printer friendly pageHUMBIO 176A: Medical Anthropology (ANTHRO 82, ANTHRO 282)
Emphasis is on how health, illness, and healing are understood, experienced, and constructed in social, cultural, and historical contexts. Topics: biopower and body politics, gender and reproductive technologies, illness experiences, medical diversity and social suffering, and the interface between medicine and science.
Terms: Win
| Units: 4
| UG Reqs: GER:DB-SocSci, GER:EC-GlobalCom, WAY-EDP, WAY-SI
Instructors:
Kohrman, M. (PI)
ILAC 193Q: Spaces and Voices of Brazil through Film (PORTLANG 193Q)
The manners in which a country is perceived and defines itself is a result of many complex forces, and involves the reproduction of social relations and complex social constructions both on the part of those who live there and those who see it from a distance. The perceptions of what Brazil is and what defines the country has changed throughout times, but has conserved some clear pervasive defining traits. This course is an introduction to the history, culture, politics and artistic production of Brazil as seen through feature films, documentaries and some complementary readings. Movies include, among others, Banana is my Business, Black Orpheus, Olga, They Don't Use Black-Tie, City of God, Central Station, Gaijin, and Four Days in September-among others. In English.
Last offered: Autumn 2013
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom
ILAC 271: Brazilian Presence: Landscape, Life and Literature
This course explores Brazil's literature and its representation of the country's diverse regional cultures and ecology. The course offers an in-depth discussion of Brazilian society, presenting fundamental texts that portray Brazilian landscape with its diverse eco-regions, people and culture. The program includes major authors such as Euclides da Cunha and his description of the Amazon in the early 1900s; the travels of anthropologist Claude Levi-Strauss and his contact with Caduveo, Nhambiquara, Bororo and Tupi indigenous tribes; Mario de Andrade's novel, Macunaima and its ironical representation of Brazilian identity and miscegenation; Guimaraes Rosa's short stories that show the imagery of the sertao and its people (the sertanejo culture); Milton Hatoum's novel, The Brothers, and its impressive portray of Manaus city in the 20th Century as an unstable world seen through the lens of Lebanese immigrants. These central books will be discussed together with critical essays about some important historical and contemporary challenges that Brazil has faced and continues to grapple with today
Last offered: Spring 2012
| UG Reqs: GER:EC-GlobalCom
INTNLREL 102: History of the International System (HISTORY 102)
After defining the characteristics of the international system at the beginning of the twentieth century, this course reviews the primary developments in its functioning in the century that followed. Topics include the major wars and peace settlements; the emergence of Nazism and Communism; the development of the Cold War and nuclear weapons; the rise of China, India, and the EU; and the impact of Islamic terrorism. The role of international institutions and international society will also be a focus as will the challenge of environment, health, poverty, and climate issues to the functioning of the system.
Terms: Spr
| Units: 5
| UG Reqs: WAY-SI, GER:DB-SocSci, GER:EC-GlobalCom
Instructors:
Naimark, N. (PI)
INTNLREL 143: State and Society in Korea (SOC 111, SOC 211)
20th-century Korea from a comparative historical perspective. Colonialism, nationalism, development, state-society relations, democratization, and globalization with reference to the Korean experience.
Last offered: Spring 2014
| UG Reqs: GER:DB-SocSci, GER:EC-GlobalCom
ITALIAN 101: Italy: The Good, the Bad and the Ugly
Renowned for its rich cultural tradition, Italy is also one of the most problematic nations in Europe. This course explores the contradictions at the heart of Italy by examining how art and literature provide a unique perspective onto modern Italian history. We will focus on key phenomena that contribute both positively and negatively to the complex "spirit" of Italy, such as the presence of the past, political realism and idealism, revolution, corruption, decadence, war, immigration, and crises of all kinds. Through the study of historical and literary texts, films, and news media, the course seeks to understand Italy's current place in Europe and its future trajectory by looking to its past as a point of comparison. Taught in English.
Terms: Win
| Units: 3
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II, WAY-EDP
Instructors:
Lummus, D. (PI)
;
Gounalis, N. (TA)
JAPANGEN 60: Asian Arts and Cultures (ARTHIST 2)
An introduction to major monuments, themes, styles, and media of East and South Asian visual arts, in their social, literary, religious, and political contexts. Through close study of primary monuments of architectural, pictorial, and sculptural arts and related texts, this course will explore ritual and mortuary arts; Buddhist arts across Asia; narrative and landscape images; and courtly, urban, monastic, and studio environments for art from Bronze Age to modern eras.
Terms: Win
| Units: 5
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II
Instructors:
Vinograd, R. (PI)
JAPANGEN 79: Japanese Ghosts: The Supernatural in Japanese Art and Entertainment (JAPANGEN 179)
The complex meanings of ghosts in Japanese culture. Representations of the supernatural in images, drama, oral narratives, prose, film, comics and animation at different moments in Japanese history.
Last offered: Spring 2011
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom
JAPANGEN 92: Introduction to Japan
Required Japanese majors. Introduction to Japanese culture in historical context. Previous topics include:shifting paradigms of gender relations and performance, ancient mythology, court poetry and romance, medieval war tales, and the theaters of Noh, Bunraku, and Kabuki.
Terms: Win
| Units: 5
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II
Instructors:
Carter, S. (PI)
JAPANGEN 138: Introduction to Modern Japanese Literature and Culture (COMPLIT 138A, JAPANGEN 238)
This class introduces key literary texts from Japan's modern era (1868-present), locating these works in the larger political, social, and cultural trends of the period. Primary texts include: Futabatei Shimei's Floating Clouds, Higuchi Ichiyô's Child's Play, Natsume Sôseki's Kokoro, Kobayashi Takiji's Cannery Boat, Ôe Kenzaburô's The Catch, and Yoshimoto Banana's Kitchen. Examination of these literary works will be contextualized within larger political trends (e.g., the modernization program of the Meiji regime, the policies of Japan's wartime government, and postwar Japanese responses to the cold war), social developments (e.g., changing notions of social class, the women's rights movement, and the social effects of the postwar economic expansion), and cultural movements (e.g., literary reform movement of the 1890s, modernism of the 1920s and 30s, and postmodernism of the 1980s). The goal of the class is to use literary texts as a point of entry to understand the grand narrative of Japan's journey from its tentative re-entry into the international community in the 1850s, through the cataclysm of the Pacific War, to the remarkable prosperity of the bubble years in the 1980s.
Terms: Spr
| Units: 3-4
| UG Reqs: WAY-A-II, GER:EC-GlobalCom, GER:DB-Hum
Instructors:
Levy, I. (PI)
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