FILMSTUD 102: Theories of the Moving Image (FILMSTUD 302)
Major theoretical arguments and debates about cinema: realism,formalism, poststructuralism, feminism, postmodernism, and phenomenology. Prerequisites:
ARTHIST 1,
FILMSTUD 4.
Terms: Spr
| Units: 4
| UG Reqs: WAY-A-II, GER:DB-Hum
Instructors:
Laderman, D. (PI)
;
Pei, E. (TA)
FILMSTUD 133: Contemporary Chinese Auteurs (FILMSTUD 333)
New film cultures and movements in Taiwan, Hong Kong, and mainland China in the 80s. Key directors including Jia Zhangke, Wu Wenguang, Tsai Ming-liang, Hou Hsiao-hsien, Wong Kar-wai, Ann Hui. Topics include national cinema in the age of globalization, the evolving parameters of art cinema, and authorship.
Terms: Spr
| Units: 4
| UG Reqs: WAY-A-II, GER:DB-Hum
Instructors:
Ma, J. (PI)
;
Pei, E. (TA)
FILMSTUD 155: Comics and the City (FILMSTUD 355)
Urban history and life informs the history, stories, structures and aesthetics of the comics, coinciding with the emergence of the modern metropolis in America and Europe and is rooted in the same industrial, commercial, and social transformations. Comics and cartoons were fixtures of urbane humor publications of the 19th century and became a valued fixture of the American newspaper in the very earliest part of the 20th. The characters in early comic strips were often denizens of the urban world, whether immigrants fresh off the boat or the nouveau riche. Many strips were grounded in quotidian urban experience. Later comics use the city as setting, aesthetic, and metaphor. The mean streets of Jacques Tardi's noirish cities abut the rather sunnier and shinier example of Superman's Metropolis. Science fiction comics and manga give us the impacted and often destructed cities of the future. The graphic novel adaptation of Paul Auster's City of Glass maps the grid pattern of the comics page onto the gridded streets of Manhattan. Chris Ware's Building Stories series uses one apartment building to follow the myriad and sometimes intersecting lines found therein. Assigned readings include many comics alongside urban and comics scholarship. Artists to be considered include Outcault, Swinnerton, McCay, Eisner, Katchor, Tatsumi, Doucet, Tardi, Otomo. Hergé, Mazzuchelli, Chaykin, Miller, Ware, Pekar, Crumb, Gloeckner.
Terms: Spr
| Units: 4
| UG Reqs: WAY-A-II
FILMSTUD 235: Emotions of Japanese Cinema (Postindustrial Version) (JAPANGEN 125, JAPANGEN 225)
Seminar aims to elucidate the affective terrain of postindustrial Japan and to rethink affect theory from the perspective of Japanese cinema. Films have English subtitles and core readings are in English. Additional readings for those with access to Japanese.
Terms: Spr
| Units: 4
Instructors:
Roquet, P. (PI)
FILMSTUD 250B: Bollywood and Beyond: An Introduction to Indian Film (COMPLIT 247, ICA 250)
A broad engagement with Indian cinema: its relationship with Indian politics, history, and economics; its key thematic concerns and forms; and its adaptation of and response to global cinematic themes, genres, and audiences. Locating the films within key critical and theoretical debates and scholarship on Indian and world cinemas. Goal is to open up what is often seen as a dauntingly complex region, especially for those who are interested in but unfamiliar with its histories and cultural forms.
Terms: Spr
| Units: 3-5
| UG Reqs: WAY-A-II, GER:EC-GlobalCom, WAY-EDP
Instructors:
Mediratta, S. (PI)
FILMSTUD 297: Honors Thesis Writing
May be repeated for credit.
Terms: Aut, Win, Spr
| Units: 1-5
| Repeatable
1 times
(up to 5 units total)
FILMSTUD 299: Independent Study: Film and Media Studies
May be repeated for credit.
Terms: Aut, Win, Spr, Sum
| Units: 1-15
| Repeatable
for credit
Instructors:
Bukatman, S. (PI)
;
Krawitz, J. (PI)
;
Levi, P. (PI)
...
more instructors for FILMSTUD 299 »
Instructors:
Bukatman, S. (PI)
;
Krawitz, J. (PI)
;
Levi, P. (PI)
;
Ma, J. (PI)
;
Meltzer, J. (PI)
;
Samuelson, K. (PI)
;
Tobin, A. (PI)
FILMSTUD 302: Theories of the Moving Image (FILMSTUD 102)
Major theoretical arguments and debates about cinema: realism,formalism, poststructuralism, feminism, postmodernism, and phenomenology. Prerequisites:
ARTHIST 1,
FILMSTUD 4.
Terms: Spr
| Units: 4
Instructors:
Laderman, D. (PI)
FILMSTUD 333: Contemporary Chinese Auteurs (FILMSTUD 133)
New film cultures and movements in Taiwan, Hong Kong, and mainland China in the 80s. Key directors including Jia Zhangke, Wu Wenguang, Tsai Ming-liang, Hou Hsiao-hsien, Wong Kar-wai, Ann Hui. Topics include national cinema in the age of globalization, the evolving parameters of art cinema, and authorship.
Terms: Spr
| Units: 4
Instructors:
Ma, J. (PI)
FILMSTUD 355: Comics and the City (FILMSTUD 155)
Urban history and life informs the history, stories, structures and aesthetics of the comics, coinciding with the emergence of the modern metropolis in America and Europe and is rooted in the same industrial, commercial, and social transformations. Comics and cartoons were fixtures of urbane humor publications of the 19th century and became a valued fixture of the American newspaper in the very earliest part of the 20th. The characters in early comic strips were often denizens of the urban world, whether immigrants fresh off the boat or the nouveau riche. Many strips were grounded in quotidian urban experience. Later comics use the city as setting, aesthetic, and metaphor. The mean streets of Jacques Tardi's noirish cities abut the rather sunnier and shinier example of Superman's Metropolis. Science fiction comics and manga give us the impacted and often destructed cities of the future. The graphic novel adaptation of Paul Auster's City of Glass maps the grid pattern of the comics page onto the gridded streets of Manhattan. Chris Ware's Building Stories series uses one apartment building to follow the myriad and sometimes intersecting lines found therein. Assigned readings include many comics alongside urban and comics scholarship. Artists to be considered include Outcault, Swinnerton, McCay, Eisner, Katchor, Tatsumi, Doucet, Tardi, Otomo. Hergé, Mazzuchelli, Chaykin, Miller, Ware, Pekar, Crumb, Gloeckner.
Terms: Spr
| Units: 4
Instructors:
Bukatman, S. (PI)
Filter Results: