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HISTORY 10N: Thinking About War

This course examines classic approaches to war as an intellectual problem, looking at how a matter of such great physical violence and passions can be subjected to understanding and used in philosophy, political theory, and art. Questions to be examined include the definition of war, its causes, its moral value, the nature of its participants, its use in the self-definition of individuals and societies, its relation to political authority, warfare and gender, and the problem of civil war.
Terms: Win | Units: 3 | UG Reqs: WAY-SI
Instructors: Lewis, M. (PI)

HISTORY 12N: Income and wealth inequality from the Stone Age to the present (CLASSICS 12N)

Rising inequality is a defining feature of our time. How long has economic inequality existed, and when, how and why has the gap between haves and have-nots widened or narrowed over the course of history? This seminar takes a very long-term view of these questions. It is designed to help you appreciate dynamics and complexities that are often obscured by partisan controversies and short-term perspectives, and to provide solid historical background for a better understanding of a growing societal concern.
Terms: Spr | Units: 4 | UG Reqs: WAY-SI
Instructors: Scheidel, W. (PI)

HISTORY 31Q: Resistance and Collaboration in Hitler's Europe (JEWISHST 31Q)

What is resistance and what did it entail in Nazi-occupied Europe? What prompted some to resist, while others accommodated or actively collaborated with the occupiers? How have postwar societies remembered their resistance movements and collaborationists? This seminar examines how Europeans responded to the Nazi order during World War II. We will explore experiences under occupation; dilemmas the subject peoples faced; the range of resistance motivations, goals, activities, and strategies; and postwar memorialization. Select cases from Western, Eastern, and Mediterranean Europe.
Terms: Win | Units: 3-4 | UG Reqs: WAY-ER, WAY-SI
Instructors: Batinic, J. (PI)

HISTORY 35Q: Convict Australia: "Rogues," "Whores," and "Savages"

In 1787, the British government made the audacious decision to send its prisoners to a continent on the other side of the globe about which very little was known. In this new colony, a motley crew had to learn to live together: military men, who were determined to make their unlucky posting pay off; the convicts, who found themselves exiled from their families and homes most often for petty crimes of poverty; the female convicts, who served primarily to fulfill the sexual needs of the men; and the Indigenous peoples, who were deemed absolute "savages" by their invaders. Through early starvation days, rebellions, and frontier wars, a new society was contentiously formed, as various groups battled for supremacy, status, or simply survival and norms of race, class, and gender adapted to a unique environment. In this hands-on IntroSem, we will do the work of the historian: read and interpret primary sources. During class time, we will work in groups, essentially crowd sourcing primary rese more »
In 1787, the British government made the audacious decision to send its prisoners to a continent on the other side of the globe about which very little was known. In this new colony, a motley crew had to learn to live together: military men, who were determined to make their unlucky posting pay off; the convicts, who found themselves exiled from their families and homes most often for petty crimes of poverty; the female convicts, who served primarily to fulfill the sexual needs of the men; and the Indigenous peoples, who were deemed absolute "savages" by their invaders. Through early starvation days, rebellions, and frontier wars, a new society was contentiously formed, as various groups battled for supremacy, status, or simply survival and norms of race, class, and gender adapted to a unique environment. In this hands-on IntroSem, we will do the work of the historian: read and interpret primary sources. During class time, we will work in groups, essentially crowd sourcing primary research, in order to piece together what life was like on the ground. We will debate the extent to which we can trust the sources and how best to use "biased" reports. We will also read the interpretations of historians and decide whether or not we agree with them. In doing so, we will see that the writing of history is never complete.
Terms: Win | Units: 3 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: Burkett, M. (PI)

HISTORY 39Q: Were They Really "Hard Times"? Mid-Victorian Social Movements and Charles Dickens (ENGLISH 39Q)

"It was a town of red brick, or of brick that would have been red if the smoke and ashes had allowed it." So begins Charles Dickens description of Coketown in Hard Times. And it only seems to get more grim from there. But the world that Dickens sought to portray in the novel was a hopeful one, too. And that tension is our starting point. The intent of this class is to more closely examine mid-Victorian Britain in light of Dickens' novel, with particular focus on the rise of some of our modern social movements in the 19th century. While things like the labor movement, abolitionism, feminism, and environmentalism, are not the same now as they were then, this class will explore the argument that the 21st century is still, in some ways, working out 19th century problems and questions. At the same time, this is also a course that seeks to expand the kinds of sources we traditionally use as historians. Thus, while recognizing that literary sources are particularly complex, we will use Hard T more »
"It was a town of red brick, or of brick that would have been red if the smoke and ashes had allowed it." So begins Charles Dickens description of Coketown in Hard Times. And it only seems to get more grim from there. But the world that Dickens sought to portray in the novel was a hopeful one, too. And that tension is our starting point. The intent of this class is to more closely examine mid-Victorian Britain in light of Dickens' novel, with particular focus on the rise of some of our modern social movements in the 19th century. While things like the labor movement, abolitionism, feminism, and environmentalism, are not the same now as they were then, this class will explore the argument that the 21st century is still, in some ways, working out 19th century problems and questions. At the same time, this is also a course that seeks to expand the kinds of sources we traditionally use as historians. Thus, while recognizing that literary sources are particularly complex, we will use Hard Times as a guide to our exploration to this fascinating era. We will seek both to better understand this complex, transitional time and to assess the accuracy of Dickens' depictions of socio-political life.Through a combination of short response papers, creative Victorian projects (such as sending a hand-written letter to a classmate), and a final paper/project, this course will give you the opportunity to learn more about the 19th century and the value of being historically minded.As a seminar based course, discussion amongst members of the class is vital. All students are welcome
Terms: Spr | Units: 3 | UG Reqs: WAY-SI, WAY-ER

