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111 - 120 of 235 results for: all courses

ESS 16N: Island Ecology

Preference to freshmen. How ecologists think about the world. Focus is on the Hawaiian Islands: origin, geology, climate, evolution and ecology of flora and fauna, and ecosystems. The reasons for the concentration of threatened and endangered species in Hawaii, the scientific basis for their protection and recovery. How knowledge of island ecosystems can contribute to ecology and conservation biology on continents.
Terms: Aut | Units: 3 | UG Reqs: GER: DB-NatSci
Instructors: Vitousek, P. (PI)

ESS 38N: The Worst Journey in the World: The Science, Literature, and History of Polar Exploration (EARTHSYS 38N, EPS 38N)

(Formerly GEOLSCI 38N) This course examines the motivations and experiences of polar explorers under the harshest conditions on Earth, as well as the chronicles of their explorations and hardships, dating to the 1500s for the Arctic and the 1700s for the Antarctic. Materials include The Worst Journey in the World by Aspley Cherry-Garrard who in 1911 participated in a midwinter Antarctic sledging trip to recover emperor penguin eggs. Optional field trip into the high Sierra in March. Change of Department Name: Earth and Planetary Science (Formerly Geologic Sciences).
Terms: Aut | Units: 3 | UG Reqs: GER: DB-NatSci

ESS 46N: Exploring the Critical Interface between the Land and Monterey Bay: Elkhorn Slough (EARTHSYS 46N)

Preference to freshmen. Field trips to sites in the Elkhorn Slough, a small agriculturally impacted estuary that opens into Monterey Bay, a model ecosystem for understanding the complexity of estuaries, and one of California's last remaining coastal wetlands. Readings include Jane Caffrey's "Changes in a California Estuary: A Profile of Elkhorn Slough". Basics of biogeochemistry, microbiology, oceanography, ecology, pollution, and environmental management.
Terms: Spr | Units: 3 | UG Reqs: WAY-SMA
Instructors: Francis, C. (PI)

ESS 65N: How to make a tornado (and other flows in the atmosphere and ocean)

In this seminar students explore the physics of atmospheric and oceanic flows experientially using rotating tanks of water on small turntables provided to students in the class. Different flow phenomena from tornado formation, ocean gyres, to hurricane propagation are introduced each week and experiments are designed to simulate them. The experiments, like the oceanic and atmospheric motions they are simulating, can be visually stunning, like pieces of fluid artwork, and the students will learn various visualization techniques to draw out their beauty. The goal is for students to practice the scientific method while gaining an understanding and appreciation for how the ocean and atmosphere work.
Terms: Win | Units: 3 | UG Reqs: WAY-SMA
Instructors: Thomas, L. (PI)

FEMGEN 24N: Sappho: Erotic Poetess of Lesbos (CLASSICS 16N)

Preference to freshmen. Sappho's surviving fragments in English; traditions referring to or fantasizing about her disputed life. How her poetry and legend inspired women authors and male poets such as Swinburne, Baudelaire, and Pound. Paintings inspired by Sappho in ancient and modern times, and composers who put her poetry to music.
Terms: Win | Units: 3 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-CE, WAY-EDP
Instructors: Peponi, A. (PI)

FEMGEN 24Q: Leaving Patriarchy: A Course for All Genders (ENGLISH 24Q)

This is a creative writing course for writers of all genders who are interested in thinking about patriarchy and how to resist it. Our course will aim to complicate the idea that men benefit from patriarchy and are its primary enforcers, while the rest of us are simply suffering under it. We'll ask ourselves how patriarchy is bad for ALL of us, and how ALL of us are implicated in its perpetuation. Do we ALL have the reasons and the resources to leave patriarchy--and can we start to leave it right now? We'll read works of scholarship and literature that investigate patriarchy as a human relational problem. We'll write fiction and nonfiction in which we explore the ways patriarchy has shaped us, challenge ourselves to resist its manifestations in our relationships, envision a future without patriarchy, and begin to live that future right now. Most crucially, we will practice creating a space in which all of us can speak without fear of judgment about our experiences of a fraught topic.
Terms: Spr | Units: 3 | UG Reqs: WAY-CE

FEMGEN 25Q: Queer Stories (ENGLISH 25Q)

