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MUSIC 223: Composition for Electronic Musicians

Composition for any combination of acoustic and electroacoustic instrumentation, computer-generated sound, invented instruments, sound-sculptures, and multi-disciplinary elements including theater and visual media. Project-based laboratory to advance original student works, supported by lectures on the fundamentals of composition. Concert performance of final works. Taught at CCRMA with a focus on engendering deliberate conversation on the enrichment of a cultural context for new media. Open to undergraduates and graduates.
Last offered: Spring 2012 | UG Reqs: WAY-CE | Repeatable 3 times (up to 12 units total)

OSPFLOR 41: The Florentine Sketchbook: A Visual Arts Practicum

The ever-changing and multifaceted scene of contemporary art through visual and sensorial stimulation. How art is thought of and produced in Italy today. Hands-on experience. Sketching and exercises on-site at museums and exhibits, plus workshops on techniques. Limited enrollment.
Terms: Aut | Units: 3-5 | UG Reqs: WAY-CE
Instructors: Rossi, F. (PI)

OSPFLOR 69: Abstract Art: Creativity, Self-Expression and Depicting the Unimaginable

Overview of the birth and evolution of abstract art with visual background necessary to produce works of art free of a realistic representation. Movements and trends in abstract art; experimentation with different media and techniques.
Terms: Win | Units: 4 | UG Reqs: WAY-CE
Instructors: Rossi, F. (PI)

OSPFLOR 71: A Studio with a View: Drawing, Painting and Informing your Aesthetic in Florence

Recent trends in art, current Italian artistic production, differences and the dialogue among visual arts. Events, schools, and movements of the 20th century. Theoretical background and practical training in various media. Work at the Stanford Center and on site at museums, exhibits, and out in the city armed with a sketchbook and camera. Emphasis is on drawing as the key to the visual arts. Workshops to master the techniques introduced. Limited enrollment.
Terms: Spr | Units: 3-5 | UG Reqs: WAY-CE
Instructors: Rossi, F. (PI)

OSPGEN 32: The Amsterdam Trans-Idiomatic Arts Practicum

Reflection on the difference between "home" and "away" through the prism of art. Review arts events throughout Amsterdam in varying media and complete similarly varied original art projects in response. Lectures, discussion, "atelier laboratories," walking tours, and regional field trips. Location: Amsterdam, Netherlands.
Terms: Sum | Units: 2 | UG Reqs: WAY-CE

OSPGEN 77: The Other France: Troubadours and the Politics of Cultural Heritage

The study of troubadours and medieval cultural heritage in southern France and northern Spain. Readings include troubadour poetry, histories of medieval France (Catharism and the Albigensian Crusade) and articles on modern interpretations of medieval culture. Meetings in Narbonne, France, with visit to sites associated with the troubadours in southern France and Catalonia, Spain.
Terms: Sum | Units: 2 | UG Reqs: WAY-A-II, WAY-CE
Instructors: Galvez, M. (PI)

OSPMADRD 46: Drawing with Four Spanish Masters: Goya, Velazquez, Picasso and Dali

Approaches, techniques, and processes in drawing. Visits to Madrid museums to study paintings and drawings by Goya, Velázquez, Picasso, and Dalí and to explore the experience of drawing. Subject matter: the figure, still life, interiors, landscape, and non-representational drawing. No previous experience required. Enrollment limited.
Terms: Aut | Units: 3 | UG Reqs: WAY-CE

OSPOXFRD 77: Solo Performance

Create original solo performance and theatre work. Skills to draw from the specificity of unique individual experiences, connecting with ideas, issues and questions that resonate with race, class, gender, environmental and global issues. Creative and critical tools to to connect the personal with the political and see the solo voice as a powerful and potent form of artistic expression. Focus on and hone individual creative talents in writing, devising, composing, producing and creating work. Examine the work of a range of solo artists practicing in the UK; attend live performances and if possible, meet and interview some of the artists. 15-minute solo performance culminates quarter.
Terms: Win | Units: 5 | UG Reqs: GER:DB-Hum, WAY-CE
Instructors: Paris, H. (PI)

OSPPARIS 12: Paris Photography Workshop

Exploration of Paris through camera and lab techniques. Both theoretical and practical aspects of creative photography. Extensive field work. Enrollment limited.
Terms: Aut | Units: 3 | UG Reqs: WAY-CE

PWR 91D: Intermediate Writing: Your American Life

In this course, you'll read and listen to some of the most moving and insightful pieces of the last decade, explore the important differences between print and oral storytelling, and then script and record your own full-length audio piece. Along the way, we will explore many craft elements that apply equally to print and audio pieces. You will learn, for example, how to organize your material, choose an effective structure, blend dramatization and reflection, ground insights in concrete scenes, create a strong narrative arc, and manage elements such as characterization, description, and dialogue. We will also, of course, explore craft elements unique to the audio form and you will learn how to use your voice and other sonic elements to craft the kind of piece you might hear on This American Life.nnThrough a special arrangement with the Stanford Storytelling Project, in the spring of 2012 this course will feature special sessions with prominent contributors to This American Life. n Prerequisite: first two levels of the writing requirement or equivalent transfer credit. For more information, see http://www.stanford.edu/dept/undergrad/cgi-bin/drupal_pwr/advanced_pwr.
Terms: Aut | Units: 3 | UG Reqs: WAY-CE
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