printer friendly pageDANCE 27: Faculty Choreography
Rehearsal and performance of faculty choreography. Selection by audition. May be repeated for credit.
Terms: Aut, Win
| Units: 2
| UG Reqs: WAY-CE, way_ce
| Repeatable
for credit
DANCE 35: Feldenkrais for Performers
An educational system centered on movement, aiming to expand and refine the use of the self through awareness. Goal is to improve movement repertoire for dancers, musicians, artists, and those wishing to reduce pain or limitations in movement. May be repeated for credit.
Terms: Aut, Win
| Units: 1
| Repeatable
for credit
Instructors:
Moore, A. (PI)
DANCE 40: Introduction to Dance and Movement
Body expression, articulation, and anatomical basics through contemporary art dance. Emphasis is on development of awareness of the body in space. Exploration of improvisation and creativity. May be repeated for credit.
Terms: Spr
| Units: 2
| Repeatable
for credit
Instructors:
Moses, R. (PI)
DANCE 43: Liquid Flow: Introduction to Dance and Movement
Body expression, articulation, and anatomical basics through contemporary art dance. Emphasis is on development of awareness of the body in space. Exploration of improvisation and creativity. May be repeated for credit.
Terms: Win
| Units: 2
| Repeatable
2 times
(up to 4 units total)
Instructors:
Hayes, A. (PI)
DANCE 45: Improvisation Plus Contact
The development of improvisation skills as a creative performance practice and as a basis for choreography; techniques of contact improvisation. May be repeated for credit.
Terms: Aut
| Units: 2
| Repeatable
for credit
Instructors:
Kramer, T. (PI)
DANCE 46: Social Dances of North America I
Introduction to the partner dances found in American popular culture: waltz, swing, tango, club two step, cha cha, merengue, and salsa. Fee. May be repeated for credit. (AU)
Terms: Aut, Win, Spr
| Units: 1
| UG Reqs: way_ce
| Repeatable
for credit
Instructors:
Powers, R. (PI)
DANCE 48: Beginning Ballet
Fundamentals of ballet technique including posture, placement, and the foundation steps of classical ballet. Emphasis is on the development of coordination, strength, and flexibility. May be repeated for credit.
Terms: Aut, Win
| Units: 2
| UG Reqs: WAY-CE, way_ce
| Repeatable
for credit
Instructors:
Moore, A. (PI)
DANCE 52: Dance Repertory by Robert Moses
Focus is on performance and choreographic methodologies. Technique studies include retrograde, inversion, and associative contextual construction. Students create repertory works to be performed at the end of the quarter.
Terms: Spr
| Units: 2
| Repeatable
for credit
Instructors:
Moses, R. (PI)
DANCE 56: Ballet Repertory: The Life and Work of Antony Tudor
The work of the 20th-century ballet choreographer Antony Tudor and his innovations in the dramatic and narrative possibilities of ballet. Studio work include class reenactment and phrase material from the Tudor repertoire. Lectures and video viewing. May be repeated for credit.
Terms: Spr
| Units: 2
| Repeatable
for credit
Instructors:
Elliott, K. (PI)
DANCE 57: Dance Repertory: Dance, Text, and Gesture
Current repertory of contemporary choreographers who incorporate language, song, and movement in their work. Emphasis is on new ways that dance, text, rhythm and spatial design interact and are used to create contemporary dance theater. Students perform the work of faculty or visiting artist. Audition required. May be repeated for credit.
Terms: Win
| Units: 2
| Repeatable
for credit
Instructors:
Hayes, A. (PI)
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