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61 - 70 of 235 results for: TAPS

TAPS 127X: Advanced Movement for Actors: Conditioning, Improvisation and Composition

The physical actor is ever working to develop a wider range of emotional expression, an unconscious attentiveness to fellow actors, and a compelling presence that conveys a sense of truth in action and in word. Students explore movement as a means of physical training and performance-building. For those interested in dynamic storytelling; no prior acting or physical training is required. Four main components: physical conditioning, practical technique, movement improvisation, and the creation of several short performance pieces. The fundamentals of contact improvisation for theater, which offers actors another way to explore text and make discoveries about character. Exercises in movement composition sharpen tools necessary for creating original work and crafting strong performances on stage.
Last offered: Spring 2015 | UG Reqs: WAY-CE

TAPS 128: Acting for Film and Video

Acting techniques for working on film and with video.
Last offered: Spring 2014 | UG Reqs: WAY-CE

TAPS 129: Advanced Acting

Advanced study and practice of acting.
Last offered: Spring 2014

TAPS 130: ReDesigning Theater: Live & Digital Performance (ME 288)

This quarter¿s version of ReDesigning Theater looks at Live and Digital Performance. We will examine the use of digital technology in collaboration with live performance. Students will learn and employ the design thinking process as well as improv and theatrical techniques. We aim to create user-centric, interactive experiences where technology enables the audience to become part of and/or influence the outcome of the story or its presentation. Student projects will begin with the concepts enabled by personal technology such as smart phones and expand to animation, video projection, and other media. Students will work in small groups to investigate and experiment with formats that blur the lines between live and digital, performer and audience, and physical and virtual platforms. This project-based course is accessible to students of all backgrounds interested in exploring and transforming the frontiers of technology, art, and live performance.
Last offered: Autumn 2013 | UG Reqs: WAY-CE

TAPS 131: Lighting Design

Hands-on laboratory projects in lighting and designing stage productions and other live performances. The content and format of lighting plots. Prerequisite DRAMA 31.
Last offered: Spring 2015

TAPS 132: Costume Design

Process of designing costumes for the stage, covering script analysis, rendering techniques, character development and conceptual ideas. Project related work with smaller, pertinent exercises.Prerequisite: 30 or consent of instructor.
Last offered: Autumn 2014 | UG Reqs: WAY-CE

TAPS 133: Stage Scenery Design

Craft and Theory of stage scenery design including visual research, spatial organization, basic drafting, sketching and model-building. Prerequisite: 30, or consent of instructor.
Terms: Win | Units: 3-4 | UG Reqs: WAY-CE | Repeatable 2 times (up to 8 units total)
Instructors: Flatmo, E. (PI)

TAPS 134: Stage Management Project

For students stage managing a Department of Drama production.
Terms: Aut, Win, Spr, Sum | Units: 3-5 | Repeatable for credit

TAPS 136: Virtual Drafting for Designers

A new course looking at virtual drafting methods and opportunities
Last offered: Spring 2014

TAPS 137: Hand Drafting for Designers

Fundamentals of hand-drafting. Standard drawing conventions; the use of line weight, color, composition, and graphic style. Creation of construction documents for real-world applications.May be repeated for credit.
Terms: Spr | Units: 3 | Repeatable 2 times (up to 6 units total)
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