2019-2020 2020-2021 2021-2022 2022-2023 2023-2024
Browse
by subject...
    Schedule
view...
 

21 - 30 of 37 results for: ITALIAN

ITALIAN 328: Literature, Narrative, and the Self (COMPLIT 328, FRENCH 328)

The role of narrative in the well-lived life. Are narratives necessary? Can they, and should they, be literary? When might non-narrative approaches, whether literary or otherwise, be more relevant? Is unity of self something given, something to be achieved, or something to be overcome? Readings from Aristotle, Montaigne, Schopenhauer, Nietzsche, Camus, Sartre, MacIntyre, G. Strawson, Velleman; Ricoeur, Brooks; Shakespeare, Stendhal, Musil, Levi, Beckett, Morrison; film. Taught in English.
Terms: Aut | Units: 3-5
Instructors: Landy, J. (PI)

ITALIAN 352: Boccaccio's Decameron: The Ethics of Storytelling (ITALIAN 152)

This course involves an in-depth study of Boccaccio's Decameron in the context of medieval theories of poetry and interpretation. The goal is to understand more fully the relationship between literature and lived experience implied by Boccaccio's fictions. We will address key critical issues and theoretical approaches related to the text. Taught in English translation, there will be an optional supplementary Italian discussion section during weeks 2-9.
Terms: Aut | Units: 3-5
Instructors: Lummus, D. (PI)

ITALIAN 366: Women's Voices in Contemporary Italian Literature (ITALIAN 166)

The traditional canon of Italian literature consists almost exclusively of male authors. Yet Italian women writers have been active since the time of Dante. This presents an overview of women's prose fiction of the last 100 years, from Sibilla Aleramo's groundbreaking feminist novel *Una donna* (1906) to novels from the 80's and 90's. We will examine such issues as the central issue of sexual violence in many female autobiographies; the experience of motherhood; the conflict between maternal love and the desire for self-determination and autonomy; paths to political awareness; reinventing the historical novel. Taught in English.
Last offered: Spring 2013

ITALIAN 369: Introduction to Graduate Studies: Criticism as Profession (COMPLIT 369, DLCL 369, FRENCH 369, GERMAN 369)

A number of faculty will present published work and discuss their research and composition process. We will read critical, theoretical, and literary texts that address, in different ways, "What is a World?" Taught in English.
Terms: Aut | Units: 5

ITALIAN 395: Philosophical Reading Group (COMPLIT 359A, FRENCH 395)

Discussion of one contemporary or historical text from the Western philosophical tradition per quarter in a group of faculty and graduate students. For admission of new participants, a conversation with H. U. Gumbrecht is required. May be repeated for credit. Taught in English.
Terms: Aut, Win | Units: 1 | Repeatable for credit

ITALIAN 398: Intensive Reading in French/Italian (FRENCH 398)

Enrollment is limited to French/Italian Ph.D. students. Course is designed for French/Italian Ph.D. students to prepare for department milestone exams.
Terms: Sum | Units: 10 | Repeatable 2 times (up to 20 units total)

ITALIAN 399: Individual Work

Repeatable for Credit
Terms: Aut, Win, Spr, Sum | Units: 1-12 | Repeatable for credit

ITALIAN 52N: Life is a Play: Identity, Persona, and Improvisation in Luigi Pirandello

Stanford Introductory Seminar. Preference to freshmen. For Pirandello (1867-1936; Nobel Prize, 1934), to suddenly realize your entire life has been a performance is a moment of utmost horror, comedy, and opportunity for self-awareness. In a quintessentially modern fashion, he claims that the performance cannot be stopped, that authenticity is a mirage, and that learning to laugh at oneself is the only liberation. Materials include Pirandello's existential "theater within the theater," his novels, and their film adaptations, which we will study in their cultural context.

ITALIAN 802: TGR Dissertation

Terms: Aut, Win, Spr, Sum | Units: 0 | Repeatable for credit

ITALIAN 110: Gateway to Italy

This course serves as an introduction to the world of Italy by focusing on the cultural significance associated with five key words and their concomitant human figures: ¿Stile¿ (the artist), ¿Spirito¿ (the hero-saint), ¿Scienza¿ (the thinker), ¿Migrazione¿ (the explorer), and ¿Crisi¿ (the political man). Readings will address figures such as Dante, Michelangelo, Saint Francis, Da Vinci, Galileo, Fermi, and Columbus; and socio-cultural phenomena such as fashion and design, the scientific revolution, brain drain, immigration and emigration, religion, and politics.
Filter Results:
term offered
updating results...
teaching presence
updating results...
number of units
updating results...
time offered
updating results...
days
updating results...
UG Requirements (GERs)
updating results...
component
updating results...
career
updating results...
© Stanford University | Terms of Use | Copyright Complaints