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31 - 40 of 44 results for: CLASSICS

CLASSICS 206B: The Semantics of Grammar

Supplements CLASSICS 104B/204B. 206A: Tense, Aspect, Argument Structure, Location. 206B: Quantification, Plurality, Modification, Negation, Modality.
Terms: Win | Units: 2 | Grading: Letter (ABCD/NP)
Instructors: Devine, A. (PI)

CLASSICS 208L: Latin 400-1700 CE (CLASSICS 6L, RELIGST 173X)

Readings in later Latin, drawing on the vast bodies of texts from the late antique, medieval and early modern periods. Each week students will prepare selections in advance of class meetings; class time will be devoted to translation and discussion. Students taking this course will gain exposure to a wide range of later Latin texts; hone translation skills; and develop an awareness of the grammatical and stylistic features of post-classical Latin. The course is aimed both at classical Latinists seeking to broaden their reading experience and at medievalists and early modernists seeking to consolidate their Latin language skills. May be repeat for credit.nnPrior experience in Latin is required, preferably CLASSICS 11L. Equivalent accepted. Anyone unsure whether to take this course is encouraged to contact the instructor in advance.
Terms: Win, Spr | Units: 1-2 | Repeatable for credit | Grading: Letter or Credit/No Credit
Instructors: Klopacz, J. (PI)

CLASSICS 218: Slavery, human trafficking, and the moral order: ancient and modern (CLASSICS 118, HUMRTS 109)

Slavery and trafficking in persons in the Greco-Roman world were legal and ubiquitous; today slavery is illegal in most states and regarded as a grave violation of human rights and as a crime against humanity under international law. In recent trends, human trafficking has been re-conceptualized as a form of "modern day slavery. " Despite more than a century since the success of the abolition movement, slavery and trafficking continue in the 21st century on a global scale.
Terms: Win | Units: 3 | Grading: Letter (ABCD/NP)

CLASSICS 260: Design Thinking for the Creative Humanities (CLASSICS 160)

This class introduces Design Thinking to students in the Humanities and Social Sciences. Under a growth mindset of creative exploration and experiment, we will share a tool kit drawn from design thinking and the arts to develop our imaginative capacity to innovate. The standpoint is that creative imagination is not a property of the artistic or design genius but comprises skills and competencies that can be easily learned and adapted to all sorts of circumstances ¿ personal, organizational, business, community.
Terms: Win | Units: 3-5 | Grading: Letter or Credit/No Credit
Instructors: Shanks, M. (PI)

CLASSICS 298: Directed Reading in Classics (Graduate Students)

(Formerly CLASSGEN 260.)
Terms: Aut, Win, Spr, Sum | Units: 1-15 | Repeatable for credit | Grading: Letter or Credit/No Credit

CLASSICS 304: Developing a Classics Dissertation Prospectus

This workshop concentrates on the development process of writing a successful dissertation proposal and clarifies expectations of the defense process. Includes peer reviews of draft proposals with an aim to present provisional proposals by the end of term. Highly recommended for current third-year Classics Ph.D. students.
Terms: Win | Units: 1-3 | Grading: Satisfactory/No Credit

CLASSICS 331: Words and Things in the History of Classical Scholarship (HISTORY 303F)

How have scholars used ancient texts and objects since the revival of the classical tradition? How did antiquarians study and depict objects and relate them to texts and reconstructions of the past? What changed and what stayed the same as humanist scholarship gave way to professional archaeologists, historians, and philologists? Focus is on key works in the history of classics, such as Erasmus and Winckelmann, in their scholarly, cultural, and political contexts, and recent critical trends in intellectual history and the history of disciplines.
Terms: Win | Units: 4-5 | Grading: Letter (ABCD/NP)
Instructors: Ceserani, G. (PI)

CLASSICS 347: Greek Epigram

Greek verse inscriptions first appeared in the 8th century BCE and have been found throughout the Greek speaking Mediterranean. Their popularity continued until the early Byzantine periods. This course will treat the unique dynamics of epigram as a form that migrated from stone to text, the variety of ways in which its narrative potential was exploited within dedicated poetry books, its reception in Roman literature, and its relationships with other genres (especially epic and elegy).
Terms: Win | Units: 4-5 | Grading: Letter (ABCD/NP)

CLASSICS 349: Classical Aesthetics and the Shaping of Modern Aesthetic Thought

We will focus on the birth of modern aesthetic thought in 18th and 19th-century Europe and how influential thinkers such as Batteux, Baumgarten, Lessing, Kant, Schiller, Schelling, Hegel, and Nietzsche used Greek and Roman literature, art, and philosophy in shaping their divergent ideas about the essence and role of the aesthetic in human perception and culture. Open to senior undergraduate students, please contact instructor.
Terms: Win | Units: 3-5 | Grading: Letter or Credit/No Credit
Instructors: Peponi, A. (PI)

CLASSICS 359: An Archaeology of Ephesos

In the seminar, the cultural landscape of Ephesos from the emergence of settlement activity up until the present should be treated under the aspects: relationship between mankind and environment, resources and infrastructure, urban and rural lifestyles, religious history, macro-developments and their influence on a micro-region.nThe current picture of Ephesos should be illuminated against the background of research history, and asked as to what extent social-political developments of the 20th century, as well as actors involved had an influential role.
Terms: Win | Units: 3-5 | Grading: Letter or Credit/No Credit
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