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41 - 50 of 557 results for: all courses

ARTSTUDI 145: Painting I

Introduction to techniques, materials, and vocabulary in oil painting. Still life, landscape, and figure used as subject matter. Emphasis is on painting and drawing from life. (lower level)
Terms: Aut, Win, Spr | Units: 4 | UG Reqs: WAY-CE

ARTSTUDI 145A: Painting as Storytelling

This is a special class taught by Holt visiting artist John Bankston. Coulter Gallery will provide a unique classroom space, where student work will be displayed in an ongoing exhibition that will grow over time for the public to observe.Using the fundamentals of painting, this class will explore paintings narrative potential through several painting projects. The project themes will be memory, emotion, the self and the painting process. The class will culminate in a group mural that incorporates ideas from class projects.
Last offered: Autumn 2021 | UG Reqs: WAY-CE

ARTSTUDI 145M: Mural Painting

This rare class explores making a mural in the context of mural history. We will engage the history of mural painting from ancient to contemporary times for an informed production of murals on canvas in one of the painting studios at school. The social, the political and the cultural roles mural painting has played will be discusses while students will be engaged in making their own.
Last offered: Winter 2022 | UG Reqs: WAY-CE

ARTSTUDI 146: Photoshop and Painting

This is a focused introduction to still life painting and Photoshop. Students will learn to indicate simple form with a single light source and then learn to paint form lights, various forms, and cast shadows. Students will also gain an understanding of warm and cool colors. Emphasis is on composition, cropping, overlapping and placement in the picture plane. Students will also learn the basics of photoshop and how it can be used as an aesthetic tool to benefit students work.
Last offered: Autumn 2019 | UG Reqs: WAY-CE

ARTSTUDI 147: Art Book Object (ARTSTUDI 247A)

This mixed introductory and upper level studio course explores contemporary aesthetic interpretations of the book as an art object. Students learn to use both traditional and digital tools and techniques for creating artists' books, and integrate those into final works of art. The course familiarizes students with basic bookbinding processes and forms, as well as various modes of printing and production that facilitate limited artist editions. In addition to making books, we view numerous artists' books in the Bowes Art & Architecture Library collection as well as the collection of the instructor, and meet with practicing artists and book makers. Students create a number of small books, each focused on a particular process but using content of their choice. Upper level students propose and create a more fully evolved final project involving at least one bookbinding process independently researched in consultation with the instructor.
Terms: Aut, Spr | Units: 4 | UG Reqs: WAY-CE

ARTSTUDI 148: Monotype

Introduction to printmaking using monotype, a graphic art medium used by such artists as Blake, Degas, Gauguin, and Pendergast. May be repeated for credit. Prerequisite: 140. (lower level). May be repeated 2 times for total of 8 units.
Last offered: Winter 2023 | UG Reqs: WAY-CE | Repeatable 2 times (up to 8 units total)

ARTSTUDI 148A: Introduction to Lithography

The classic technique of printing from limestones and metal plates. Students will learn techniques to draw and etch their imagery onto the stone/plate. The prints will be created in numbered editions. Students will have the opportunity to work in color on a variety of sizes. There will be visits to the campus museum print collection.
Terms: Spr | Units: 4 | UG Reqs: WAY-CE
Instructors: Kain, K. (PI)

ARTSTUDI 148B: Introduction to Printmaking

Techniques such as monotype, monoprint, photocopy transfers, linocut and woodcut, intaglio etching. Demonstrations of these techniques. Field trips to local print collections or print exhibitions. (lower level)
Last offered: Spring 2021 | UG Reqs: WAY-CE | Repeatable 2 times (up to 8 units total)

ARTSTUDI 148P: The Hybrid Print (ARTSTUDI 248P)

This class explores experimental printmaking methods where digital and traditional practices collide. It focuses on the interchange between conventional and new methods of printmaking, and possibilities for the print beyond paper and the flat picture plane in contemporary art. Techniques will be demonstrated in class, and students will pursue projects using these techniques, developing their own conceptual interests. We will explore digital processes using large format printers, as well as digitally augmented traditional printmaking methods such as monoprints, collographs, woodblock and linocut, aided by dye sublimation, vinyl cutting, and 3-d printing. Students will have access to a wide array of both digital and traditional tools, and will develop projects using a combination of methods, resulting in a body of work. Discussions will address the expansive nature of contemporary fine art printmaking.
Terms: Aut, Win, Spr | Units: 4 | UG Reqs: WAY-CE

ARTSTUDI 149C: Etching

In this class students will explore various techniques of etching (or intaglio) on zinc plates such as, hard ground, soft ground, aquatint, marbling aquatint and sugar lift, through an electrolytic process that uses no acid but sulfates and very low electrical power (1.5 V or the same as a AA battery). This process is much less toxic that the traditional etching with nitric (which produces toxic fumes) or ferric acid (difficult to clean). These techniques will be complemented by other ones that can be mixed with etching such as photocopy transfers, Chine collé (attaching a different color paper between plate and main paper), and mono-printing. Etching/Intaglio (making a mark under the surface of the plate) is one of the most tactile and elegant forms of printmaking. The plate leaves a 3-D line mark and embossed marks in the deep etched areas as well as at the edges of the plate. Many major artists have left memorable images by working in this medium (Rembrandt, Goya, Kathe Kollwitz, Eduard Munch, and many others) influencing many contemporary artists.
Terms: Win | Units: 4 | UG Reqs: WAY-CE
Instructors: Kain, K. (PI)
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