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1 - 10 of 23 results for: AFRICAAM ; Currently searching autumn courses. You can expand your search to include all quarters

AFRICAAM 8: Conjure and Manifest: Building a Sustainable Artistic Practice (CSRE 8)

In this course, student-artists spend time investigating their artistic practice as a framework for promoting power, wellness, and creativity; and as a tangible means for navigating the first steps of their artistic careers. We spend time critically examining the philosophies and works of Black artists including James Baldwin, Octavia Butler, RZA (Wu-Tang Clan) and Nayyirah Waheed, in order to explore new visions for the artist as activist, as futurist and as spiritual healer. We then use a mixture of these ideas and our own¿along with meditation and mindfulness experiences¿to begin conjuring and manifesting intimate relationships with our art practice and ourselves. Student-artists will develop creative confidence, formulate game plans for success, and begin to find balance between the uncertainty and ultimate freedom that life as an artist can bring.
Terms: Aut | Units: 3 | Grading: Credit/No Credit
Instructors: Holt, A. (PI)

AFRICAAM 10A: Introduction to Identity, Diversity, and Aesthetics (CSRE 10A)

This course will be held in the Harmony House located at 561 Lomita Drive, beside the Black Community Services Center. This quarter-long series introduces students to leading artists, creatives, and scholars affiliated with the Institute for Diversity in the Arts. Through a series of talks guests reveal how their work illuminates crucial questions of identity, diversity, and aesthetics.
Terms: Aut | Units: 1 | Grading: Satisfactory/No Credit
Instructors: Chang, J. (PI)

AFRICAAM 12: Presidential Politics: Race, Gender, and Inequality in the 2016 Election (CSRE 12, POLISCI 74)

From the 2016 nomination process to the election.The complexities of identity and its role in uniting and dividing the electorate. Panels covering the media, political participation, and group affiliation.
Terms: Aut | Units: 1 | Grading: Satisfactory/No Credit

AFRICAAM 17N: Race and Politics: Perspectives on the 2016 Presidential Election (CSRE 17N, SOC 17N)

This course is intended as a seminar-based exploration of the complex ways that race has informed political behavior and attitudes during the 2016 Presidential election. The class is designed to introduce freshman to sociological ways of understanding the social world, and the rigors of college thinking more broadly. As a group we will explore the mechanisms through which race informs political behavior, while also paying close attention to the ways that politics also informs our understanding of race. The course treats ¿race¿ as multifaceted construct, with multiple (and often times conflicting) influences on political behavior. The course stresses thenconstructed nature of both race and politics. The course will be split into 3 parts. In the first partnwe will explore the relationship between racial identity and political behavior at the individualnlevel. The second part of the course will examine how ideas about racial groups shape politicalnattitudes and behaviors, as well as policy outcomes. The third part of the course will explore hownrace is used to mobilize political and economic actors.
Terms: Aut | Units: 3 | Grading: Letter or Credit/No Credit
Instructors: Fields, C. (PI)

AFRICAAM 20A: Jazz Theory (MUSIC 20A)

Introduces the language and sounds of jazz through listening, analysis, and compositional exercises. Students apply the fundamentals of music theory to the study of jazz. Prerequisite: 19 or consent of instructor.
Terms: Aut | Units: 3 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-CE | Grading: Letter or Credit/No Credit
Instructors: Nadel, J. (PI)

AFRICAAM 28: Health Impact of Sexual Assault and Relationship Abuse across the Lifecourse (HUMBIO 28)

Cross-listed with SOMGEN 237 and FEMGEN 237. HumBio students must enroll in HumBio 28 or AFRICAAM 28. An overview of the acute and chronic physical and psychological health impact of sexual abuse through the perspective of survivors of childhood, adolescent, young and middle adult, and elder abuse, including special populations such as pregnant women, military and veterans, prison inmates, individuals with mental or physical impairments. Also addresses: race/ethnicity, gender identity, sexual orientation, and other demographic and societal factors, including issues specific to college culture. Professionals with expertise in sexual assault present behavioral and prevention efforts such as bystander intervention training, medical screening, counseling and other interventions to manage the emotional trauma of abuse. Undergraduates must enroll for 3 units. Medical and graduate students should enroll in SOMGEN 237 for 1-3 units. To receive a letter grade in any listing, students must enroll for 3 units. This course must be taken for a letter grade and a minimum of 3 units to be eligible for Ways credit.
Terms: Aut | Units: 1-3 | UG Reqs: WAY-ED | Grading: Letter or Credit/No Credit

AFRICAAM 30: The Egyptians (CLASSICS 82, HISTORY 48, HISTORY 148)

Overview of ancient Egyptian pasts, from predynastic times to Greco-Roman rule, roughly 3000 BCE to 30 BCE. Attention to archaeological sites and artifacts; workings of society; and cultural productions, both artistic and literary. Participation in class is required.
Terms: Aut | Units: 3-5 | UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II, WAY-SI | Grading: Letter or Credit/No Credit
Instructors: Austin, A. (PI)

AFRICAAM 31: RealTalk: Intimate Discussions about the African Diaspora

Students to engage in an intellectual discussion about the African Diaspora with leading faculty at Stanford across departments including Education, Linguistics, Sociology, History, Political Science, English, and Theater & Performance Studies. Several lunches with guest speakers. This course will meet in the Program for African & African American Studies Office in Building 360 Room 362B (Main Quad). This course is limited to Freshman and Sophomore enrollment.
Terms: Aut, Win | Units: 1 | Grading: Satisfactory/No Credit

AFRICAAM 37: Chocolate Heads Movement Band: Creative Methods in Intercultural Dance Technique and Performance (DANCE 30)

Students from diverse dance styles (ballet to hip-hop to contemporary) participate in the dance-making/remix process and collaborate with musicians, visual artists, designers and spoken word artists, to co-create a multidisciplinary finished production and installation. Students of all dance or athletic backgrounds are welcome to audition on Wednesday, September 28th and Monday, October 4th during class time. Visual artists, musicians and dancers may also contact the instructor for further information at ahayes1@stanford.edu.
Terms: Aut | Units: 2 | UG Reqs: WAY-CE | Repeatable for credit | Grading: Satisfactory/No Credit
Instructors: Hayes, A. (PI)

AFRICAAM 47: History of South Africa (CSRE 74, HISTORY 47)

(Same as HISTORY 147. History majors and others taking 5 units, register for 147.) Introduction, focusing particularly on the modern era. Topics include: precolonial African societies; European colonization; the impact of the mineral revolution; the evolution of African and Afrikaner nationalism; the rise and fall of the apartheid state; the politics of post-apartheid transformation; and the AIDS crisis.
Terms: Aut | Units: 3 | UG Reqs: GER:DB-SocSci, GER:EC-GlobalCom, WAY-ED, WAY-SI | Grading: Letter or Credit/No Credit
Instructors: Campbell, J. (PI)
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