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291 - 300 of 563 results for: all courses

FRENCH 154E: Film & Philosophy CE (ITALIAN 154E, PHIL 193E, PHIL 293E)

Issues of authenticity, morality, personal identity, and the value of truth explored through film; philosophical investigation of the filmic medium itself. Screenings to include Blade Runner (Scott), Do The Right Thing (Lee), The Seventh Seal (Bergman), Fight Club (Fincher), La Jetée (Marker), Memento (Nolan), and Eternal Sunshine of the Spotless Mind (Kaufman). Taught in English. Satisfies the WAY CE.
Last offered: Winter 2019 | UG Reqs: WAY-CE

FRENCH 185: Texts and Contexts: French-English Translation (COMPLIT 285, CSRE 285, FRENCH 285)

This course introduces students to the ways in which translation has shaped the image of France and the Francophone world. What texts and concepts were translated, how, where, and to what effect? Students will work on a translation project throughout the quarter and translate texts from French to English and English to French. Topics may include the role of translation in the development of cultures; the political dimension of translation, translation in the context of migration, and the socio-cultural frameworks that shape translations. Case studies: Camus, Chamoiseau, Djebar, Fanon, Sow Fall, Proust. Prior knowledge of French language required.
Last offered: Winter 2021 | UG Reqs: WAY-A-II, WAY-CE

FRENCH 192: Women in Contemporary French Cinema (FEMGEN 192, FILMEDIA 112, FRENCH 392)

Women as objects and subjects of the voyeuristic gaze inherent to cinema. The evolution of female characters, roles, actresses, directors in the French film industry from the sexual liberation to #metoo. Women as archetypes, icones, images, or as agents and subjects. Emphasis on filmic analysis: framing, point of view, narrative, camera work as ways to convey meaning. Themes include: sexualization and desire; diversity and intersectionality in films; new theories of the female gaze; gender, ethnicity and class. Filmmakers include Roger Vadim, Agnès Varda, Luis Buñuel, Claude Chabrol, Colline Serreau, Elena Rossi, Tonie Marshall, Houda Benyamina, Eléonore Pourriat, Céline Sciamma. VISIT BY FILM DIRECTORS Elena Rossi and Sciamma (pending).nnFilms in French with subtitles; Discussion in English; 3 units, 4 units or 5 units.
| UG Reqs: WAY-A-II, WAY-CE

FRENCH 285: Texts and Contexts: French-English Translation (COMPLIT 285, CSRE 285, FRENCH 185)

This course introduces students to the ways in which translation has shaped the image of France and the Francophone world. What texts and concepts were translated, how, where, and to what effect? Students will work on a translation project throughout the quarter and translate texts from French to English and English to French. Topics may include the role of translation in the development of cultures; the political dimension of translation, translation in the context of migration, and the socio-cultural frameworks that shape translations. Case studies: Camus, Chamoiseau, Djebar, Fanon, Sow Fall, Proust. Prior knowledge of French language required.
Last offered: Winter 2021 | UG Reqs: WAY-A-II, WAY-CE

GERMAN 120B: Fairy Tales

Fairy tales loom largely in our lives. They are 'weird,' but not shallow or irrelevant: they tell the 'extraordinary' in different traditions and facilitate cross-and transcultural dialogues between them. In this course, we will read German fairy tales from the Grimm Brothers, Novalis, Tieck, Bettina von Arnim, E.T.A. Hoffmann, etc., focus on their connections to the stories in other traditions, and explore their transformations in various media from oral storytelling to films, comic books, and music videos. We will reinterpret these fairy tales by using methodologies derived from psychoanalysis, folklore, gender, and race studies and open a creative environment for your own tales. Taught in German. Prerequisite: GERLANG 3 or permission of instructor.
Last offered: Autumn 2021 | UG Reqs: WAY-A-II, WAY-CE

HISTORY 200B: Doing Environmental History: Water Justice

This course is an introduction to the field of environmental history, or the study of how humans have influenced, and have been influenced by, diverse environments over time. We will employ various sources (written, visual, aural) to learn about different methods of doing environmental history with a focus on water justice, or how access to freshwater has historically reflected racial, gender and class disparities at multiple levels, from families to communities (urban and rural), states, nations, and empires, especially with the rise of industrial capitalism from the late 19th century and increasing scientific understanding of climate change in the late 20th century. Final assignments may be multi-media (Youtube, TikTok, Podcasts, etc) as well as traditional research papers.
Terms: Win | Units: 5 | UG Reqs: WAY-CE, WAY-SI
Instructors: Wolfe, M. (PI)

HISTORY 201D: History Goes Pop! Songwriting the Past (HISTORY 301D)

Historical research doesn't always take the form of a thesis, an article, or a book. Sometimes, research leads to film, museum exhibits, works of art, or... music. In this class, students will collaborate to write, record, and produce original pop music (perhaps even an entire album) based on original research in Stanford's wealth of archives and Special Collections. Background in music is NOT required.
Last offered: Spring 2020 | UG Reqs: WAY-A-II, WAY-CE

ILAC 111Q: Texts and Contexts: Spanish/English Literary Translation Workshop (COMPLIT 111Q, DLCL 111Q)

The Argentinian writer and translator, Jorge Luis Borges, once said, 'Cada idioma es un modo de sentir el universo.' How are modes of feeling and perception translated across languages? How does the historical context of a work condition its translation into and out of a language? In this course, you will translate from a variety of genres that will teach you the practical skills necessary to translate literary texts from Spanish to English and English to Spanish. By the end of the term, you will have translated and received feedback on a project of your own choosing. Discussion topics may include: the importance of register, tone, and audience; the gains, in addition to the losses, that translations may introduce; the role of ideological, social-political, and aesthetic factors on the production of translations; and comparative syntaxes, morphologies, and semantic systems. Preference will be given to sophomores but freshman through seniors have enjoyed this course in the past. Course taught in Spanish.
Last offered: Winter 2023 | UG Reqs: WAY-A-II, WAY-CE

ILAC 113Q: Borges and Translation (DLCL 113Q)

Borges's creative process and practice as seen through the lens of translation. How do Borges's texts articulate the relationships between reading, writing, and translation? Topics include authorship, fidelity, irreverence, and innovation. Readings will draw on Borges's short stories, translations, and essays. Taught in Spanish. Prerequisite: 100-level course in Spanish or permission of instructor.
Last offered: Autumn 2017 | UG Reqs: WAY-A-II, WAY-CE

ILAC 176: Forms of Poetry at Home and Abroad: A Workshop (COMPLIT 176)

Poets have long relied on formal structures to write into surprise and wonder. We know of structures such as the sonnet and the sestina, but what about the corrido, ghazal, haiku, jintishi, landay, lira, l¿c b¿t, qa¿¿da, pantoum, romance, rondeau, sijo, than-bauk, and triolet? How might we reimagine poetic forms in English by looking to the past at home and abroad?In this poetry workshop, you will write an original poem each week. Assigned readings will illustrate the development of specific forms from language traditions around the world and the ways in which they've crossed into English-language poetry. Previous experience with creative writing not required.
Terms: Win | Units: 3-5 | UG Reqs: WAY-CE
Instructors: Santana, C. (PI)
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