printer friendly pageENGLISH 160: Poetry and Poetics
Introduction to the reading of poetry, with emphasis on how the sense of poems is shaped through diction, imagery, and technical elements of verse.English majors must take this class for 5 units.
Terms: Aut, Win, Spr
| Units: 3-5
| UG Reqs: GER:DB-Hum, WAY-A-II
ENGLISH 161: Narrative and Narrative Theory (COMPLIT 161E)
An introduction to stories and storytelling--that is, to narrative. What is narrative? When is narrative fictional and when non-fictional? How is it done, word by word, sentence by sentence? Must it be in prose? Can it be in pictures? How has storytelling changed over time? Focus on various forms, genres, structures, and characteristics of narrative. English majors must take this class for 5 units.
Terms: Aut, Win, Spr
| Units: 5
| UG Reqs: WAY-A-II, GER:DB-Hum
ENGLISH 165: Perspectives on American Identity (AMSTUD 160)
Required for American Studies majors. In this seminar we trace diverse and changing interpretations of American identity by exploring autobiographical, literary, and/or visual texts from the 18th through the 20th century in conversation with sociological, political, and historical accounts. *Fulfills Writing In the Major Requirement for American Studies Majors*
Terms: Spr
| Units: 5
| UG Reqs: GER:EC-AmerCul, WAY-SI, GER:DB-Hum, WAY-EDP
Instructors:
Kessler, E. (PI)
ENGLISH 169D: Contemporary Asian American Stories (ASNAMST 169D)
This course will examine the aesthetics and politics of contemporary Asian American storytellers, with an emphasis on work produced within the past five years. We will investigate the pressures historically placed on Asian Americans to tell a certain kind of story e.g. the immigrant story in a realist mode and the ways writers have found to surprise, question, and innovate, moving beyond those boundaries to explore issues of race, sexuality, science, memory, citizenship, and belonging. Course materials will consist of novels, short stories, graphic narrative, and film, and may include work by Ocean Vuong, Mira Jacobs, Gish Jen, Charles Yu, and Adrian Tomine, as well as Lulu Wangs 2019 film The Farewell. This seminar will feature both analytical and creative components, and students will be encouraged to produce both kinds of responses to the material.
Terms: Aut
| Units: 5
| UG Reqs: WAY-A-II, WAY-EDP
Instructors:
Tanaka, S. (PI)
ENGLISH 175: Chaucer's Canterbury Tales
Embark on an engaging journey through medieval literature with Geoffrey Chaucer's "The Canterbury Tales," along with the works of Marie de France and Boethius. This course offers a vibrant exploration of storytelling, featuring interactive discussions, multimedia resources, and creative projects. Discover the rich tapestry of medieval thought, culture, and philosophy through a diverse range of texts. Dive into the world of knights, love, betrayal, and philosophical quests, making connections to contemporary issues. Ideal for anyone interested in the roots of modern literature and storytelling and the fascinating world of medieval society.
Terms: Win
| Units: 3-5
Instructors:
Vermeule, B. (PI)
ENGLISH 177: Contemporary Novel in U.S. Perspective (AMSTUD 177)
This course investigates a selection of novels from 2001 to the present, either authored in the United States or strongly and meaningfully received here by critics and gatekeepers. In the absence of a fixed academic canon or acknowledged tradition of exemplary works, this course includes evaluation as one of its central enterprises. Students help to make arguments for which works matter and why. Students consider topics including the demotion of the novel to a minor art form, competition from the image, transformations of celebrity culture (in literature and outside it), relevance or irrelevance of the digital age, aftermaths of the modernist and postmodernist project, eccentricity and marginality, race and gender politics in putatively post-feminist, post-racial,and post-political vantage, and problems of meaning in rich societies oriented to risk, probability, economization, health, consumption, comfort, and recognition or representation (rather than action or event). Novels and short stories may be supplemented by philosophical and sociological visions of the contemporary.
Terms: Spr
| Units: 3-5
Instructors:
Greif, M. (PI)
ENGLISH 177B: Contemporary American Short Stories (AMSTUD 177B)
An exploration of the power and diversity of the American short story ranging from the 1970s to the present day. By examining short stories historically, critically, and above all as art objects, students will learn how to read, interpret, critique, and enjoy short stories as social, political, and humanist documents. Students will learn techniques to craft their own short stories and their own critical essays in a course that combines creative practice and the art of critical appreciation.
