printer friendly pageHUMBIO 175L: Literature of Global Health (COMPLIT 229, FRENCH 229, MED 234)
This course examines the ways literary and medical writers have used the narrative form to explore the ethics of care in what has been called the developing world. We will begin with a call made by the editor-in-chief of
The Lancet for a literature of global health -- modeled on the social reform novels of the nineteenth century, which are meant to have helped readers develop a modern public health conscience. We will study global health ethics as a field initially rooted in philosophy and policy that address questions raised by practice in resource-constrained communities abroad. And we will spend the quarter understanding how colonial and world literatures may deepen and even alter these questions. Readings will be selected from Albert Schweitzer, Aime Cesaire, Albert Camus, Frantz Fanon, Antonio Olinto, Ben Okri, Amitav Ghosh, Anne Fadiman, and Paul Farmer.
Terms: Spr
| Units: 3-5
| UG Reqs: WAY-ER, WAY-A-II, GER:EC-GlobalCom, GER:DB-Hum
Instructors:
Ikoku, A. (PI)
HUMBIO 176A: Medical Anthropology (ANTHRO 82, ANTHRO 282)
Emphasis is on how health, illness, and healing are understood, experienced, and constructed in social, cultural, and historical contexts. Topics: biopower and body politics, gender and reproductive technologies, illness experiences, medical diversity and social suffering, and the interface between medicine and science.
Terms: Spr
| Units: 3-5
| UG Reqs: GER:DB-SocSci, WAY-SI, GER:EC-GlobalCom, WAY-EDP
Instructors:
Kohrman, M. (PI)
ICA 250: Bollywood and Beyond: An Introduction to Indian Film (COMPLIT 247, FILMSTUD 250B)
A broad engagement with Indian cinema: its relationship with Indian politics, history, and economics; its key thematic concerns and forms; and its adaptation of and response to global cinematic themes, genres, and audiences. Locating the films within key critical and theoretical debates and scholarship on Indian and world cinemas. Goal is to open up what is often seen as a dauntingly complex region, especially for those who are interested in but unfamiliar with its histories and cultural forms.
Terms: Spr
| Units: 3-5
| UG Reqs: WAY-A-II, GER:EC-GlobalCom, WAY-EDP
Instructors:
Mediratta, S. (PI)
ILAC 193Q: Spaces and Voices of Brazil through Film (PORTLANG 193Q)
The manners in which a country is perceived and defines itself is a result of many complex forces, and involves the reproduction of social relations and complex social constructions both on the part of those who live there and those who see it from a distance. The perceptions of what Brazil is and what defines the country has changed throughout times, but has conserved some clear pervasive defining traits. This course is an introduction to the history, culture, politics and artistic production of Brazil as seen through feature films, documentaries and some complementary readings. Movies include, among others, Banana is my Business, Black Orpheus, Olga, They Don't Use Black-Tie, City of God, Central Station, Gaijin, and Four Days in September-among others. In English.
Terms: Aut
| Units: 3-4
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom
Instructors:
Wiedemann, L. (PI)
INTNLREL 102: The History of the International System since 1914 (HISTORY 102)
After defining the characteristics of the international system at the beginning of the twentieth century, this course reviews the primary developments in its functioning in the century that followed. Topics include the major wars and peace settlements; the emergence of Nazism and Communism; the development of the Cold War and nuclear weapons; the rise of China, India, and the EU; and the impact of Islamic terrorism. The role of international institutions and international society will also be a focus as will the challenge of environment, health, poverty, and climate issues to the functioning of the system.
Terms: Spr
| Units: 5
| UG Reqs: WAY-SI, GER:DB-SocSci, GER:EC-GlobalCom
Instructors:
Naimark, N. (PI)
INTNLREL 143: State and Society in Korea (SOC 111, SOC 211)
20th-century Korea from a comparative historical perspective. Colonialism, nationalism, development, state-society relations, democratization, and globalization with reference to the Korean experience.
Terms: Spr
| Units: 4
| UG Reqs: GER:EC-GlobalCom, GER:DB-SocSci
Instructors:
Shin, G. (PI)
ITALIAN 101: Italy: The Good, the Bad and the Ugly
Renowned for its rich cultural tradition, Italy is also one of the most problematic nations in Europe. This course explores the contradictions at the heart of Italy, focusing on five key words and their corresponding human figures, which embody the spirit of Italy and its people: Stile (the artist), Spirito (the hero-saint), Scienza (the thinker), Migrazione (the explorer), and Crisi (the political man). Through the study of historical and literary texts, films, and news media, the course addresses figures such as Dante, Michelangelo, Da Vinci, and Galileo; and socio-cultural phenomena such as fashion and design, the scientific revolution, immigration, and Berlusconi. Offered as a part of the Gateways to the World program. Taught in English.
Terms: Spr
| Units: 3-5
| UG Reqs: GER:EC-GlobalCom, WAY-A-II, WAY-EDP
Instructors:
Lummus, D. (PI)
JAPANGEN 60: Asian Arts and Cultures (ARTHIST 2)
An introduction to major monuments, themes, styles, and media of East and South Asian visual arts, in their social, literary, religious, and political contexts. Through close study of primary monuments of architectural, pictorial, and sculptural arts and related texts, this course will explore ritual and mortuary arts; Buddhist arts across Asia; narrative and landscape images; and courtly, urban, monastic, and studio environments for art from Bronze Age to modern eras.
Terms: Win
| Units: 5
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II
Instructors:
Vinograd, R. (PI)
JAPANGEN 92: Traditional East Asian Culture: Japan
Required for Chinese and Japanese majors. Introduction to Japanese culture in historical context. Previous topics include:shifting paradigms of gender relations and performance, ancient mythology, court poetry and romance, medieval war tales, and the theaters of Noh, Bunraku, and Kabuki.
Terms: Win
| Units: 5
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II
Instructors:
Carter, S. (PI)
JAPANGEN 138: Introduction to Modern Japanese Literature and Culture (JAPANGEN 238)
This class introduces key literary texts from Japan's modern era (1868-present), locating these works in the larger political, social, and cultural trends of the period. Primary texts include: Futabatei Shimei's Floating Clouds, Higuchi Ichiyô's Child's Play, Natsume Sôseki's Kokoro, Kobayashi Takiji's Cannery Boat, Ôe Kenzaburô's The Catch, and Yoshimoto Banana's Kitchen. Examination of these literary works will be contextualized within larger political trends (e.g., the modernization program of the Meiji regime, the policies of Japan's wartime government, and postwar Japanese responses to the cold war), social developments (e.g., changing notions of social class, the women's rights movement, and the social effects of the postwar economic expansion), and cultural movements (e.g., literary reform movement of the 1890s, modernism of the 1920s and 30s, and postmodernism of the 1980s). The goal of the class is to use literary texts as a point of entry to understand the grand narrative of Japan's journey from its tentative re-entry into the international community in the 1850s, through the cataclysm of the Pacific War, to the remarkable prosperity of the bubble years in the 1980s.
Terms: Spr
| Units: 3-4
| UG Reqs: WAY-A-II, GER:EC-GlobalCom, GER:DB-Hum
Instructors:
Reichert, J. (PI)
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