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1 - 10 of 31 results for: HUMNTIES

HUMNTIES 100: Text and Context in Humanities

Required of students in the Humanities Honors Program. Introduction to Interdisciplinary Studies in Humanities through the study and application of theoretical approaches to major texts. Textual analysis and writing assignments to prepare students to write honors essays.
Terms: Win | Units: 3 | UG Reqs: GER:DB-Hum

HUMNTIES 161: Texts in History: Classics from Greece to Rome (CLASSGEN 163, DRAMA 161R)

Priority to students in the Humanities honors program. Ancient texts situated in their intellectual and cultural contexts. Readings include Homer's Iliad and Odyssey, plays of Aeschylus, Sophocles' Antigone, Euripides' Medea, Thucydides Peloponnesian War,, Plato's Symposium, Aristotle's Poetics, Virgil's Aeneid, Seneca's Trojan Women and Agamemnon, and Augustine's On Christian Doctrine.
Terms: Win | Units: 5 | UG Reqs: GER:DB-Hum
Instructors: Rehm, R. (PI)

HUMNTIES 162: Texts in History: Medieval to Early Modern (ENGLISH 184C)

Priority to students in the Humanities honors program. The impact of change from the Middle Ages to the early modern world; how historical pressures challenged conceptions of artistic form, self, divine, and the physical universe. Interdisciplinary methods of interpretation. Texts include: Aristotle, On the Soul; Attar, The Conference of the Birds; Dante, nferno; Chaucer, Canterbury Tales; Christine de Pizan, The Book of the City of Ladies; Letters of Columbus; Machiavelli, The Prince; Luther, The Bondage of the Will; Montaigne, Essays; Marlowe, Doctor Faustus; poems by John Donne and Lady Mary Wroth; Shakespeare, Othello; and works of art.
Terms: Spr | Units: 5 | UG Reqs: GER:DB-Hum
Instructors: Brooks, H. (PI)

HUMNTIES 163: Texts in History: Enlightenment to the Modern (ENGLISH 184D)

Priority to students in the Humanities honors program and English majors. The relationship between intellectual, political, and cultural history, and imaginative literature in the modern period. Rousseau, Kant, Austen, Mary Wollstonecraft, Marx, Dostoevsky, Nietzsche, Mill, Virginia Woolf, T.S. Eliot, Beckett.
Terms: Aut | Units: 5 | UG Reqs: GER:DB-Hum
Instructors: Staveley, A. (PI)

HUMNTIES 170: Media Studies Internship

Practical experience working with a film or media company for six to eight weeks. Students make arrangements with companies individually and receive the consent of the director of the Humanities honors program. Credit awarded for submitting a paper after completing the internship, focused on a topic relevant to the student's studies.
Terms: Aut, Win, Spr | Units: 2-3
Instructors: Freidin, G. (PI)

HUMNTIES 175: Individual Work

Terms: Aut, Win, Spr | Units: 1-5 | Repeatable for credit

HUMNTIES 191R: What is Life? The History of a Question (HISTORY 242A, HISTORY 342A)

History of attempts to understand the nature of life and mind by comparing living creatures with artificial machines and material arrangements. Imitations of animal life and human thought and discussions of relations between creatures and contraptions from antiquity onward, with an eye toward providing historical depth to current attempts to simulate life and mind.
| UG Reqs: GER:DB-Hum, WAY-A-II, WAY-SI

HUMNTIES 191S: Capital and Empire (HISTORY 239D, HISTORY 339D)

Can empire be justified with balance sheets of imperial crimes and boons, a calculus of racism versus railroads? The political economy of empire through its intellectual history from Adam Smith to the present; the history of imperial corporations from the East India Company to Wal-mart; the role of consumerism; the formation of the global economy; and the relationship between empire and the theory and practice of development.
Last offered: Spring 2008 | UG Reqs: GER:DB-SocSci, WAY-SI

HUMNTIES 192G: Musical Shakespeare: Theater, Song, Opera, and Film (MUSIC 148, MUSIC 248)

The role of music in productions, adaptations, and interpretations of Shakespeare's plays as theater, opera, and film from the Elizabethan era through the present. Emphasis is on the role of songs, stage music, and music in operatic and film adaptations. Incidental music, orchestral tone poems, and art-song settings of lyrics from the plays. Plays include Romeo and Juliet, Othello, Macbeth, Hamlet, The Tempest, Midsummer Night's Dream, and Twelfth Night. May be repeated for credit. Pre- or corequisite: 23. WIM at 4- or 5-unit level only.
Terms: Win | Units: 3-5 | UG Reqs: GER:DB-Hum | Repeatable for credit
Instructors: Grey, T. (PI)
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