Queer Stories is a creative writing class open to any and all students, regardless of how they define their gender or sexuality. The goals of the class are to read widely in the canon of twentieth and twenty-first century queer prose literature, and to write critical and creative work that engages with the styles, modes, and subjects of these writers. As we read and discuss texts, students will consider a variety of questions: How has queer romance, relationships, and sexuality been represented over the years, in both coded and explicit ways? How have writers grappled with representing our evolving sense of gender as a continuum rather than a binary? How have queer writers interrogated or understood the concept of family? How do queer writers handle the question of the "universal" reader to whom, arguably, they might be speaking? (In a 2012 interview with Lambda Literary, book critic Daniel Mendelsohn argues,contentiously, "It is precisely the gay book's ability to be interesting to a more »
Queer Stories is a creative writing class open to any and all students, regardless of how they define their gender or sexuality. The goals of the class are to read widely in the canon of twentieth and twenty-first century queer prose literature, and to write critical and creative work that engages with the styles, modes, and subjects of these writers. As we read and discuss texts, students will consider a variety of questions: How has queer romance, relationships, and sexuality been represented over the years, in both coded and explicit ways? How have writers grappled with representing our evolving sense of gender as a continuum rather than a binary? How have queer writers interrogated or understood the concept of family? How do queer writers handle the question of the "universal" reader to whom, arguably, they might be speaking? (In a 2012 interview with Lambda Literary, book critic Daniel Mendelsohn argues,contentiously, "It is precisely the gay book's ability to be interesting to a straight reader that makes it a great book.") Lastly, students will also create writing of their own that in some way draws upon the aesthetics or sensibilities of the authors we have read. These pieces may be short stories, personal essays, or texts that--in the spirit of queerness--blur or interrogate standard demarcations of genre. The content of this work might grapple with questions of gender and sexuality, but it might instead be queer in its affect, outlook, or style. In both the reading and writing they do in this class, students will engage with work that deviates from literary convention in the lives it represents and the ways in which it represents them.
Terms: Win | Units: 3 | UG Reqs: WAY-CE, WAY-EDP

FEMGEN 44Q: Gendered Innovations in Science, Medicine, Engineering, and Environment (HISTORY 44Q)

Gendered Innovations harness the creative power of sex, gender, and intersectional analysis for innovation and discovery. We focus on sex and gender, and consider factors intersecting with sex and gender, including age, race/ethnicity, socioeconomic status, educational background, disabilities, geographic location, etc. We start with the history of gender in science in the scientific revolution to understand how to transform research institutions so that women, men, and non-binary individuals can flourish. The majority of the course is devoted to considering gendered innovations in AI, social robotics, health & medicine, design of cars and cockpits, menstrual products, marine science, and more. This course will emphasize writing skills as well as oral and multimedia presentation; it fulfills the second level Writing and Rhetoric Requirement (WRITE 2), WAY-ED, and WAY-SI.
Terms: Spr | Units: 4 | UG Reqs: Writing 2, WAY-SI, GER:DB-Hum, GER:EC-Gender, WAY-EDP

FEMGEN 53Q: Writing and Gender in the Age of Disruption (ENGLISH 53Q)

In this course, we will read a wide cross-section of British and American women writers who turned to fiction and poetry to examine, and to survive, their times: Virginia Woolf, Nella Larsen, Rebecca West, Zora Neale Hurston, Jean Rhys, Jessie Redmon Fauset, Katherine Mansfield, H.D., Marianne Moore, and Una Marson. You will learn how to pay close attention to the often radically new ways these writers bent language to their purposes to express complex emotions and vexed political realities; in your own essay writing, you will learn how to write clearly and persuasively about small units of text and to craft longer critical analyses attentive to language, history, and culture. Always, students will be encouraged to draw connections between then and now, to ponder what has changed, and what remains to be changed, in our own turbulent times.
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: Staveley, A. (PI)

FEMGEN 94Q: The Future is Feminine (ENGLISH 94Q)

Gender is one of the great social issues of our time. What does it mean to be female or feminine? How has femininity been defined, performed, punished, or celebrated? Writers are some of our most serious and eloquent investigators of these questions, and in this class we'll read many of our greatest writers on the subject of femininity, as embodied by both men and women, children and adults, protagonists and antagonists. From Virginia Woolf to Ernest Hemingway, from Beloved to Gone Girl (and even "RuPaul's Drag Race"), we'll ask how the feminine is rendered and contested. We'll do so in order to develop a history and a vocabulary of femininity so that we may, in this important time, write our own way in to the conversation. This is first and foremost a creative writing class, and our goals will be to consider in our own work the importance of the feminine across the entire spectrum of gender, sex, and identity. We will also study how we write about femininity, using other writers as mo more »
Gender is one of the great social issues of our time. What does it mean to be female or feminine? How has femininity been defined, performed, punished, or celebrated? Writers are some of our most serious and eloquent investigators of these questions, and in this class we'll read many of our greatest writers on the subject of femininity, as embodied by both men and women, children and adults, protagonists and antagonists. From Virginia Woolf to Ernest Hemingway, from Beloved to Gone Girl (and even "RuPaul's Drag Race"), we'll ask how the feminine is rendered and contested. We'll do so in order to develop a history and a vocabulary of femininity so that we may, in this important time, write our own way in to the conversation. This is first and foremost a creative writing class, and our goals will be to consider in our own work the importance of the feminine across the entire spectrum of gender, sex, and identity. We will also study how we write about femininity, using other writers as models and inspiration. As we engage with these other writers, we will think broadly and bravely, and explore the expressive opportunities inherent in writing. We will explore our own creative practices through readings, prompted exercises, improv, games, collaboration, workshop, and revision, all with an eye toward writing the feminine future.
Terms: Win, Sum | Units: 3 | UG Reqs: WAY-A-II, WAY-CE
Instructors: Pufahl, S. (PI)
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