printer friendly pageFILMPROD 10AX: Documentary Film
The fundamentals of digital video production. The process of expressing ideas in an audiovisual medium from the concept stage through post-production. Examples of narrative, documentary, and experimental work screened and discussed. Hands-on experience in directing, shooting, editing on Final Cut Pro, sound design, and a fuller understanding of film production.
Terms: Aut
| Units: 2
| UG Reqs: WAY-CE
Instructors:
Krawitz, J. (PI)
FILMPROD 101: Screenwriting (FILMPROD 301)
Priority to Film and Media Studies majors. Craft, form, and approaches to writing for the screen. Prerequisites: 1)
ENGLISH 90, 2)
ENGLISH 190F or
FILMPROD 104, and 3) consent of instructor.
Terms: Spr
| Units: 5
Instructors:
Tobin, A. (PI)
FILMPROD 103: Adaptation
A close analysis of film adaptation, using various source materials to examine the demands form makes on content and the creative choices made in adaptation to film. Source materials will include plays, fiction, biography, history, graphic novels, and reference to video games and amusement park rides. A weekly film screening is a requirement of the course.
Terms: Spr
| Units: 4
| UG Reqs: WAY-CE
Instructors:
Tobin, A. (PI)
FILMPROD 104: Visual Writing
A writing workshop that is an exploration of visual storytelling. Beginning with visual literacy, the class progresses from basic cinematic techniques through scene exercises to revisions and ultimately to connecting scenes in order to build sequences of script pages. Open to all majors; may substitute for ENGL 190F prerequisite for FP101.
Terms: Win
| Units: 4
| UG Reqs: WAY-CE
Instructors:
Tobin, A. (PI)
FILMPROD 105: Script Analysis (FILMPROD 305)
Analysis of screenplay and film from the writer's perspective, with focus on ideation, structure, and dramatic tension in narrative features. Sources include screenplays and screenings.
Terms: Aut
| Units: 4
Instructors:
Tobin, A. (PI)
FILMPROD 114: Introduction to Film and Video Production
Hands-on. Techniques of film and video making including conceptualization, visualization, story structure, cinematography, sound recording, and editing.
Terms: Aut, Spr
| Units: 5
| UG Reqs: WAY-CE
Instructors:
Samuelson, K. (PI)
;
Symons, J. (PI)
FILMPROD 301: Screenwriting (FILMPROD 101)
Priority to Film and Media Studies majors. Craft, form, and approaches to writing for the screen. Prerequisites: 1)
ENGLISH 90, 2)
ENGLISH 190F or
FILMPROD 104, and 3) consent of instructor.
Terms: Spr
| Units: 5
Instructors:
Tobin, A. (PI)
FILMPROD 305: Script Analysis (FILMPROD 105)
Analysis of screenplay and film from the writer's perspective, with focus on ideation, structure, and dramatic tension in narrative features. Sources include screenplays and screenings.
Terms: Aut
| Units: 4
Instructors:
Tobin, A. (PI)
FILMPROD 400: Film/Video Writing and Directing
Restricted to M.F.A. documentary students. Emphasis is on the development of the research, conceptualization, visualization, and preproduction skills required for nonfiction filmmaking. Prerequisite: consent of instructor.
Terms: Aut
| Units: 4
Instructors:
Meltzer, J. (PI)
FILMPROD 401: Nonfiction Film Production
Restricted to M.F.A documentary students. 16mm production techniques and concepts. Final project is a short black-and-white film with multitrack sound design. Prerequisite: consent of instructor.
Terms: Aut
| Units: 4
Instructors:
Krawitz, J. (PI)
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