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141 - 150 of 253 results for: MUSIC

MUSIC 185: Music Across Media: Music Video to Postclassical Cinema (FILMSTUD 141, FILMSTUD 341, MUSIC 385)

What makes music videos, YouTube clips and musical numbers in today's films engaging? What makes them tick? Emphasis is on aesthetics and close reading. How music videos and its related forms work. Uses of the body, how visual iconography operates, what lyrics and dialogue can do, how and what music can say, and how it can work with other media. Questions of representation such as how class, ethnicity, gender, race, and nationality function. Viewership and industry practices.
Terms: Aut | Units: 4 | UG Reqs: GER:DB-Hum

MUSIC 186A: Music and Religious Experience in the Contemporary World (MUSIC 286A, RELIGST 156, RELIGST 256)

Explores the central role of music in the performance and experience of religion, positioning music not as an adjunct to silent rituals and liturgy, but as the catalyst and carrier of religious experience, indeed as religious experience itself. Topics include: trance, spirit possession, heightened religious experience, sacred sound and chant, shamanism, politics, and identity. Musical traditions include: Zimbabwean mbira music, African-American church music, Southeast Asian Buddhist ritual music, South Asian Hindu and Islamic devotional music, shamanistic music of Southeast Asia.
Terms: Spr | Units: 3-5 | UG Reqs: WAY-A-II, WAY-EDP

MUSIC 187: Music and Culture from the Land of Fire: Introduction to Azerbaijani Mugham

Nestled in the Caucasus, Azerbaijan is a crossroads between East and West; its rich musical heritage contains threads of Turkish, Central Asian, Persian, Caucasian, Russian, and Arabic traditions. In this course, master-musician Imamyar Hasanov teaches students to perform and appreciate Azeri music. Content includes classical mugham, Eastern theory, improvisation and microtonality. We¿ll discuss Azeri music culture, supplemented by guest lecturers and Skype¿ interviews with musicians in Azerbaijan. Open to students with any experience playing a musical instrument (including voice). No previous experience with Azeri music necessary. Supported by the SF World Music Festival.Questions? Email schultza@stanford.edu.
Terms: Spr | Units: 1-5 | UG Reqs: WAY-CE, WAY-EDP

MUSIC 192A: Foundations of Sound-Recording Technology

For upper division undergraduates and graduate students; preference given to Music majors with MST specialization. Topics: elementary electronics; the physics of sound transduction and microphone operation, selection, and placement; mixing consoles; connectors and device interconnection; grounding and shielding; principles of analog magnetic recording; operation maintenance of recording equipment; and principles of recording engineering. Enrollment limited. Prerequisites: MUSIC 150, algebra, physics basics, and consent of instructor.
Terms: Aut | Units: 3 | UG Reqs: GER:DB-EngrAppSci, WAY-SMA

MUSIC 192B: Advanced Sound Recording Technology

Topics: noise reduction techniques; dynamics and time-delay audio effects; the principles of digital audio; disk- and tape-based digital recorders; digital audio workstations and editing; advanced multitrack techniques; SMPTE and MIDI time code and device synchronization; MIDI sequencing and synchronization. See http://ccrma.stanford.edu/courses/. Prerequisite: 192A.
Terms: Win | Units: 3 | UG Reqs: GER:DB-EngrAppSci, WAY-CE

MUSIC 197: Undergraduate Teaching Apprenticeship

Work in an apprentice-like relationship with faculty teaching a student-initiated course. Prerequisite: consent of instructor. (Staff)
Terms: Aut, Win, Spr | Units: 1-2

MUSIC 198: Concentrations Project

For concentration program participants only. Must be taken in senior year. Multiple concentrators may enroll in one section of 198 per concentration.
Terms: Aut, Win, Spr | Units: 4 | Repeatable 5 times (up to 20 units total)

MUSIC 199: Independent Study

For advanced undergraduates and graduate students who wish to do work outside the regular curriculum. Before registering, student must present specific project and enlist a faculty sponsor. May be repeated for credit a total of 14 times.
Terms: Aut, Win, Spr, Sum | Units: 1-5 | Repeatable 15 times (up to 75 units total)

MUSIC 200A: Proseminar in Musicology and Music Bibliography

Introduction to research in music, bibliographical materials, major issues in the field, philosophy, and methods in music history. Guest lecturers and individual research topics.
Terms: Aut | Units: 3-4

MUSIC 201: CCRMA Colloquium

Weekly review of work being done in the field, research taking palce at CCRMA, and tools to make the most of the CCRMA technical facilities.
Terms: Aut, Win, Spr | Units: 1 | Repeatable 18 times (up to 18 units total)
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