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11 - 20 of 24 results for: FILMPROD

FILMPROD 114: Introduction to Film and Video Production

Hands-on. Techniques of film and video making including conceptualization, visualization, story structure, cinematography, sound recording, and editing. Enrollment limited to 12 students. Priority to junior/senior Film & Media Studies majors.Admission determined on the first day of class.
Terms: Aut, Spr | Units: 5 | UG Reqs: WAY-CE
Instructors: Green, L. (PI)

FILMPROD 148: Archival Cinema: Excavating the Future (FILMPROD 348, FILMSTUD 148, FILMSTUD 348)

This course examines the practices of appropriation of archival material in cinema, and the problems of representation inherent to them. The practical component consists of a series of creative assignments in which students are asked to use archival material, including some from Stanford's collections, to produce short moving image pieces.
Terms: Aut | Units: 4
Instructors: Keca, S. (PI)

FILMPROD 301: Screenwriting II: Intermediate Screenwriting (FILMPROD 104)

Priority to Film and Media Studies majors and minors, and seniors. Craft, form, and approaches to writing for the screen. Students will write, workshop and rewrite the first act of a feature screenplay and create rough outline material for the rest of the film. Prerequisites: FP101, FP101T or ENGL190F and consent of the instructor.
Terms: Spr | Units: 5
Instructors: Tobin, A. (PI)

FILMPROD 305: Script Analysis (FILMPROD 105)

Analysis of screenplay and film from the writer's perspective, with focus on ideation, structure, and dramatic tension in narrative features. Sources include screenplays and screenings.
Terms: Aut | Units: 4
Instructors: Tobin, A. (PI)

FILMPROD 348: Archival Cinema: Excavating the Future (FILMPROD 148, FILMSTUD 148, FILMSTUD 348)

This course examines the practices of appropriation of archival material in cinema, and the problems of representation inherent to them. The practical component consists of a series of creative assignments in which students are asked to use archival material, including some from Stanford's collections, to produce short moving image pieces.
Terms: Aut | Units: 4
Instructors: Keca, S. (PI)

FILMPROD 400: Film/Video Writing and Directing

Restricted to M.F.A. documentary students. Emphasis is on the development of the research, conceptualization, visualization, and preproduction skills required for nonfiction filmmaking. Prerequisite: consent of instructor.
Terms: Aut | Units: 4
Instructors: Keca, S. (PI)

FILMPROD 401: Nonfiction Film Production

Restricted to M.F.A documentary students. 16mm production techniques and concepts. Final project is a short black-and-white film with multitrack sound design. Prerequisite: consent of instructor.
Terms: Aut | Units: 4
Instructors: Meltzer, J. (PI)

FILMPROD 402: Digital Video

Restricted to M.F.A. documentary students. Fundamentals of digital storytelling. Working with small format cameras, interviewing techniques, and nonlinear editing skills. Prerequisite: consent of instructor.
Terms: Win | Units: 4
Instructors: Meltzer, J. (PI)

FILMPROD 403: Advanced Documentary Directing

Restricted to M.F.A. documentary students. Further examination of structure, empasizing writing and directing nonfiction film. Prerequisite: consent of instructor.
Terms: Spr | Units: 4
Instructors: Krawitz, J. (PI)

FILMPROD 404: Advanced Video Production

Restricted to M.F.A. documentary students. Techniques of visual storytelling and observational shooting. Final quarter of professional training in documentary video production. Prerequisite: consent of instructor.
Terms: Spr | Units: 4
Instructors: Keca, S. (PI)
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