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ARTHIST 475: Media Cultures of the Cold War (COMM 386)

The intersection of politics, aesthetics, and new media technologies in the U.S. between the end of WW II and the fall of the Berlin Wall. Topics include the aesthetics of thinking the unthinkable in the wake of the atom bomb; abstract expressionism and modern man discourse; game theory, cybernetics, and new models of art making; the rise of television, intermedia, and the counterculture; and the continuing influence of the early cold war on contemporary media aesthetics. Readings from primary and secondary sources in art history, communication, and critical theory.

ARTHIST 476: Postmodernism and the Visual Arts

Enrollment restricted to graduate students. The debates on postmodernism as a cultural dominant (Jameson) emerging in the criticism of the last half of the twentieth century. Theories of periodization and historicity; authorship, appropriation; allegory and narrative; simulation; difference; late capitalism and the postindustrial society; and cybercultures relative to the art of the 1970s-80s. Special attention paid to the culture wars and the importance of postmodernism for contemporary discussions of neoliberalism. Authors include Barthes, Baudrillard, Crimp, Foster, Foucault, Jameson, Habermas, Harvey, Krauss, Lyotard, Owens.
Terms: Aut | Units: 5
Instructors: Lee, P. (PI)

ARTHIST 482B: Imagining the Imperial: Images of the Court in Late Ming Dynasty Public Culture ¿ Part II

Exploration in representations of palace and court life in Ming period vernacular painting, illustrated books, and fiction. Topics include the status of the court in the Ming public imaginary, strategies of historical displacement, disguised political critique, commerce in imperial objects, and scandals, rumors and myths surrounding court life
Terms: Win | Units: 5
Instructors: Vinograd, R. (PI)

ARTHIST 483: Shanghai Visual Culture: Contested Modernities

Held in conjunction with Modern Ink Painters exhibition at the Cantor Center and the Shanghai Visual Culture exhibition at the Asian Art Museum of San Francisco. Aspects of late 19th- and early 20th-century Shanghai visual culture and its historiography. Topics include the interplay and competition of ink painting with new media such as lithography, photography, illustrated periodicals, and film; images of gendered modernity, from courtesan to new woman; situating the national and the cosmopolitan; the cultural politics of painting; art institutions, education, and exhibitions. Museum visits; and individual or group research projects. Open to undergraduates with consent of instructor.
Terms: Spr | Units: 5
Instructors: Vinograd, R. (PI)

ARTHIST 502: Methods and Historiography of Art History

Restricted to graduate students. From the origins of the discipline in 19th-century Germany to recent debates on visual studies. Iconology, formalism, semiotics, psychonalysis, and Marxist and feminist approaches to the work of art. Limited enrollment.
Terms: Aut | Units: 5
Instructors: Marrinan, M. (PI)

ARTHIST 600: Art History Bibliography and Library Methods

Terms: Aut | Units: 1
Instructors: Blank, P. (PI)

ARTHIST 610: Teaching Praxis

Terms: Aut, Win, Spr | Units: 1-5 | Repeatable for credit

ARTHIST 620: Area Core Examination Preparation

For Art History Ph.D. candidates. Prerequisite: consent of instructor.
Terms: Aut, Win, Spr, Sum | Units: 5 | Repeatable 3 times (up to 24 units total)

ARTHIST 640: Dissertation Proposal Preparation

(Staff)
Terms: Aut, Win, Spr | Units: 5

ARTHIST 650: Dissertation Research

(Staff)
Terms: Aut, Win, Spr | Units: 5 | Repeatable 3 times (up to 24 units total)
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