printer friendly pageARTSINST 6F: Professional Development in Music (MUSIC 6F)
Open to majors and non-majors. This course is designed for students who are considering careers in performance or the music industry to explore their personal and artistic identity. Weekly guest speakers provide real world insight on topics related to professional advancement.
Terms: Win, Spr
| Units: 1-2
Instructors:
Lee, J. (PI)
ARTSINST 6G: Entrepreneurial Development for Classical Musicians (MUSIC 6G)
Open to majors and non-majors. This course is designed for students who are interested in professional opportunities in classical music, whether conservatory bound or just exploring possible careers in classical music performance or related interests. Students will examine a wide range of entrepreneurial tools to help develop their personal and artistic identities. The class discussion covers a broad scope of conservatory topics, a survey of professions in classical music, and entrepreneurial skills. Guest speakers are invited to provide real world insight on topics related to professional advancement.
Terms: Win, Spr
| Units: 1-2
| Repeatable
2 times
(up to 4 units total)
Instructors:
Lee, J. (PI)
ARTSINST 142: Drawing with Code (ARTSTUDI 163)
This studio course will engage coding practices as drawing tools. What makes a good algorithmic composition? How do we craft rule-sets and parameters to shape an interesting work? What changes if we conceive of still outputs, ongoing processes, or interactive processes as the "finished" work? We will look at the history of algorithmic drawing, including analog precedents like Sol LeWitt and other conceptual artists, along with current pioneers like John Simon Jr., Casey Reas, and LIA. Outputs will involve prints as well as screen-based works. Some basic coding experience is helpful, but not required. Assignments are based on conceptual principals that students can engage with at different coding skill levels. This is a good way for non CS students to explore coding practices as well as for CS students to hone their skills. We will work primarily in the free Processing software for our explorations.
Terms: Spr
| Units: 4
| UG Reqs: WAY-CE
Instructors:
Utterback, C. (PI)
ARTSINST 201C: Honors in the Arts Capstone Workshop
Third in a three-quarter series required of all Honors in the Arts students. Students initiate and develop interdisciplinary creative projects with the support of peers and mentors in a small, workshop format. Required enrollment in 201 A,B,C.
Terms: Spr
| Units: 2-5
Instructors:
Pipert, J. (PI)
ARTSINST 242: Contemporary Art in the Age of Artificial Intelligence (ARTHIST 254, ARTHIST 344, EASTASN 242)
This course delves into the rapidly evolving landscape of contemporary art as it intertwines with the advancements in artificial intelligence. Students will explore how artists from Asia and its diaspora are harnessing the capabilities of AI to redefine artistic expressions, appropriate traditional media and aesthetics, and interrogate the boundaries between human creativity and machine intelligence. Drawing upon case studies, hands-on experiments, and critical discussions, students will gain a deeper understanding of the sociocultural implications of AI-infused artistry and its impact on society. This course contextualizes its content in a global narrative, discussing challenging themes and existential inquiries AI has evoked worldwide. Situating AI in the long history of machines, automation, and human engagement with technologies, the class encourages students to think critically about the "transformations" AI made to society. Central to our exploration will be the fundamental quest
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This course delves into the rapidly evolving landscape of contemporary art as it intertwines with the advancements in artificial intelligence. Students will explore how artists from Asia and its diaspora are harnessing the capabilities of AI to redefine artistic expressions, appropriate traditional media and aesthetics, and interrogate the boundaries between human creativity and machine intelligence. Drawing upon case studies, hands-on experiments, and critical discussions, students will gain a deeper understanding of the sociocultural implications of AI-infused artistry and its impact on society. This course contextualizes its content in a global narrative, discussing challenging themes and existential inquiries AI has evoked worldwide. Situating AI in the long history of machines, automation, and human engagement with technologies, the class encourages students to think critically about the "transformations" AI made to society. Central to our exploration will be the fundamental questions of what it means to be "human" in a world where machines can mimic, and even surpass, human cognition in certain domains. Drawing parallels between diverse cultures and technologies, we will dissect how human-machine collaborations shape our perceptions of reality, authenticity, emotion, and creativity. Through examination of both Asian philosophies and theories of posthumanism, students will reflect upon the broader philosophical implications of a world where artificial and human intelligence coexist, intertwining and reshaping the very fabric of society, culture, and personal experience. Instructor: Gerui Wang.
Terms: Spr
| Units: 3-5
Instructors:
Wang, G. (PI)
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