printer friendly pageMUSIC 11N: A View from the Podium: The Art of Conducting
How a conductor interprets music, realizes a personal vision through the rehearsal process, and communicates with orchestra and audience. Conducting as based on human communication skills. How to apply these lessons to other fields of endeavor.
Terms: Aut
| Units: 3
| UG Reqs: GER:DB-Hum
Instructors:
Cai, J. (PI)
MUSIC 11Q: Art in the Metropolis (ARTSINST 11)
This seminar is offered in conjunction with the annual "Arts Immersion" trip to New York that takes place over the spring break and is organized by the Stanford Arts Institute (SAI). Participation in the trip is a requirement for taking part in the seminar (and vice versa). The trip is designed to provide a group of students with the opportunity to immerse themselves in the cultural life of New York City guided by faculty and the SAI programming director. Students will experience a broad range and variety of art forms (visual arts, theater, opera, dance, etc.) and will meet with prominent arts administrators and practitioners, some of whom are Stanford alumni. For further details and updates about the trip, see
http://artsinstitute.stanford.edu.
Terms: Spr
| Units: 3
| UG Reqs: WAY-A-II
Instructors:
Curran, S. (PI)
;
Hinton, S. (PI)
MUSIC 12A: Introductory Piano Class
"(A=level 1; B=level 2; C=level 3)There is a fee for this class. Please visit n
http://music.stanford.edu/Academics/LessonSignups.html for class fee and signup information.Class is closed by design. Please register on the waitlist and show up on the first day of class to receive a permission number for enrollment. Preference to department majors"
Terms: Aut, Win, Spr, Sum
| Units: 1
| UG Reqs: WAY-CE
Instructors:
Zerlang, T. (PI)
MUSIC 12B: Introductory Piano Class
This class is closed by design. To enroll, please sign up on the Axess waitlist and show up on the first day to receive a permission number for re-enrollment. Your place on the waitlist will be considered a reservation. If the waitlist is closed, there are no more spaces in the class. (A=level 1; B=level 2; C=level 3) Please visit
http://music.stanford.edu/Academics/LessonSignups.html for class fee and signup information.
Terms: Aut, Win, Spr, Sum
| Units: 1
| UG Reqs: WAY-CE
Instructors:
Zerlang, T. (PI)
MUSIC 12C: Introductory Piano Class
This class is closed by design. To enroll, please sign up on the Axess waitlist and show up on the first day to receive a permission number for re-enrollment. Your place on the waitlist will be considered a reservation. If the waitlist is closed, there are no more spaces in the class. (A=level 1; B=level 2; C=level 3.) May be repeated for credit a total of 14 times. There is a fee for this class. Please visit
http://music.stanford.edu/Academics/LessonSignups.html for class fee and signup information
Terms: Aut, Win, Spr, Sum
| Units: 1
| UG Reqs: WAY-CE
| Repeatable
15 times
(up to 15 units total)
Instructors:
Zerlang, T. (PI)
MUSIC 14N: Women Making Music
Preference to freshmen. Women's musical activities across times and cultures; how ideas about gender influence the creation, performance, and perception of music.
Terms: Aut
| Units: 3
| UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-A-II, WAY-EDP
Instructors:
Hadlock, H. (PI)
MUSIC 15N: The Aesthetics of Data
Focus on visual and auditory display of data, specifically, the importance of aesthetic principles in effective data display, and the creative potential of scientific, biological, environmental and other data as inspiration for artistic expression.
Terms: Aut
| Units: 3
| UG Reqs: GER:DB-Hum, WAY-CE
Instructors:
Berger, J. (PI)
MUSIC 17N: The Operas of Mozart
Preference to freshmen. Four of Mozart's mature operas, the earliest works in the operatic repertoire never to go out of fashion. What accounts for this extraordinary staying power? Focus on the history of their composition, performance, and reception, and their changing significance from Mozart's time to the present.
Terms: Win
| Units: 3
| UG Reqs: GER:DB-Hum, WAY-A-II
Instructors:
Berger, K. (PI)
MUSIC 17Q: Perspectives in North American Taiko
Preference to sophomores. Taiko, or Japanese drum, is a newcomer to the American music scene. Emergence of the first N. American taiko groups coincided with increased Japanese American activism, and to some it is symbolic of Japanese American identity. N. American taiko is associated with Japanese American Buddhism. Musical, cultural, historical, and political perspectives of taiko. Hands-on drumming. Japanese music and Japanese American history, and relations among performance, cultural expression, community, and identity.
Last offered: Spring 2013
| UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-CE, WAY-EDP
MUSIC 18A: Jazz History: Ragtime to Bebop, 1900-1940 (AFRICAAM 18A)
From the beginning of jazz to the war years.
Terms: Win
| Units: 3
| UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II
Instructors:
Berry, F. (PI)
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