HISTORY 41Q: The Ape Museum: Exploring the Idea of the Ape in Global History, Science, Art and Film (GLOBAL 41Q)

This course will explore the idea of "the ape" in global history, science, art, and film. The idea that apes might be humanity's nearest animal relatives is only about 200 years old. From the start, the idea developed in a global context: living fossil apes were found in Africa and Asia, and were immediately embroiled in international controversies about theories of human origins and racial hierarchies. This class will look at how and why "the ape" became a generative and controversial new concept in numerous national and regional contexts. We'll explore some of the many ways humans have looked at, studied, and thought about apes around the world: the "out of Asia" versus "out of Africa" hypothesis for human origins; Nim Chimpsky, the chimpanzee raised as a human child; Koko, the gorilla who may have learned sign language; Congo, the chimpanzee who made "abstract" paintings; films such as King Kong, Planet of the Apes, and 2001: Space Odyssey; the ape in World War II and Cold War propa more »
This course will explore the idea of "the ape" in global history, science, art, and film. The idea that apes might be humanity's nearest animal relatives is only about 200 years old. From the start, the idea developed in a global context: living fossil apes were found in Africa and Asia, and were immediately embroiled in international controversies about theories of human origins and racial hierarchies. This class will look at how and why "the ape" became a generative and controversial new concept in numerous national and regional contexts. We'll explore some of the many ways humans have looked at, studied, and thought about apes around the world: the "out of Asia" versus "out of Africa" hypothesis for human origins; Nim Chimpsky, the chimpanzee raised as a human child; Koko, the gorilla who may have learned sign language; Congo, the chimpanzee who made "abstract" paintings; films such as King Kong, Planet of the Apes, and 2001: Space Odyssey; the ape in World War II and Cold War propaganda in Japan, the Soviet Union, Germany, and the United States; Jane Goodall's study of chimpanzees "culture" and "personality"; the place of apes in natural history museums and zoos around the world; and Stanford's own fraught history of comparing apes and humans through the archival writings of eugenicist founding president David Starr Jordan. Taught in conjunction with an exhibit on global ape imagery at the Stanford Library curated by Professors Riskin and Winterer in 2024, the course will culminate in students' own miniature exhibits for a class-generated "Ape Museum."
Terms: Win | Units: 3 | UG Reqs: WAY-A-II, WAY-SI

HISTORY 44Q: Gendered Innovations in Science, Medicine, Engineering, and Environment (FEMGEN 44Q)

Gendered Innovations harness the creative power of sex, gender, and intersectional analysis for innovation and discovery. We focus on sex and gender, and consider factors intersecting with sex and gender, including age, race/ethnicity, socioeconomic status, educational background, disabilities, geographic location, etc. We start with the history of gender in science in the scientific revolution to understand how to transform research institutions so that women, men, and non-binary individuals can flourish. The majority of the course is devoted to considering gendered innovations in AI, social robotics, health & medicine, design of cars and cockpits, menstrual products, marine science, and more. This course will emphasize writing skills as well as oral and multimedia presentation; it fulfills the second level Writing and Rhetoric Requirement (WRITE 2), WAY-ED, and WAY-SI.
Terms: Spr | Units: 4 | UG Reqs: WAY-SI, Writing 2, GER:DB-Hum, GER:EC-Gender, WAY-EDP

HISTORY 54N: African American Women's Lives (AMSTUD 54N)

This course encourages students to think critically about historical sources and to use creative and rigorous historical methods to recover African American women's experiences, which often have been placed on the periphery of American history and American life.
Terms: Spr | Units: 3 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-A-II, WAY-EDP
Instructors: Hobbs, A. (PI)

HISTORY 86Q: Blood and Money: The Origins of Antisemitism (JEWISHST 86Q)

For over two millennia, Jews and Judaism have been the object of sustained anxieties, fears, and fantasies, which have in turn underpinned repeated outbreaks of violence and persecution. This course will explore the development and impact of antisemitism from Late Antiquity to the Enlightenment, including the emergence of the Blood libel, the association between Jews and moneylending, and the place of Judaism in Christian and Islamic theology. No prior background in history or Jewish studies is necessary. Prerequisite: PWR 1.
Terms: Win | Units: 4-5 | UG Reqs: WAY-EDP, WAY-SI, Writing 2
Instructors: Dorin, R. (PI)

HISTORY 95N: Maps in the Modern World

Preference to freshmen. Through critical essays, maps, and atlases focusing on California, this seminar explores four principal themes: the roots of modern mapping in the rise of the state; maps as commodities; cartographies of race; and counter-mapping (where the marginalized take map-making into their own hands). Students learn to use resources in the Branner Map Library, Stanford digital collections, and the David Rumsey Map Center. The culminating project involves making and annotating your own map of the campus.
Terms: Aut | Units: 4-5 | UG Reqs: GER:DB-SocSci, WAY-SI
Instructors: Wigen, K. (PI)
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