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61 - 70 of 170 results for: TAPS

TAPS 160N: Chican@/Latin@ Performance in the U.S. (CHILATST 160N)

This course will introduce works by U.S. Latino and Latina performance artists producing from the margins of the mainstream Euro-American theater world. We will examine how performance art serves as a kind of dramatized political forum for Latino/a artists, producing some of the most transgressive explorations of queer and national/ethnic identities in the U.S. today. By the course's conclusion, each student will create and perform in a staged reading of an original performance piece.
Terms: Spr | Units: 4
Instructors: Moraga, C. (PI)

TAPS 161H: Dance, History and Conflict (DANCE 161H)

This seminar investigates how moving bodies are compelling agents of social, cultural, and political change.Through readings, videos, discussions and viewings of live performances this class questions the impact of social conflict and war on selected 20th and 21st century dances and dance practices. This class asks to what extent dance, in its history as well as contemporary development, is linked to concepts of the political and conflict.
Terms: Aut | Units: 4

TAPS 162I: The Idea of a Theater

Examines the idea of a theater from the religious street theater of Medieval York, though Shakespeare's Globe, and onto the mental theater of the Romantic reader and the alienation effects of Brecht's radical playhouse in the 20th cent
| UG Reqs: GER:DB-Hum

TAPS 164T: Queer Art and Performance (FEMGEN 140P, TAPS 364T)

Examines the late 19th, 20th and 21st century forms of performance-- including examples from drama, theater, cabaret, and performance art -- through the perspectives of contemporary critical gender and queer theories. Texts and movements range from early avant-garde (Dada, Futurism) to gay and lesbian drama (Lillian Hellmann, Joe Orton, Tony Kushner) to post-liberation Queer performance and video (Split Britches, Carmelita Tropicana, Kalup Linzy). Theorists include Judith Butler, Michel Foucault, and Eve Kosofsky Sedgwick.
| UG Reqs: GER:EC-Gender

TAPS 165: Introduction to Comparative Studies in Race and Ethnicity (ANTHRO 33, CSRE 196C, ENGLISH 172D, SOC 146)

How different disciplines approach topics and issues central to the study of ethnic and race relations in the U.S. and elsewhere. Lectures by senior faculty affiliated with CSRE. Discussions led by CSRE teaching fellows.
Last offered: Winter 2013 | UG Reqs: GER:DB-SocSci, GER:EC-AmerCul, WAY-EDP, WAY-SI

TAPS 167: Introduction to Greek Tragedy (CLASSGEN 110)

Gods and heroes, fate and free choice, gender conflict, the justice or injustice of the universe: these are just some of the fundamental human issues that we will explore in about ten of the tragedies of Aeschylus, Sophocles, and Euripides.
Terms: Win | Units: 4 | UG Reqs: GER:DB-Hum, WAY-A-II
Instructors: McCall, M. (PI)

TAPS 170: Directing & Dramaturgy: Composition and Adaptation for Theatre (TAPS 370)

This course explores dramaturgy and directing in the research and production of theatre primarily through practical creative projects with secondary readings on dramaturgy as a discipline. In this course we will consider the role of the dramaturg in its broadest sense, running across theatrical production from research to playwriting, adaptation, choreography, devising and directing. Students will work individually and in small groups researching, adapting, crafting and workshopping material.
Last offered: Spring 2013 | UG Reqs: WAY-A-II, WAY-CE

TAPS 170B: Directing Workshop: The Actor-Director Dialogue (TAPS 372)

This course focuses on the actor-director dialogue. We will work with actors and directors developing approaches to collaboration that make the actor-director dialogue in theater.
Terms: Win | Units: 4 | UG Reqs: WAY-A-II, WAY-CE | Repeatable for credit

TAPS 171: Performance Making (TAPS 371)

A studio course focused on creative processes and generating original material. Students will be encouraged to think critically about the relationship between form and content exploring the possibilities of site specific, gallery and theatre settings. Students will reflect throughout on the types of contact and communication uniquely possible in the live moment, such as interaction or the engagement of the senses. The emphasis is on weekly experimentation in the creation of short works rather than on a final production.
Terms: Aut | Units: 4 | UG Reqs: WAY-CE

TAPS 172: Out of Place: (W)riting Home (CSRE 172, TAPS 272)

A creative writing workshop; all genres. This course will introduce students to the fundamentals of a productive creative writing practice, including ¿the beginner¿s mind¿ (as founded in Eastern spiritual practices); and, an indigenous approach to ¿authenticity¿ in one¿s work and one¿s words. Through w(riting), one returns to the body of home-knowledges, languages, and geographies to uncover what is profoundly original in us as artists, writers and thinkers.¿
Terms: Aut | Units: 4 | UG Reqs: WAY-CE
Instructors: Moraga, C. (PI)
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