you find happiness? What else can you do to be happy? What has happiness to do with the good life? Does happiness define the meaning and purpose of life for people everywhere? In this course, we combine reading, discussion, group activity, and fieldtrip to figure out, collectively over the course of 2.5 weeks, what happiness is all about. We consider what philosophers, psychologists, anthropologists, neuroscientists, writers, and artists have to say about happiness and reflect on its relationship to wealth, wisdom, health, love, pleasure, justice, community, spirituality, and mortality. We give equal weight to Chinese and Western sources and interrogate deeply held assumptions through the lens of cross-cultural inquiry. During the summer, students read a novel and a popular treatise. In September, we review these texts and place them alongside scholarly works, movies, short fiction, and social commentary as we interrogate t more »
What is happiness? Might writing your own (mock) obituary help you find happiness? What else can you do to be happy? What has happiness to do with the good life? Does happiness define the meaning and purpose of life for people everywhere? In this course, we combine reading, discussion, group activity, and fieldtrip to figure out, collectively over the course of 2.5 weeks, what happiness is all about. We consider what philosophers, psychologists, anthropologists, neuroscientists, writers, and artists have to say about happiness and reflect on its relationship to wealth, wisdom, health, love, pleasure, justice, community, spirituality, and mortality. We give equal weight to Chinese and Western sources and interrogate deeply held assumptions through the lens of cross-cultural inquiry. During the summer, students read a novel and a popular treatise. In September, we review these texts and place them alongside scholarly works, movies, short fiction, and social commentary as we interrogate the chimera of happiness. In addition, we will experiment with meditation, short-form life writing (including mock obituaries!), and service-learning. We meet daily for lectures and seminar discussion. Students submit three short reflective papers and three online commentaries, and in small groups make an oral presentation and do a creative exercise.
Terms: Sum | Units: 2
Instructors: Lee, H. (PI)

COMPLIT 11Q: Shakespeare, Playing, Gender

Preference to sophomores. Focus is on several of the best and lesser known plays of Shakespeare, on theatrical and other kinds of playing, and on ambiguities of both gender and playing gender.
Last offered: Winter 2022 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-A-II

COMPLIT 15SC: Who Belongs at Stanford? Discussions of a Different Sort of Education (CSRE 11SC)

You've finished your first year of university. You have taken the required first year courses, you hope you have explored enough, you are anxious about choosing a major. You know the campus fairly well, you have perhaps made some friends, you have some sort of routine. But you have the nagging feeling that so much of this is simply an illusion. The question then becomes, do you throw your faith, mind, and your body into that illusion (everyone else seems to), or do you risk the chance of missing a step by spending some time in Sophomore College reflecting on the immediate past and the future, with others who have similar questions. You may feel that the generalizations you heard in Year 1 about liberal education seem remote from your life experiences; you may have wished you could have engaged in more in-depth discussions, but that there was not time or interest in approaching the subject matter as you would have wanted to. We are then faced with the very important question: What happe more »
You've finished your first year of university. You have taken the required first year courses, you hope you have explored enough, you are anxious about choosing a major. You know the campus fairly well, you have perhaps made some friends, you have some sort of routine. But you have the nagging feeling that so much of this is simply an illusion. The question then becomes, do you throw your faith, mind, and your body into that illusion (everyone else seems to), or do you risk the chance of missing a step by spending some time in Sophomore College reflecting on the immediate past and the future, with others who have similar questions. You may feel that the generalizations you heard in Year 1 about liberal education seem remote from your life experiences; you may have wished you could have engaged in more in-depth discussions, but that there was not time or interest in approaching the subject matter as you would have wanted to. We are then faced with the very important question: What happens when 'diverse' populations are recruited to places like Stanford, and then asked to constrain or reshape their diversity for the sake of belonging? We will discuss how this small-scale exercise in intellectual exploration can be read as a correlate for how individuals and societies work. What kinds of identities, values, stories count, and which do not? Liberal ideologies and principles may sound nice, but liberalism tends to flounder when presented with practical real-world issues like employment, health care, police brutality, pandemics, environmental degradation, and yes, education. There are two required texts for the course, first, Brazilian educator Paolo Freire's Pedagogy of the Oppressed. What Freire proposes is a way of teaching and learning that is the antithesis of what he calls the 'banking model of education.' The banking model works this way, schools deposit learning into your account, and you withdraw it when you need it. Little, if any thought, is placed upon what exactly that currency is, and why it's of any value. Freire's pedagogy is exactly the opposite-people act together to determine their learning goals - what they want to accomplish in the world--negotiate how best to arrive at those goals. They belong to the community because they are the creators of that community. The second texts are essays by the seminal Black feminist scholar, bell hooks. Author of more than 30 books, hooks started life in poverty in rural Kentucky, then won admission to Stanford, and went on to be a prolific writer, educator, and activist. She was deeply influenced by Freire. Ultimately, the task that both Freire and hooks addressed was to alter the condition of oppression through approaching the idea of education in a radically different manner. All remaining readings, activities, speakers, will be the product of our collective discussions come to the first day of class with your ideas, thoughts, and music (see below). This summer we will aim to do the following: Get to know and trust each other, and to support each other's explorations, questions, tentative answers. Pause and reflect on things that we feel we have not been able to really grapple with yet. Learn how others have challenged normative ideas about what an educational community might look like. Think of ways of sustaining our support for each other into the sophomore year.
Last offered: Summer 2022

