printer friendly pageARTSTUDI 148B: Introduction to Printmaking Techniques
Techniques such as monotype, monoprint, photocopy transfers, linocut and woodcut, intaglio etching. Demonstrations of these techniques. Field trips to local print collections or print exhibitions. (lower level)
Last offered: Spring 2009
| UG Reqs: WAY-CE
| Repeatable
1 times
(up to 4 units total)
ARTSTUDI 149A: Printmaking Relief
Various relief printmaking techniques explored with concentrated work in the processes of woodcut, linoleum cut and other related relief approaches. Students are exposed to contemporary practices in printmaking through visits to museums, print workshops, publishers, artists' studios, and other venues.
Terms: Spr
| Units: 4
Instructors:
Ebtekar, A. (PI)
ARTSTUDI 14A: Drawing Comics for Non-Majors
Students learn basic comic book skills such as drawing, inking, panel production, and cover design. Emphasis is on characterization, storyline development, storyboarding, and comic book creation, including individual and group projects. Lectures on various topics and visiting comic book artists complement the studio work. Drawing I recommended.
Instructors:
Luna-Avin, J. (PI)
ARTSTUDI 151: Sculpture I
Traditional and non-traditional approaches to sculpture production through working with materials including wood, metal, and plaster. Conceptual and technical skills, and safe and appropriate use of tools and materials. Impact of material and technique upon form and content; the physical and expressive possibilities of diverse materials. Historical and contemporary forming methods provide a theoretical basis for studio work. Field trips; guest lecturers.
Terms: Aut, Win
| Units: 4
| UG Reqs: WAY-CE
Instructors:
Arcega, M. (PI)
;
Berlier, T. (PI)
ARTSTUDI 152: Sculpture II
Builds upon 151. Installation and non-studio pieces. Impact of material and technique upon form and content; the physical and expressive possibilities of diverse materials. Historical and contemporary forming methods provide a theoretical basis for the studio work. Field trips; guest lecturers. (upper level)
Last offered: Spring 2009
| UG Reqs: WAY-CE
| Repeatable
2 times
(up to 8 units total)
ARTSTUDI 153: Ecology of Materials
Studio-based sculpture course. Materials used in sculpture and environmental concerns surrounding them. Artists concerned with environmental impact and the interconnection of art with other fields. The impact of material and technique upon form and content; understanding the physical and expressive possibilities of diverse materials. Conceptual and technical considerations. Group discussions, critiques, readings, video presentations, a field trip to a local artist-in-residence program, and visiting lecturers. (lower level)
Terms: Aut
| Units: 4
| UG Reqs: WAY-CE
Instructors:
Berlier, T. (PI)
ARTSTUDI 154: Kinetic Sculpture
This course developed from a SICA grant by David Beach and Terry Berlier to bring students in closer dialogue with artists working interdisciplinary on collaborative projects. Students work with visiting artist Reuben Margolin in the design and construction of a collaborative kinetic project. Professor David Beach from Mechanical Engineering will participate in class. Students use both the Sculpture Lab facilities and the PRL. Engineers, Sculptors, Artists, Majors and Non-majors are welcome. (lower level)
Terms: Spr
| Units: 4
| UG Reqs: WAY-CE
Instructors:
Berlier, T. (PI)
ARTSTUDI 16: Sculpture for Non-Majors
ARTSTUDI 160: Design II: The Bridge
The historical spectrum of design including practical and ritual. The values and conceptual orientation of visual fundamentals. Two- and three-dimensional projects sequentially grouped to relate design theory to application, balancing imaginative and responsible thinking. Prerequisite: 60. (upper level)
Terms: Win, Spr
| Units: 3-4
ARTSTUDI 163: Paper
Beyond conventional use of paper as a foundation for mark making to its potential as a medium in its own right. Students experiment with papers to develop facility with techniques of folding, scoring, curling, cutting, tearing, piercing, embossing, layering, and binding to create three-dimensional forms, patterned/textured surfaces, reliefs, interactive dynamic structures such as pop-ups, containers, and book forms. (upper level)
Terms: Spr
| Units: 3-4
Instructors:
Edmark, J. (PI)
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