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101 - 110 of 154 results for: COMPLIT

COMPLIT 390: Tolstoy's Anna Karenina in Dialogue with Contemporary Philosophical, Social, and Ethical Thought (COMPLIT 190, SLAVIC 190, SLAVIC 390)

Anna Karenina, the novel as a case study in the contest between "modernity" and "tradition," their ethical order, ideology, cultural codes, and philosophies. Images of society, women and men in Tolstoy v. those of his contemporaries: Marx, Mill, Nietzsche, Weber, Durkheim, Freud. Open to juniors, seniors and graduate students. Requirements: three interpretive essays (500-1000 words each). Analysis of a passage from the novel; AK refracted through a "philosophical" prism and vice versa (30% each); class discussion and Forum (10%).
Last offered: Winter 2014

COMPLIT 398L: Literary Lab (ENGLISH 398L)

Gathering and analyzing data, constructing hypotheses and designing experiments to test them, writing programs [if needed], preparing visuals and texts for articles or conferences. Requires a year-long participation in the activities of the Lab.
Terms: Spr | Units: 2-5 | Repeatable 2 times (up to 10 units total)
Instructors: Moretti, F. (PI)

COMPLIT 399: Individual Work

Terms: Aut, Win, Spr, Sum | Units: 1-15 | Repeatable for credit

COMPLIT 41Q: Ethnicity and Literature

Preference to sophomores. What is meant by ethnic literature? How is ethnic writing different from non-ethnic writing, or is there such a thing as either? How does ethnicity as an analytic perspective affect the way literature is read by ethnic peoples? Articles and works of fiction; films on ethnic literature and cultural politics. How ethnic literature represents the nexus of social, historical, political, and personal issues.
| UG Reqs: GER:DB-Hum, GER:EC-AmerCul

COMPLIT 802: TGR Dissertation

Terms: Aut, Win, Spr, Sum | Units: 0 | Repeatable for credit

COMPLIT 125: Past Desire Made Present: The Traditions of Erotic Poetry in Medieval Iran and Europe

Aims to make present and accessible, to our early 21st-century experience, convergences and differences between medieval Persian and medieval European love poetry. Poetry will be dealt with as a discursive and institutional means through which it is possible to make present and tangible that which is absent -- both in space and time. If we accept that medieval Persian and European love poetry conjured up moods of homo- and heteroerotic desire for contemporary audiences, then this desire can also become present for us today through a close reading of those same texts.
| UG Reqs: GER:DB-Hum

COMPLIT 125A: The Gothic Novel

The Gothic novel and its relatives from its invention by Walpole in The Castle of Otranto of 1764. Readings include: Northanger Abbey, The Italian, The Monk, Frankenstein, Jane Eyre, Great Expectations, and Dracula. What defines the Gothic as it evolves from one specific novel to a mode that makes its way into a range of fictional types?
| UG Reqs: GER:DB-Hum

COMPLIT 129A: Contemporary Persian Poetry: Encounter of a Thousand-Year-Old Classical Tradition with Modernity

The primacy of poetic expression in Persian culture in the transition from tradition to modernity. Major 20th-century poets in relation to historical events and social change. Authors include: Nima Yushij, Ahmad Shamloo, Sohrab Sepehri, Mehdi Akhavan Sales, Forough Farrokhzad, Nader Naderpour, Fereydoun Moshiri, Esma'il Kho'i, and Afghan and Tajik poets.
| UG Reqs: GER:DB-Hum

COMPLIT 133: Gender and Modernism (COMPLIT 333)

Gender and sexuality in trans-Atlantic modernist literature and culture from the 1880s-1930s. Topics include the 19th-century culture wars and the figures of the dandy and the New Woman; modernist critiques of Enlightenment rationality; impact of World War I on gender roles; gender and the rise of modern consumer culture, fashion, design; the modernist metropolis and gender/sexuality; the avant-garde and gender; literary first-wave feminism; homoerotic modernism; modernism in the context of current theories of gender and sexuality.
| UG Reqs: GER:DB-Hum

COMPLIT 135: Chinese Cultural Revolution: Performance, Politics, and Aesthetics (CHINLIT 190, CHINLIT 290)

Events, arts, films, and operas of the Chinese Cultural Revolution. Analysis of political passion, aesthetics, and psychology of mass movements. Places the Cultural Revolution in the long-range context of art, social movements, and politics. Chinese language is not required.
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