COMPLIT 21Q: Wilde's Worlds: Oscar Wilde in the International Context

This course introduces you to Oscar Wilde's life and works in various international literary, artistic, social, and cultural contexts in the European fin de siecle, as well as to Wilde's posthumous reception as an international iconic figure of LGBTQ+ literary and cultural history. We will consider Wilde's own roots in Irish culture; his love for Ancient Greece and Rome in the context of Oxford Hellenism; the influence of French and Belgian Decadence and Symbolism on The Picture of Dorian Gray and Salome (which we will read side by side with writings by Joris-Karl Huysmans, Stephane Mallarme, and Rachilde); Wilde's interest in the visual and decorative arts; Wilde's joyful dandyism and vibrant queer literary networks in Paris and London; the impact of Wilde's 1895 trials and imprisonment for "acts of gross indecency"; Wilde's reception in countries such as Germany, Japan, Russia, and the U.S.; and the vibrant posthumous afterlife of Wilde's work and persona in dance, opera, films, musi more »
This course introduces you to Oscar Wilde's life and works in various international literary, artistic, social, and cultural contexts in the European fin de siecle, as well as to Wilde's posthumous reception as an international iconic figure of LGBTQ+ literary and cultural history. We will consider Wilde's own roots in Irish culture; his love for Ancient Greece and Rome in the context of Oxford Hellenism; the influence of French and Belgian Decadence and Symbolism on The Picture of Dorian Gray and Salome (which we will read side by side with writings by Joris-Karl Huysmans, Stephane Mallarme, and Rachilde); Wilde's interest in the visual and decorative arts; Wilde's joyful dandyism and vibrant queer literary networks in Paris and London; the impact of Wilde's 1895 trials and imprisonment for "acts of gross indecency"; Wilde's reception in countries such as Germany, Japan, Russia, and the U.S.; and the vibrant posthumous afterlife of Wilde's work and persona in dance, opera, films, musicals, cartoons, and popular culture from the 1900s to today. Studying Oscar Wilde's life and works in such comparative and international contexts opens a door to the historical 1890s, while also giving us the chance to understand and appreciate Wilde's legacy as a queer artist and cultural trailblazer that still speaks to us in our own time. This course will emphasize close reading, analytical writing, and honing your presentation skills as you learn to understand and appreciate the many worlds of Oscar Wilde from the 1890s to today.
Terms: Spr | Units: 4 | UG Reqs: WAY-A-II, Writing 2
Instructors: Dierkes, P. (PI)

COMPLIT 31: Texts that Changed the World from the Ancient Middle East (HUMCORE 111, JEWISHST 150, RELIGST 150)