Terms: Spr
| Units: 3-5
| UG Reqs: WAY-A-II, WAY-CE
Instructors:
Jones, G. (PI)
;
Trahan, J. (PI)
ENGLISH 180: Public Service and Social Impact: Pathways to Purposeful Careers (CSRE 190A, INTNLREL 74, POLISCI 74B, PUBLPOL 75B, SOC 190A, SYMSYS 193, URBANST 190A)
How do I translate my interests and skills into a career in public service and social impact? This course will introduce you to a wide range of roles that help shape public policy and civic life, including government, education, nonprofits, social enterprises, and arts/media. It can be taken for one or two units. For one unit, you participate in a weekly, interactive speaker series designed to give you a sense for what different public service careers are like. Each week, guests describe their organizations and roles, highlight key intellectual issues and policy challenges, discuss their career paths, and describe skills crucial for the job. For a second unit, you participate in a hands-on weekly session designed to help you translate this knowledge into action. You will identify roles and organizations that might be a good match for you, build your network through informational interviewing, receive career coaching, and acquire the tools you need to launch your job or internship searc
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How do I translate my interests and skills into a career in public service and social impact? This course will introduce you to a wide range of roles that help shape public policy and civic life, including government, education, nonprofits, social enterprises, and arts/media. It can be taken for one or two units. For one unit, you participate in a weekly, interactive speaker series designed to give you a sense for what different public service careers are like. Each week, guests describe their organizations and roles, highlight key intellectual issues and policy challenges, discuss their career paths, and describe skills crucial for the job. For a second unit, you participate in a hands-on weekly session designed to help you translate this knowledge into action. You will identify roles and organizations that might be a good match for you, build your network through informational interviewing, receive career coaching, and acquire the tools you need to launch your job or internship search. This course is intended for all students and all majors. Course content will be relevant to students soon entering the job market as well as those facing choices about courses of study and internships. Class sessions will be 60 minutes. This course is co-sponsored by the Haas Center for Public Service, the School of Humanities and Sciences, and Stanford in Government. Students taking the course for one unit (Tuesday lecture) must enroll in the -01 course option, and students taking the course for two units (Tuesday lecture and Thursday seminar) must enroll in the -02 course option. IR approved.
Terms: Aut
| Units: 2
Instructors:
Litvak, L. (PI)
;
Weisler, T. (PI)
ENGLISH 180A: Velocity and Suspension: The Sense of Time in Early Modern Writing
'A book that never ends, an ongoing book to tell you what is true.' Thus one literary critic describes the strangest of literary innovations from the late seventeenth century: the periodical form. Between 1641-1700, periodicals made up fully one-fourth of printed titles. Authors more often recognized as practitioners of other forms (Daniel Defoe, Eliza Haywood, Jonathan Swift, Frederick Douglass) also headed up their own journals as editors. This course, which prioritizes breadth of exposure, will also consider the temporal rhythms that a literary form like the periodical introduces and alters. By situating journalistic time within a range of calendrical regimes from the medieval period onward (the seasonal, monastic, public, scientific and yes, academic), students should find resources anew to guide their own practices of recurrent writing.
Terms: Spr
| Units: 3-5
Instructors:
Yu, E. (PI)
ENGLISH 184E: Literary Text Mining
This course will train students in applied methods for computationally analyzing texts for humanities research. The skills students will gain will include basic programming for textual analysis, applied statistical evaluation of results and the ability to present these results within a formal research paper or presentation. Students in the course will also learn the prerequisite steps of such an analysis including corpus selection and cleaning, metadata collection, and selecting and creating an appropriate visualization for the results. This class is enrollment by permission only. To request a spot in the class, please fill out the survey:
https://stanforduniversity.qualtrics.com/jfe/form/SV_6PrXGyFeo7g5eNU
Terms: Aut
| Units: 5
| UG Reqs: GER:DB-Hum, WAY-AQR
Instructors:
Sherman, A. (PI)
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