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DANCE 48: Beginning Ballet

Fundametals of ballet technique including posture, placement, the foundation steps, and ballet terms; emphasis on the development of coordination, balance, flexibility, sense of lines, and sensitivity to rhythm and music. May be repeated for credit.
Terms: Aut, Spr | Units: 1 | UG Reqs: way_ce, WAY-CE | Repeatable for credit

DANCE 58: Beginning Hip Hop

Steps and styling in one of America's 21st-century vernacular dance forms. May be repeated for credit.
Terms: Aut | Units: 1 | UG Reqs: WAY-CE, way_ce | Repeatable for credit
Instructors: Reddick, R. (PI)

DANCE 59: Intermediate-Advanced Hip-Hop

Steps and styling in one of America's 21st-century vernacular dance forms. May be repeated for credit.
Terms: Aut | Units: 1 | UG Reqs: WAY-CE, way_ce | Repeatable for credit
Instructors: Reddick, R. (PI)

DANCE 108: Hip Hop Meets Broadway

What happens when Hip Hop meets "Fosse", "Aida", "Dream Girls" and "In the Heights"?nThe most amazing collaboration of Hip Hop styles adapted to some of the most memorable Broadway Productions.nThis class will explore the realm between Hip Hop Dance and the Broadway Stage. Infusing Acting thru dance movement and exploring the Art of Lip Sync thru Hip Hop Dance styles.
Terms: Spr | Units: 1 | UG Reqs: WAY-CE, way_ce | Repeatable 9 times (up to 9 units total)
Instructors: Reddick, R. (PI)

DANCE 118: Developing Creativity In Dance

This introductory course explores the creative process in dance. There are many effective ways to approach creative expression, and this course will utilize multiple approaches, both in series and in parallel. Parallel processing and multitasking will become the dominant mode as rational, intuitive and physical skills merge. Processes will include changing perception, design by analogy, quick adaptation to changing situations, overcoming creative blocks, and stress reduction to relax into a more creative state of mind. Class sessions will alternate between theory and practice, with two-thirds of the class time spent in the dance studio, creating ways of moving, to embody the concepts that will be detailed in the discussion sessions. Students will study historical and current research on creativity, develop nonverbal kinesthetic languages, work on changing perception and breaking out of routine patterns, incorporate musicality into their dance creations, gain proficiency in adapting to changing situations, and develop individual styles of creativity, rather than looking for one "best" methodology. Dance forms will include modern dance, social dance (cross-step waltz) and jazz dance. Previous dance experience is not required.
Terms: Aut | Units: 2 | UG Reqs: WAY-CE

DANCE 141: Advanced Contemporary Modern Technique

This advanced dance technique class is grounded in the technical training, aesthetic sensibilities, and choreographic processes of Merce Cunningham, American dancer/master choreographer. This studio work at an advanced level will build technical strength, speed, line, and rhythmic acuity/musicality and amplitude in dancing. The class will provides solid technical training useful and applicable to other forms of dancing. Dancers must be ready to work at an high intermediate/advanced level to enroll. Studio practice will be supplemented by readings, video viewing, concert attendance, and participation in special workshops with guest artists. Cunningham-based technique is particularly well-suited to dancers with prior training in ballet technique; dancers with prior training in any form are welcome. May be repeated for credit.
Terms: Aut, Win, Spr | Units: 2 | UG Reqs: WAY-CE | Repeatable for credit

DANCE 149: Advanced Ballet

Advanced Ballet at Stanford is offered for students who are interested in rigorous, complex, and artistically compelling ballet training. The class focuses on technique, but in the broad sense of how ballet as a movement system can be used for a wide range of dance disciplines. The class honors the historical training legacy that defines classical ballet, but is in no way shackled to that history in an antiquated fashion. The students are encouraged to explore the form as artists, to question its foundations, and find their own sense of agency within classical dance. Students with a strong background in ballet are encouraged to come, but also students with less ballet training are welcome as long as they have an email dialog with the lecturer beforehand. Any questions can be directed to Lecturer Alex Ketley at aketley@stanford.edu
Terms: Aut, Win, Spr | Units: 2 | UG Reqs: WAY-CE | Repeatable for credit
Instructors: Ketley, A. (PI)

DLCL 293: Literary Translation (ENGLISH 293)

An overview of translation theories and practices over time. The aesthetic, ethical, and political questions raised by the act and art of translation and how these pertain to the translator's tasks. Discussion of particular translation challenges and the decision processes taken to address these issues. Coursework includes assigned theoretical readings, comparative translations, and the undertaking of an individual translation project.
Terms: Win | Units: 3-5 | UG Reqs: WAY-A-II, WAY-CE
Instructors: Santana, C. (PI)

EARTHSYS 187: FEED the Change: Redesigning Food Systems (MS&E 187)

Introductory course to design and systems thinking, with an emphasis on food systems. Series of diverse experiences (lectures, workshops, teaching, field trips, storytelling, and more) teaching how to use human-centered design to approach problem solving, how to begin analyzing complex systems, and how to work effectively in teams. Explore passions and interests, as well as different elements of the design process. Work in teams on real projects, and teach other students about food and design thinking. Admission is by application: http://feedcollaborative.org/classes/.
Terms: Aut | Units: 2-3 | UG Reqs: WAY-CE

EARTHSYS 195: Natural Hazards and Risk Communication

Introduction to the science behind natural hazards, the risks associated with these hazards, and effective methods of communicating them to a variety of audiences. Examination of methods of translation and communication. Investigation of the relative effectiveness of these methods for increasing preparedness and resiliency to natural hazards. Satisfies the Earth Systems WIM requirement.
Terms: Spr | Units: 3 | UG Reqs: WAY-CE
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