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31 - 40 of 64 results for: FILMSTUD

FILMSTUD 299: Independent Study: Film and Media Studies

May be repeated for credit.
Terms: Aut, Win, Spr, Sum | Units: 1-15 | Repeatable for credit

FILMSTUD 300A: History of World Cinema I, 1895-1929 (FILMSTUD 100A)

From cinema's precursors to the advent of synchronized sound.
Terms: Aut | Units: 4

FILMSTUD 300B: History of World Cinema II, 1930-1959 (FILMSTUD 100B)

The impact of sound to the dissolution of Hollywood's studio system.
Terms: Aut, Spr | Units: 4

FILMSTUD 300C: History of World Cinema III, 1960-Present (FILMSTUD 100C)

From the rise of the French New Wave to the present.
Terms: Spr | Units: 4
Instructors: Ma, J. (PI)

FILMSTUD 301: Fundamentals of Cinematic Analysis (FILMSTUD 101)

The close analysis of film. Emphasis is on formal and narrative techniques in structure and style, and detailed readings of brief sequences. Elements such as cinematography, mise-en-scène, composition, sound, and performance. Films from various historical periods, national cinemas, directors, and genres. Prerequisite: FILMSTUD 4 or equivalent. Recommended: ARTHIST 1 or FILMSTUD 102. Course can be repeated twice for a max of 8 units.
Terms: Aut | Units: 4 | Repeatable 3 times (up to 12 units total)
Instructors: Ma, J. (PI)

FILMSTUD 302: Theories of the Moving Image (FILMSTUD 102)

Major theoretical arguments and debates about cinema: realism,formalism, poststructuralism, feminism, postmodernism, and phenomenology. Prerequisites: FILMSTUD 4.
Terms: Win | Units: 4
Instructors: Oxman, E. (PI)

FILMSTUD 304: Introduction to the Movies- How Movies Are Developed, Produced, Marketed and Exhibited (FILMSTUD 104)

How are movies created? How are scripts developed and selected for production? How are films actually made and marketed? How are they shown in various media? Who decides what in all of these processes and what information do the decision-makers rely on?nnThis course will follow the life cycle of a movie, from its inception as an idea, article, book, etc., to its release in theaters and other media as a finished product. Guest speakers will discuss the evolution of the film industry, creative development of scripts, how deals are structured to acquire intellectual property, film finance, and how movies are physically produced and then marketed, distributed and exhibited in theaters and in other media. We will use two films as case studies ¿ The Chronicles of Narnia ¿ Voyage of the Dawn Treader and Chasing Mavericks.
Terms: Aut | Units: 4

FILMSTUD 310: Science Fiction Cinema (FILMSTUD 110)

Science fiction film's sense of wonder depends upon the development and revelation of new ways of seeing. The American science fiction film emphasizes the fundamental activity of human perception, its relation to bodily experience and the exploration of other worlds, new cities, and other modes of being, in such new technological spaces as the cyberspaces of the information age. It is perhaps the Hollywood genre most directly concerned with the essence of cinema itself.
Terms: Aut | Units: 4
Instructors: Bukatman, S. (PI)

FILMSTUD 315: Documentary Issues and Traditions (FILMSTUD 115)

Issues include objectivity/subjectivity, ethics, censorship, representation, reflexivity, responsibility to the audience, and authorial voice. Parallel focus on form and content.
Terms: Aut | Units: 4
Instructors: Krawitz, J. (PI)

FILMSTUD 316: International Documentary (FILMSTUD 116)

Historical, aesthetic, and formal developments of documentary through nonfiction films in Europe, Asia, Latin America, and Africa.
Last offered: Autumn 2012
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