2019-2020 2020-2021 2021-2022 2022-2023 2023-2024
Browse
by subject...
    Schedule
view...
 

1 - 10 of 22 results for: AFRICAAM ; Currently searching spring courses. You can expand your search to include all quarters

AFRICAAM 18B: Jazz History: Bebop to Present, 1940-Present (MUSIC 18B)

Modern jazz styles from Bebop to the current scene. Emphasis is on the significant artists of each style.
Terms: Spr | Units: 3 | UG Reqs: GER:DB-Hum, WAY-A-II, GER:EC-AmerCul
Instructors: Berry, F. (PI)

AFRICAAM 34: Race, Policing, and Mass Incarceration (CSRE 34)

This course is a critical examination of the relationship between race, policing, and mass incarceration. Students will be reading the most important contemporary texts to discuss and deconstruct this relationship, as well as attending lectures and workshops by leading scholars and activists. The course will approach this critical nexus of concerns--race, policing, and mass incarceration--from social scientific, legal, theoretical and activist viewpoints.
Terms: Spr | Units: 1

AFRICAAM 35: On the Meaning of Freedom

This course will be taught by Professor Angela Davis. This course examines this fundamental question: What is the meaning of freedom? We will read work that explores this question and seeks to end all social hierarchies that deny people their political, economic, cultural, and sexual freedom. We will confront the interconnected issues of race, gender, and class, as well as the on-going problems of incarceration, police violence, and barriers to food access and security. Students will consider the radical notion of freedom as a collective striving for real democracy, not a thing granted by the state, law, proclamation, or policy, but a participatory social process, rooted in difficult dialogues, that demands new ways of thinking and being.
Terms: Spr | Units: 5

AFRICAAM 36: REPRESENT! Covering Race, Culture, and Identity In The Arts through Writing, Media, and Transmedia. (CSRE 36)

Probably since the first audience formed for the first chalk scrawls in a cave, there have been storytellers to narrate that caveperson's art and life, and critics to troll that caveperson's choice and usage of color. And so it goes. This course is an exploration into how to cover race, culture, and identity in the arts in journalism, such as print, web, video, radio, and podcasting. It is also an arts journalism practicum. During the quarter, we will be working toward creating work that is publishable in various venues and outlets. In this course, we will be discussing exemplary arts writers and their works and interrogating critical questions around race, identity, representation, and ethics. Experienced journalists, editors, and experts from different platforms and backgrounds will also be imparting important skills and training that will help you to navigate today's working media and transmedia environments. Those who enroll in the class will be expected to produce quality content (e.g. articles, blog posts, video reports, podcasts) for media outlets. Some travel outside of class may be required for additional reporting and training. This seminar class will be By Instructor Approval Only. Please submit an application by February 22 at 11:59pm. Starred items are required. The app is available at: http://bit.ly/RepresentClass36 Those selected for this class will be informed by March 2nd so that they may enroll in the course. Please do not apply for the course if you are unsure about completing it. If you have any questions, you may email the instructor at: jeffc410@stanford.edu.
Terms: Spr | Units: 5
Instructors: Chang, J. (PI)

AFRICAAM 41: Genes and Identity (ANTHRO 41, CSRE 41A)

In recent decades genes have increasingly become endowed with the cultural power to explain many aspects of human life: physical traits, diseases, behaviors, ancestral histories, and identity. In this course we will explore a deepening societal intrigue with genetic accounts of personal identity and political meaning. Students will engage with varied interdisciplinary sources that range from legal cases to scientific articles, medical ethics guidelines, films, and anthropological works (ethnographies). We will explore several case studies where the use of DNA markers (as proof of heritage, disease risk, or legal standing) has spawned cultural movements that are biosocial in nature. Throughout we will look at how new social movements are organized around gene-based definitions of personhood, health, and legal truth. Several examples include political analyses of citizenship and belonging. On this count we will discuss issues of African ancestry testing as evidence in slavery reparations cases, revisit debates on whether Black Freedman should be allowed into the Cherokee and Seminole Nations, and hear arguments on whether people with genetic links to Jewish groups should have a right of return to Israel. We will also examine the ways genetic knowledge may shape different health politics at the individual and societal level. On this count we will do close readings of how personal genomics testing companies operate, we will investigate how health disparities funding as well as orphan disease research take on new valences when re-framed in genetic terms, and we will see how new articulations of global health priorities are emerging through genetic research in places like Africa. Finally we will explore social implications of forensic uses of DNA. Here we will examine civil liberties concerns about genetic familial searching in forensic databases that disproportionately target specific minority groups as criminal suspects, and inquire into the use of DNA to generate digital mugshots of suspects that re-introduce genetic concepts of race.
Terms: Spr | Units: 3 | UG Reqs: WAY-SI

AFRICAAM 45: Dance Improvisation Techniques and Strategies Lab: From Hip Hop to Contact (DANCE 45)

By learning various dance improvisation forms across cultures, students will develop techniques to gain a deep understanding of generating movement from the inside-out, inspired by conceptual strategies from master improvisors while harnessing that potential for creating dances. Guest dancer/choreographer workshops and Dance Jams enhance the learning experience. All Levels welcome.
Terms: Spr | Units: 2 | UG Reqs: WAY-CE | Repeatable for credit
Instructors: Hayes, A. (PI)

AFRICAAM 106: Race, Ethnicity, and Linguistic Diversity in Classrooms: Sociocultural Theory and Practices (CSRE 103B, EDUC 103B, EDUC 337)

Focus is on classrooms with students from diverse racial, ethnic and linguistic backgrounds. Studies, writing, and media representation of urban and diverse school settings; implications for transforming teaching and learning. Issues related to developing teachers with attitudes, dispositions, and skills necessary to teach diverse students.
Terms: Spr | Units: 3-5 | UG Reqs: WAY-EDP
Instructors: Ball, A. (PI)

AFRICAAM 115: South African Encounters (AFRICAST 115)

This course is a prerequisite for all those accepted to or on the wait list for the following quarter's BOSP Cape Town term abroad. It will explore issues in contemporary South Africa.
Terms: Aut, Win, Spr | Units: 1

AFRICAAM 116: Education, Race, and Inequality in African American History, 1880-1990 (CSRE 216X, EDUC 216, HISTORY 255E)

Seminar. The relationship among race, power, inequality, and education from the 1880s to the 1990s. How schools have constructed race, the politics of school desegregation, and ties between education and the late 20th-century urban crisis.
Terms: Spr | Units: 3-5 | UG Reqs: GER:EC-AmerCul
Instructors: Gordon, L. (PI)

AFRICAAM 130: Community-based Research As Tool for Social Change:Discourses of Equity in Communities & Classrooms (CSRE 130, EDUC 123X, EDUC 322)

Issues and strategies for studying oral and written discourse as a means for understanding classrooms, students, and teachers, and teaching and learning in educational contexts. The forms and functions of oral and written language in the classroom, emphasizing teacher-student and peer interaction, and student-produced texts. Individual projects utilize discourse analytic techniques. Prerequisite: graduate status or consent of instructor.
Terms: Spr | Units: 3-5
Instructors: Ball, A. (PI)
Filter Results:
term offered
updating results...
teaching presence
updating results...
number of units
updating results...
time offered
updating results...
days
updating results...
UG Requirements (GERs)
updating results...
component
updating results...
career
updating results...
© Stanford University | Terms of Use | Copyright Complaints