This course traces the story of the cradle of human civilization. We will begin with the earliest human stories, the Gilgamesh Epic and biblical literature, and follow the path of the development of law, religion, philosophy and literature in the ancient Mediterranean or Middle Eastern world, to the emergence of Jewish and Christian thinking. We will pose questions about how this past continues to inform our present: What stories, myths, and ideas remain foundational to us? How did the stories and myths shape civilizations and form larger communities? How did the earliest stories conceive of human life and the divine? What are the ideas about the order of nature, and the place of human life within that order? How is the relationship between the individual and society constituted? This course is part of the Humanities Core: https://humanitiescore.stanford.edu/
Last offered: Autumn 2022 | UG Reqs: WAY-A-II, WAY-ER

COMPLIT 36A: Dangerous Ideas (ARTHIST 36, EALC 36, ENGLISH 71, ETHICSOC 36X, FRENCH 36, HISTORY 3D, MUSIC 36H, PHIL 36, POLISCI 70, RELIGST 36X, SLAVIC 36, TAPS 36)

Ideas matter. Concepts such as progress, technology, and sex, have inspired social movements, shaped political systems, and dramatically influenced the lives of individuals. Others, like cultural relativism and historical memory, play an important role in contemporary debates in the United States. All of these ideas are contested, and they have a real power to change lives, for better and for worse. In this one-unit class we will examine these "dangerous" ideas. Each week, a faculty member from a different department in the humanities and arts will explore a concept that has shaped human experience across time and space.
Terms: Win, Spr | Units: 1 | Repeatable 4 times (up to 4 units total)
Instructors: Safran, G. (PI)

COMPLIT 37Q: Zionism and the Novel (JEWISHST 37Q)

At the end of the nineteenth century, Zionism emerged as a political movement to establish a national homeland for the Jews, eventually leading to the establishment of the State of Israel in 1948. This seminar uses novels to explore the changes in Zionism, the roots of the conflict in the Middle East, and the potentials for the future. We will take a close look at novels by Israelis, both Jewish and Arab, in order to understand multiple perspectives, and we will also consider works by authors from the North America and from Europe. Note: This course must be taken for a letter grade to be eligible for WAYS credit.
Terms: Aut, Spr | Units: 3 | UG Reqs: WAY-A-II, Writing 2, WAY-EDP
Instructors: Berman, R. (PI)

COMPLIT 43: Modernity and Politics in Middle Eastern Literatures (HUMCORE 131)

This course will investigate cultural and literary responses to modernity in the Middle East. The intense modernization process that started in mid 19th century and lingers to this day in the region caused Arabic, Persian, and Turkish literary cultures to encounter rapid changes; borders dissolved, new societies and nations were formed, daily life westernized, and new literary forms took over the former models. In order to understand how writers and individuals negotiated between tradition and modernity and how they adapted their traditions into the modern life we will read both canonical and graphic novels comparatively from each language group and focus on the themes of nation, identity, and gender. All readings will be in English translation. This course is part of the Humanities Core: https://humanitiescore.stanford.edu/
Terms: Win | Units: 3 | UG Reqs: WAY-A-II
Instructors: Karahan, B. (PI)

COMPLIT 44: Humanities Core: How to be Modern in East Asia (CHINA 24, HUMCORE 133, JAPAN 24, KOREA 24)

Modern East Asia was almost continuously convulsed by war and revolution in the 19th and 20th centuries. But the everyday experience of modernity was structured more profoundly by the widening gulf between the country and the city, economically, politically, and culturally. This course examines literary and cinematic works from China and Japan that respond to and reflect on the city/country divide, framing it against issues of class, gender, national identity, and ethnicity. It also explores changing ideas about home/hometown, native soil, the folk, roots, migration, enlightenment, civilization, progress, modernization, nationalism, cosmopolitanism, and sustainability. All materials are in English. This course is part of the Humanities Core: https://humanitiescore.stanford.edu/
Terms: Win | Units: 3 | UG Reqs: WAY-A-II
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