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191 - 200 of 205 results for: MUSIC

MUSIC 320: Introduction to Audio Signal Processing

A first-course in signal processing with applications in computer music and audio for students comfortable with high-school algebra, calculus, complex variables, and beginning linear algebra. The lectures cover fundamentals of audio signal processing such as sinusoids, spectra, Fourier transforms, Laplace transform, z transform, linear time-invariant filters, digitizing systems, transfer-function analysis, and basic Fourier analysis in the continuous and discrete-time cases. Python is used for in-class demonstrations and homework/lab assignments. The labs focus on practical applications of the theory, with emphasis on working with waveforms and spectra, ''getting sound'', and developing proficiency in the Python language. See http://ccrma.stanford.edu/courses/320/.
Terms: Aut | Units: 2-4

MUSIC 320E: Self-Paced Coursework, Projects, and/or Research in Music/Audio Signal Processing

Independent coursework, projects, and/or research in music/audioapplications of signal processing. Prerequisite: 320.
Terms: Aut, Win, Spr | Units: 1-10 | Repeatable 6 times (up to 60 units total)
Instructors: Smith, J. (PI)

MUSIC 321: Readings in Music Theory

Directed reading and research. May be repeated for credit a total of 15 times.
Terms: Aut, Win, Spr, Sum | Units: 1-5 | Repeatable 15 times (up to 75 units total)

MUSIC 323: Doctoral Seminar in Composition

Illustrated discussions of compositional issues and techniques. Presentation of relevant topics, including students' own compositional practice. May be repeated for credit a total of 14 times.
Terms: Aut, Win, Spr | Units: 3-4 | Repeatable 15 times (up to 60 units total)

MUSIC 324: Graduate Composition Forum

Community forum for all graduate student composers. Discussion of completed and in-progress work by students, faculty, and visiting composers. Repertoire listening sessions. Planning of upcoming Department events. Special area exam topic presentations, final doctoral project presentations, and review of portfolios. Many sessions are open to the public.May be repeated for credit
Terms: Aut, Win, Spr | Units: 1 | Repeatable 18 times (up to 18 units total)

MUSIC 325: Individual Graduate Projects in Composition

May be repeated for credit.
Terms: Aut, Win, Spr, Sum | Units: 1-5 | Repeatable 25 times (up to 75 units total)

MUSIC 341: Ph.D Dissertation

May be repeated for credit a total of 5 times.
Terms: Aut, Win, Spr, Sum | Units: 1-10 | Repeatable 6 times (up to 60 units total)

MUSIC 351A: Seminar in Music Perception and Cognition I

A seminar on topics in music perception and cognition. Students will study and discuss recent research as well as design and implement experiments.
Terms: Aut | Units: 1-3 | Repeatable 10 times (up to 30 units total)

MUSIC 390: Practicum Internship

On-the-job training under the guidance of experienced, on-site supervisors. Meets the requirements for curricular practical training for students on F-1 visas. Students submit a concise report detailing work activities, problems worked on, and key results. May be repeated for credit. Prerequisite: qualified offer of employment and consent of adviser.
Terms: Aut, Win, Spr, Sum | Units: 1 | Repeatable 15 times (up to 15 units total)

MUSIC 398: PhD Dissertation Proposal

Students have to identify a research advisor and enroll in this course with her/him to develop the dissertation proposal. By the end of this required course or its series (repeatable for three times), students are expected to have identified a) a special area exam committee, b) the structure of the dissertation proposal, and c) the scope of the thesis with the depth and breadth of the research field.
Terms: Aut, Win, Spr, Sum | Units: 1-3 | Repeatable 3 times (up to 9 units total)
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