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1 - 10 of 25 results for: AFRICAST

AFRICAST 46N: Show and Tell: Creating Provenance Histories of African Art (AFRICAAM 46N, HISTORY 46N)

Provenance refers to the chain of custody of a particular art object during its lifetime. Put another way, provenance refers to all the individuals, communities, and institutions who have owned (both legally and illegally), kept, stored, exhibited, displayed, managed, and sold an art object. Knowledge of provenance can both inflate and deflate the value of an art object and it can also shed light upon legal and ethical questions including assessing repatriation and restitution claims for African art objects. Furthermore, by telling the story of how a particular object moved through multiple pairs of hands, often over the course of centuries and across several continents, we gain nuanced appreciation of the social currency of artwork as well as of changing perceptions of aesthetic and monetary value, and insight into the extractive dynamics of colonialism and postcolonial global economies. For this class, you will have the unique opportunity to work first hand with an important African art collection in North America: the Richard H. Scheller Collection at Stanford University. You will select one object from the collection and create a detailed provenance history, documenting and detailing its origins, its movement across space and time, and its arrival to the Scheller collection in Silicon Valley. You will use archival materials from Scheller¿s collection, online databases and archives, and secondary literature. Your final project for the class will be to create a visual StoryMap that allows you to display your provenance history with narrative text and multimedia content. In this way, you will not only have completed a class assignment: you will also have constructed for posterity a remarkable hitherto unknown history of an important African art object.
Last offered: Spring 2023 | UG Reqs: WAY-A-II, WAY-SI

AFRICAST 51N: Visible Bodies: Black Female Authors and the Politics of Publishing in Africa (AFRICAAM 140N, ENGLISH 54N, HISTORY 41N)

Where are the African female writers of the twentieth century and the present day? This Introductory Seminar addresses the critical problem of the marginalization of black female authors within established canons of modern African literature. We will explore, analyse and interrogate the reasons why, and the ways in which, women-authored bodies of work from this period continue to be lost, misplaced, forgotten, and ignored by a male-dominated and largely European/white publishing industry in the context of colonialism, apartheid and globalization. nnYou will be introduced to key twentieth-century and more contemporary female authors from Africa, some of them published but many more unpublished or out-of-print. The class will look at the challenges these female authors faced in publishing, including how they navigated a hostile publishing industry and a lack of funding and intellectual support for black writers, especially female writers. nnWe will also examine the strategies these writers used to mitigate their apparent marginality, including looking at how women self-published, how they used newspapers as publication venues, how they have increasingly turned to digital platforms, and how many sought international publishing networks outside of the African continent. As one of the primary assessments for the seminar, you will be asked to conceptualize and design an in-depth and imaginative pitch for a new publishing platform that specializes in African female authors. nnYou will also have the opportunity for in-depth engagement (both in class and in one-on-one mentor sessions) with a range of leading pioneers in the field of publishing and literature in Africa. Figures like Ainehi Edoro (founder of Brittle Paper) and Zukiswa Wanner (prize-winning author of The Madams and Men of the South), amongst others, will be guests to our Zoom classroom. One of our industry specialists will meet with you to offer detailed feedback on your proposal for your imagined publishing platform. nnYou can expect a roughly 50/50 division between synchronous and asynchronous learning, as well as plenty of opportunity to collaborate with peers in smaller settings.
Last offered: Winter 2021 | UG Reqs: WAY-EDP, WAY-SI

AFRICAST 58: Egypt in the Age of Heresy (AFRICAAM 58A, ARCHLGY 58, CLASSICS 58)

Perhaps the most controversial era in ancient Egyptian history, the Amarna period (c.1350-1334 BCE) was marked by great sociocultural transformation, notably the introduction of a new 'religion' (often considered the world's first form of monotheism), the construction of a new royal city, and radical departures in artistic and architectural styles. This course will introduce archaeological and textual sources of ancient Egypt, investigating topics such as theological promotion, projections of power, social structure, urban design, interregional diplomacy, and historical legacy during the inception, height, and aftermath of this highly enigmatic period. Students with or without prior background are equally encouraged.
Last offered: Autumn 2018 | UG Reqs: WAY-A-II, WAY-SI

AFRICAST 60C: Shifting Frames

This course is centered around an intellectual community, driven by students and built on dialogue. It aims to critically examine commonly accepted perspectives on significant African topics and discussions, such that individuals are challenged to reframe their perspectives. Our journey through diverse terrain will be guided by scholars (students) who bring their own research and real-world examples from various corners of the African continent. Previous subjects covered encompass Afropolitanism, the dynamics of Brain Drain and Gain, Educational issues, Leadership, Global Health, AI's role in Africa, Economic Development, Industrial Policy, LGBTQI Rights, Gender, and Sexuality. The primary focus of this course is to amplify the scholarly contributions and voices of African students.
| Repeatable 2 times (up to 4 units total)

AFRICAST 90: Black Earth Rising: Law and Society in Postcolonial Africa (AFRICAAM 47S, HISTORY 47S)

