2013-2014 2014-2015 2015-2016 2016-2017 2017-2018
Browse
by subject...
    Schedule
view...
 

81 - 88 of 88 results for: GERMAN

GERMAN 354: Poetic Thinking Across Media (COMPLIT 154B, COMPLIT 354B, GERMAN 154, JEWISHST 144B)

Even before Novalis claimed that the world must be romanticized, thinkers, writers, and artists wanted to perceive the human and natural world poetically. The pre- and post-romantic poetic modes of thinking they created are the subject of this course. Readings include Ecclestias, Zhaozhou Congshen, Montaigne, Nietzsche, Kafka, Benjamin, Arendt, and Sontag. This course will also present poetic thinking in the visual arts--from the expressionism of Ingmar Bergman to the neo-romanticism of Gerhard Richter.
Terms: not given this year | Units: 4 | Grading: Letter or Credit/No Credit

GERMAN 369: Introduction to the Profession of "Literary Studies" for Graduate Students (COMPLIT 369, DLCL 369, FRENCH 369, ITALIAN 369)

A history of literary theory for entering graduate students in national literature departments and comparative literature.
Terms: Aut | Units: 1-2 | Grading: Letter (ABCD/NP)
Instructors: Greene, R. (PI)

GERMAN 382: Martin Heidegger (COMPLIT 213A, COMPLIT 313A, GERMAN 282)

Working through the most systematically important texts by Martin Heidegger and their historical moments and challenges, starting with Being and Time (1927), but emphasizing his philosophical production after World War II. The philological and historical understanding of the texts function as a condition for the laying open of their systematic provocations within our own (early 21st-century) situations. Satisfies the capstone seminar requirement for the major tracks in Philosophy and Literature. Taught in English.
Terms: not given this year | Units: 3-5 | Grading: Letter or Credit/No Credit

GERMAN 384: The Nervous Age: Neurosis, Neurology, and Nineteenth-century Theatre

The nineteenth century witnessed profound developments in neurological and psychological sciences, developments that fundamentally altered conceptions of embodiment, agency, and mind. This course will place these scientific shifts in conversation with theatrical transformations of the period. We will read nineteenth-century neuropsychologists such as Charles Bell, Johannes Müller, George Miller Beard, Jean-Martin Charcot, and Hippolyte Bernheim alongside artists such as Percy Shelley, Georg Büchner, Richard Wagner, Émile Zola, and August Strindberg. NOTE: Only for German Studies PhD students.
Terms: not given this year | Units: 1-4 | Grading: Letter or Credit/No Credit

GERMAN 390: German Capstone: Reading Franz Kafka (COMPLIT 111, COMPLIT 311C, GERMAN 190, JEWISHST 147, JEWISHST 349)

This class will address major works by Franz Kafka and consider Kafka as a modernist writer whose work reflects on modernity. We will also examine the role of Kafka's themes and poetics in the work of contemporary writers. (Meets Writing-in-the-Major requirement)
Terms: not given this year | Units: 3-5 | Grading: Letter (ABCD/NP)

GERMAN 397: Graduate Studies Colloquium

Colloquium for graduate students in German Studies. Taught in English. May be repeat for credit
Terms: Aut, Win, Spr | Units: 1 | Repeatable for credit | Grading: Satisfactory/No Credit
Instructors: Berman, R. (PI)

GERMAN 399: Individual Work

Repeatable for Credit. Instructor Consent Required.
Terms: Aut, Win, Spr, Sum | Units: 1-12 | Repeatable for credit | Grading: Letter or Credit/No Credit

GERMAN 802: TGR Dissertation

Terms: Aut, Win, Spr, Sum | Units: 0 | Repeatable for credit | Grading: TGR
Filter Results:
term offered
updating results...
number of units
updating results...
time offered
updating results...
days
updating results...
UG Requirements (GERs)
updating results...
component
updating results...
career
updating results...
© Stanford University | Terms of Use | Copyright Complaints