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1 - 10 of 35 results for: SLAVLIT

SLAVLIT 188: Russian Poetry (SLAVLIT 288)

Required of majors in Russian literature. Developments in 19th- and 20th-century Russian poetry including symbolism, acmeism, futurism, and literature of the absurd. Emphasis is on close readings of individual poems. Discussions in Russian.
Terms: Win | Units: 3-5

SLAVLIT 189A: Honors Research

Senior honors students enroll for 5 units in Winter while writing the honors thesis, and may enroll in 189B for 2 units in Spring while revising the thesis. Prerequisite: DLCL 189.
Terms: Win | Units: 5 | Repeatable for credit

SLAVLIT 189B: Honors Research

Open to juniors with consent of adviser while drafting honors proposal. Open to senior honors students while revising honors thesis. Prerequisites for seniors: 189A, DLCL 189.
Terms: Aut, Spr | Units: 2

SLAVLIT 198: Writing Between Languages: The Case of Eastern European Jewish Literature (JEWISHST 148, JEWISHST 248, SLAVLIT 298)

Eastern European Jews spoke and read Hebrew, Yiddish, and their co-territorial languages (Russian, Polish, etc.). In the modern period they developed secular literatures in all of them, and their writing reflected their own multilinguality and evolving language ideologies. We focus on major literary and sociolinguistic texts. Reading and discussion in English; students should have some reading knowledge of at least one relevant language as well.
Terms: Spr | Units: 3-5 | UG Reqs: GER:DB-Hum
Instructors: Safran, G. (PI)

SLAVLIT 199: Individual Work for Undergraduates

Open to Russian majors or students working on special projects. May be repeated for credit. Prerequisite: consent of instructor.
Terms: Aut, Win, Spr | Units: 1-5 | Repeatable for credit

SLAVLIT 200: Proseminar in Literary Theory and Study of Russian Literature

Required for graduate students and honors undergraduates in Slavic; first-year Slavic graduate students must enroll during their first quarter. Introduction to advanced study in Russian literature and culture: profession, discipline, scholarly method, and theoretical perspectives. Variety of approaches to the study of literature and culture. Practical exercises in the analysis of verse, narrative, and forms of visual representation. Four short papers (800 words), including the final (a review of a recent monograph of Russian Literatures and culture).
Terms: Aut | Units: 3-5
Instructors: Freidin, G. (PI)

SLAVLIT 200B: Research Tools and Professionalization Workshop for Slavic Graduate Students

This course introduces graduate students in Slavic Studies to library, archival, and web resources for research, grant opportunities, publication strategies, and professional timelines. Open to PhD students in the Slavic Department and other departments and to MA students in CREEES.
Terms: Aut | Units: 1
Instructors: Safran, G. (PI)

SLAVLIT 226: Bakhtin and His Legacy (COMPLIT 210)

¿Quests for my own word are in fact quests for a word that is not my own, a word that is more than myself,¿ writes Mikhail Bakhtin towards the end of his life. It was this ceaseless pursuit of another word that allowed Bakhtin, one of the most distinguished literary critics of the twentieth century, to author several influential literary theory concepts, many of which deal with the ideas of multiplicity, diversity and unfinalizability. The seminar explores these core concepts through close reading of key texts in English and investigates their reverberations in the writings of other thinkers such as Kristeva, de Man and Derrida
Terms: Spr | Units: 3-5
Instructors: Skakov, N. (PI)

SLAVLIT 251: Dostoevsky: Narrative Performance and Literary Theory (COMPLIT 219)

This course is an in-depth engagement with a range of Dostoevsky¿s genres: early works (epistolary novella Poor Folk and experimental Double), major novels (Crime and Punishment, The Idiot), less-read shorter works (¿A Faint Heart,¿ ¿Bobok¿ and ¿The Meek One¿), and genre-bending House of the Dead and Diary of a Writer. We will apply recent theory of autobiography, performance, repetition and narrative gaps, to Dostoevsky¿s transformations of genre, philosophical and dramatic discourse, and narrative performance. For graduate students. Slavic students will read primary texts in Russian, other participants in translation. Course conducted in English. Undergraduates with advanced linguistic and critical competence may apply.
Terms: Win | Units: 3-5

SLAVLIT 270: Pushkin

Major poems and prose with detailed examination of his cultural milieu. Emphasis is on changes in the understanding of literary concepts relevant to this period of Russian literature (poetic genres, the opposition between poetry and prose, romanticism).nn (Staff)
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