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ARTSTUDI 173E: Cell Phone Photography

The ubiquity of cell phone photography has had a widespread impact on the tradition, practice, and purposes of photography, as well as concepts of art and what art should be for. In this class, we discuss the documentarian bent of much cell phone photography, its potential as a component of citizen journalism, the ways in which the environments of these photographs (Instagram, Tumblr) are changing ideas of the image and of authorship, and effects that cell phone photography may be having on us as subjects. Alongside these discussions, students will create works of art utilizing the experimental, documentary, and social potentials of cell phone photography.
Terms: Aut, Win, Spr | Units: 4 | UG Reqs: WAY-CE
Instructors: Odell, J. (PI)

ARTSTUDI 174B: Internet Art

The history, practice and technique of creating art online. New ways of thinking about interactivity and technology through individual projects, lectures, group discussion, and direct experience of contemporary Internet Art and its historical roots. Goal is for students to think personally about contemporary technological culture via artistic experiments using the Internet. Topics include technical labs on HTML, CSS, image editing, and animation, and collaborative interventions using social media as a galvanizing force for community projects. Final exhibition organized by the class, challenging students to translate art created online into a gallery space. Field trip to see art exhibitions in the area, as well as the Computer History Museum in San Jose. Virtual travel to online exhibitions; contemporary Internet Artists give experimental lectures and performances via Skype.
Terms: Aut, Win, Spr | Units: 4 | UG Reqs: WAY-CE
Instructors: Bigelow, B. (PI)

ARTSTUDI 177: Video Art I

Students create experimental video works. Conceptual, formal, and performance-based approaches to the medium. The history of video art since the 70s and its influences including experimental film, television, minimalism, conceptual art, and performance and electronic art. Topics: camera technique, lighting, sound design, found footage, cinematic conventions, and nonlinear digital editing. (lower level)
Terms: Aut | Units: 4 | UG Reqs: WAY-CE
Instructors: Barber, J. (PI)

ARTSTUDI 178: Art and Electronics

Analog electronics and their use in art. Basic circuits for creating mobile, illuminated, and responsive works of art. Topics: soldering; construction of basic circuits; elementary electronics theory; and contemporary electronic art. (lower level)
Terms: Win | Units: 4 | UG Reqs: WAY-CE
Instructors: Wight, G. (PI)

ARTSTUDI 179: Digital Art I

Contemporary electronic art focusing on digital media. Students create works exploring two- and three-dimensional, and time-based uses of the computer in fine art. History and theoretical underpinnings. Common discourse and informative resources for material and inspiration. Topics: imaging and sound software, web art, and rethinking the comptuer as interface and object. (lower level)
Terms: Aut, Win | Units: 4 | UG Reqs: WAY-CE

ARTSTUDI 180: Color (TAPS 180P)

Hands-on study of color to develop color sensitivity and the ability to manipulate color to exploit its expressive potential. Guided experimentation and observation. Topics include color relativity, color and light, color mixing, color harmony, and color and content. (lower level)
Terms: Aut | Units: 3-4 | UG Reqs: WAY-CE
Instructors: Edmark, J. (PI)

ARTSTUDI 239: Intermedia Workshop (MUSIC 155, MUSIC 255)

Students develop and produce intermedia works. Musical and visual approaches to the conceptualisation and shaping of time-based art. Exploration of sound and image relationship. Study of a wide spectrum of audiovisual practices including experimental animation, video art, dance, performance, non-narrative forms, interactive art and installation art. Focus on works that use music/sound and image as equal partners. Limited enrollment. Prerequisites: consent of instructors, and one of FILMPROD 114, ARTSTUDI 131, 138, 167, 177, 179, or MUSIC 123, or equivalent. May be repeated for credit
Terms: Win | Units: 3-4 | UG Reqs: WAY-A-II, WAY-CE | Repeatable 2 times (up to 8 units total)

ARTSTUDI 252: Sculpture II

Builds upon 151. Installation and non-studio pieces. Impact of material and technique upon form and content; the physical and expressive possibilities of diverse materials. Historical and contemporary forming methods provide a theoretical basis for the studio work. Field trips; guest lecturers. (upper level)
| UG Reqs: WAY-CE | Repeatable 2 times (up to 8 units total)

ARTSTUDI 254: Kinetic Sculpture

This course is focused on developing a practical, hands on understanding of kinetic mechanisms applied to objects and materials in sculpture and installation. Class time will take the form of lectures and technical demos, and hands-on labs where you will be exposed to different strategies for making movement in the physical world. Topics investigated include Rube Goldberg machines, devices of wonder, interactivity, audience experience and participation. This course will not be co-taught this year.
Terms: Spr | Units: 3-4 | UG Reqs: WAY-CE | Repeatable 2 times (up to 8 units total)
Instructors: Berlier, T. (PI)

ARTSTUDI 270: Advanced Photography Seminar

Student continues with own work, showing it in weekly seminar critiques. May be repeated for credit. (upper level)
Terms: Win, Spr | Units: 1-5 | UG Reqs: WAY-CE | Repeatable for credit
Instructors: Leivick, J. (PI)
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