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201 - 210 of 213 results for: MUSIC

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MUSIC 324: Graduate Composition Forum

Community forum for all graduate student composers. Discussion of completed and in-progress work by students, faculty, and visiting composers. Repertoire listening sessions. Planning of upcoming Department events. Special area exam topic presentations, final doctoral project presentations, and review of portfolios. Many sessions are open to the public.May be repeated for credit
Terms: Aut, Win, Spr | Units: 1 | Repeatable 18 times (up to 18 units total)
Instructors: Alessandrini, P. (PI) ; Kapuscinski, J. (PI)

MUSIC 325: Individual Graduate Projects in Composition

May be repeated for credit.
Terms: Aut, Win, Spr, Sum | Units: 1-5 | Repeatable 25 times (up to 75 units total)

MUSIC 341: Ph.D Dissertation

May be repeated for credit a total of 5 times.
Terms: Aut, Win, Spr, Sum | Units: 1-10 | Repeatable 6 times (up to 60 units total)

MUSIC 356: Music and AI (CS 470)

How do we make music with artificial intelligence? What does it mean to do so (and is it even a good idea)? How might we design systems that balance machine automation and human interaction? More broadly, how do we want to live with our technologies? Are there - and ought there be - limits to using AI for art? (And what is Art, anyway?) In this "critical making" course, students will learn practical tools and techniques for AI-mediated music creation, engineer software systems incorporating AI, HCI and Music, and critically reflect on the aesthetic and ethical dimensions of technology.
Terms: Win | Units: 3-4
Instructors: Wang, G. (PI) ; Zhu, A. (TA)

MUSIC 390: Practicum Internship

On-the-job training under the guidance of experienced, on-site supervisors. Meets the requirements for curricular practical training for students on F-1 visas. Students submit a concise report detailing work activities, problems worked on, and key results. May be repeated for credit. Prerequisite: qualified offer of employment and consent of adviser.
Terms: Aut, Win, Spr, Sum | Units: 1 | Repeatable 15 times (up to 15 units total)

MUSIC 398: PhD Dissertation Proposal

Students have to identify a research advisor and enroll in this course with her/him to develop the dissertation proposal. By the end of this required course or its series (repeatable for three times), students are expected to have identified a) a special area exam committee, b) the structure of the dissertation proposal, and c) the scope of the thesis with the depth and breadth of the research field.
Terms: Aut, Win, Spr, Sum | Units: 1-3 | Repeatable 3 times (up to 9 units total)

MUSIC 399: D.M.A. Final Project

May be repeated for credit a total of 5 times.
Terms: Aut, Win, Spr, Sum | Units: 1-10 | Repeatable 6 times (up to 60 units total)

MUSIC 422: Perceptual Audio Coding

History and basic principles: development of psychoacoustics-based data-compression techniques; perceptual-audio-coder applications (radio, television, film, multimedia/internet audio, DVD, EMD). In-class demonstrations: state-of-the-art audio coder implementations (such as AC-3, MPEG) at varying data rates; programming simple coders. Topics: audio signals representation; quantization; time to frequency mapping; introduction to psychoacoustics; bit allocation and basic building blocks of an audio codec; perceptual audio codecs evaluation; overview of MPEG-1, 2, 4 audio coding and other coding standards (such asAC-3). Prerequisites: knowledge of digital audio principles, familiarity with C programming. Recommended: 320, EE 261. See http://ccrma.stanford.edu/.
Terms: Win | Units: 3
Instructors: Bosi, M. (PI) ; Kuo, E. (TA)

MUSIC 423: Graduate Research in Music Technology

Research discussion, development, and presentation by graduate students, visiting scholars, and CCRMA faculty in the areas of music and/or audio technology. Permission of instructor required. See http://ccrma.stanford.edu/courses/423/ for latest information. May be repeated for credit.
Terms: Aut, Win, Spr | Units: 1-10 | Repeatable 10 times (up to 50 units total)
Instructors: Abel, J. (PI) ; Bosi, M. (PI) ; Smith, J. (PI)

MUSIC 424L: Signal Processing Techniques for Digital Audio Effects Group Study

Techniques for dynamic range control, equalization and filtering, delay effects and reverberation, digital emulation of analog processors, and implementation of time-varying effects. Single-band and multiband compressors, limiters, noise gates, de-essers; parametric, shelf, and resonant equalizers, wah-wah, phasor, and envelope-following filters, filter banks; echo, chorus, flange, tape delay; room acoustics analysis and comb, allpass, and feedback delay network reverberators. Students implement common digital audio effects in real-time audio plugins, and work on their own projects. Prerequisites: the Discrete Fourier Transform, z-Transform, and difference equations at the level of 320A; modest C programming and Python or Matlab experience. Recommended: EE 264; audio effects in mixing and mastering at the level of 192.
Terms: Win | Units: 1-4
Instructors: Abel, J. (PI) ; Rau, M. (PI)
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