Is the International Criminal Court a neocolonial institution? Should African art in Western museums be returned? Why have anti-homosexuality laws emerged in many African countries? This course engages these questions, and more, to explore how Africans have grappled with the legacies of colonialism through law since independence. Reading court documents, listening to witness testimonies, analyzing legal codes, and watching cultural commentaries¿including hit TV series Black Earth Rising¿students will examine the histories of legal conflict in Africa and their implications for the present and future of African societies. This course fulfills the Social Inquiry and Engaging Diversity Ways requirements.
Last offered: Winter 2021 | UG Reqs: WAY-EDP, WAY-SI

AFRICAST 112: AIDS, Literacy, and Land: Foreign Aid and Development in Africa (AFRICAAM 111, AFRICAST 212)

Foreign aid can help Africa, say the advocates. Certainly not, say the critics. Is foreign aid a solution? or a problem? Should there be more aid, less aid, or none at all? Africa has developed imaginative and innovative approaches in many sectors. At the same time, many African countries have become increasingly dependent on foreign aid. How do foreign aid and local initiatives intersect? We will examine several contentious issues in contemporary Africa, exploring roots, contested analyses, and proposed solutions, examining foreign aid and the aid relationship. As African communities and countries work to shape their future, what are the foreign roles, and what are their consequences?
Last offered: Winter 2020 | UG Reqs: GER:EC-GlobalCom, WAY-EDP, WAY-SI

AFRICAST 115: Excavating Enslavement (AFRICAST 215)

This is a project-based course, intended to scaffold a joint initiative, Aftermaths of Enslavement: curating legacies publicly. Both course and project seek to better understand enslaved pasts by (a) curating materials that advance scholarly research, using technologies that maximize access and utility; and (b) by developing learning materials for schools and popular audiences by working with heritage professionals and teachers. The focus is on the Indian Ocean World, particularly the Cape (South Africa) and Mauritius, within global and comparative frameworks. Readings for each week will juxtapose Cape and other slave systems. Project partners and other guests will join individual sessions. Students unable to attend the sessions should contact the instructor to discuss asynchronous alternatives.
Terms: Spr | Units: 1-2 | Repeatable 2 times (up to 2 units total)

AFRICAST 117: African Archive Beyond Colonization (AFRICAAM 187, ARCHLGY 166, CLASSICS 186, CLASSICS 286, CSRE 166)

From street names to monuments, the material sediments of colonial time can be seen, heard, and felt in the diverse cultural archives of ancient and contemporary Africa. This seminar aims to examine the role of ethnographic practice in the political agendas of past and present African nations. In the quest to reconstruct an imaginary of Africa in space and time, students will explore these social constructs in light of the rise of archaeology during the height of European empire and colonization. Particularly in the last 50 years, revived interest in African cultural heritage and preservation raises complex questions about the problematic tensions between European, American, and African theories of archaeological and ethnographic practice.
Terms: Aut | Units: 3-5 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: Derbew, S. (PI)

AFRICAST 132: Literature and Society in Africa and the Caribbean (AFRICAAM 133, COMPLIT 133, COMPLIT 233A, CSRE 133E, FRENCH 133, JEWISHST 143)

This course provides students with an introductory survey of literature and cinema from Francophone Africa and the Caribbean in the 20th and 21st centuries. Students will be encouraged to consider the geographical, historical, and political connections between the Maghreb, the Caribbean, and Sub-Saharan Africa. This course will help students improve their ability to speak and write in French by introducing students to linguistic and conceptual tools to conduct literary and visual analysis. While analyzing novels and films, students will be exposed to a diverse number of topics such as national and cultural identity, race and class, gender and sexuality, orality and textuality, transnationalism and migration, colonialism and decolonization, history and memory, and the politics of language. Readings include the works of writers and filmmakers such as Aim¿ C¿saire, Albert Memmi, Ousmane Semb¿ne, Le¿la Sebbar, Mariama B¿, Maryse Cond¿, Dany Laferri¿re, Mati Diop, and special guest L¿onora Miano. Taught in French. Students are encouraged to complete FRENLANG 124 or successfully test above this level through the Language Center. This course fulfills the Writing in the Major (WIM) requirement.
Terms: Spr | Units: 4 | UG Reqs: WAY-A-II, GER:DB-Hum, WAY-EDP

AFRICAST 135: Designing Research-Based Interventions to Solve Global Health Problems (AFRICAST 235, EDUC 135, EDUC 335, EPI 235, HUMBIO 26, MED 235)

The excitement around social innovation and entrepreneurship has spawned numerous startups focused on tackling world problems, particularly in the fields of education and health. The best social ventures are launched with careful consideration paid to research, design, and efficacy. This course offers students an immersive educational experience into understanding how to effectively develop, evaluate, and scale social ventures. Students will also get a rare "behind-the-scenes" glimpse at the complex ethical dilemmas social entrepreneurs have tackled to navigate the odds. Partnered with TeachAids, a global award-winning nonprofit (scaled to 82 countries), this course introduces students to the major principles of research-based design and integrates instruction supported by several game-changing social leaders. Open to both undergraduate and graduate students, it culminates in a formal presentation to an interdisciplinary panel of diverse Silicon Valley leaders. (Cardinal Course certified by the Haas Center)
Terms: Win | Units: 3
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