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1 - 10 of 10 results for: FILMPROD

FILMPROD 105: Script Analysis (FILMPROD 305)

Analysis of screenplay and film from the writer's perspective, with focus on ideation, structure, and dramatic tension in narrative features. Sources include screenplays and screenings.
Terms: Aut | Units: 4 | Grading: Letter or Credit/No Credit
Instructors: Tobin, A. (PI)

FILMPROD 106: Image and Sound: Filmmaking for the Digital Age

Despite the rise of emerging forms like two-minute YouTube videos, six second Vines, or interactive storytelling modules, many core principles of visual storytelling remain unchanged. In this hands-on film production class students will learn a broad set of filmmaking fundamentals (basic history, theory, and practice) and will apply them creating film projects using tools such as iPhones, consumer cameras and FCPX.
Terms: Aut, Win, Spr | Units: 3 | UG Reqs: WAY-CE | Grading: Letter (ABCD/NP)
Instructors: Stolakis, K. (PI)

FILMPROD 114: Introduction to Film and Video Production

Hands-on. Techniques of film and video making including conceptualization, visualization, story structure, cinematography, sound recording, and editing. Enrollment limited to 12 students. Priority to junior/senior Film & Media Studies majors.Admission determined on the first day of class.
Terms: Aut, Spr | Units: 5 | UG Reqs: WAY-CE | Grading: Letter (ABCD/NP)
Instructors: Green, L. (PI)

FILMPROD 148: Archival Cinema: Excavating the Future (FILMPROD 348, FILMSTUD 148, FILMSTUD 348)

This course examines the practices of appropriation of archival material in cinema, and the problems of representation inherent to them. The practical component consists of a series of creative assignments in which students are asked to use archival material, including some from Stanford's collections, to produce short moving image pieces.
Terms: Aut | Units: 4 | Grading: Letter (ABCD/NP)
Instructors: Keca, S. (PI)

FILMPROD 305: Script Analysis (FILMPROD 105)

Analysis of screenplay and film from the writer's perspective, with focus on ideation, structure, and dramatic tension in narrative features. Sources include screenplays and screenings.
Terms: Aut | Units: 4 | Grading: Letter or Credit/No Credit
Instructors: Tobin, A. (PI)

FILMPROD 348: Archival Cinema: Excavating the Future (FILMPROD 148, FILMSTUD 148, FILMSTUD 348)

This course examines the practices of appropriation of archival material in cinema, and the problems of representation inherent to them. The practical component consists of a series of creative assignments in which students are asked to use archival material, including some from Stanford's collections, to produce short moving image pieces.
Terms: Aut | Units: 4 | Grading: Letter (ABCD/NP)
Instructors: Keca, S. (PI)

FILMPROD 400: Film/Video Writing and Directing

Restricted to M.F.A. documentary students. Emphasis is on the development of the research, conceptualization, visualization, and preproduction skills required for nonfiction filmmaking. Prerequisite: consent of instructor.
Terms: Aut | Units: 4 | Grading: Letter (ABCD/NP)
Instructors: Keca, S. (PI)

FILMPROD 401: Nonfiction Film Production

Restricted to M.F.A documentary students. 16mm production techniques and concepts. Final project is a short black-and-white film with multitrack sound design. Prerequisite: consent of instructor.
Terms: Aut | Units: 4 | Grading: Letter (ABCD/NP)
Instructors: Meltzer, J. (PI)

FILMPROD 405: Producing Practicum

Restricted to M.F.A. documentary students. Advanced producing principles through the preproduction of the M.F.A. thesis project, including development of a professional film proposal. Practical training in fundraising. Prerequisite: consent of instructor.
Terms: Aut | Units: 4 | Grading: Letter (ABCD/NP)
Instructors: Meltzer, J. (PI)

FILMPROD 801: TGR Project

Terms: Aut, Win, Spr, Sum | Units: 0 | Repeatable for credit | Grading: TGR
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