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101 - 110 of 180 results for: all courses

JAPANGEN 148: Modern Japanese Narratives: Literature and Film (JAPANGEN 248)

Central issues in modern Japanese visual and written narrative. Focus is on competing views of modernity, war, and crises of individual and collective identity and responsibility. Directors and authors include Kurosawa, Mizoguchi, Ozu, Ogai, Akutagawa, Tanizaki, Abe, and Oe.
Last offered: Winter 2010 | UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-EDP

JAPANGEN 185: Arts of War and Peace: Late Medieval and Early Modern Japan, 1500-1868 (ARTHIST 187, ARTHIST 387)

Narratives of conflict, pacification, orthodoxy, nostalgia, and novelty through visual culture during the change of episteme from late medieval to early modern, 16th through early 19th centuries. The rhetorical messages of castles, teahouses, gardens, ceramics, paintings, and prints; the influence of Dutch and Chinese visuality; transformation in the roles of art and artist; tensions between the old and the new leading to the modernization of Japan.
Terms: Aut, Win | Units: 4 | UG Reqs: GER:DB-Hum, GER:EC-GlobalCom
Instructors: Takeuchi, M. (PI)

JAPANGEN 79: Japanese Ghosts: The Supernatural in Japanese Art and Entertainment (JAPANGEN 179)

The complex meanings of ghosts in Japanese culture. Representations of the supernatural in images, drama, oral narratives, prose, film, comics and animation at different moments in Japanese history.
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom

JAPANGEN 179: Japanese Ghosts: The Supernatural in Japanese Art and Entertainment (JAPANGEN 79)

The complex meanings of ghosts in Japanese culture. Representations of the supernatural in images, drama, oral narratives, prose, film, comics and animation at different moments in Japanese history.
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom

JEWISHST 18N: Religion and Politics: Comparing Europe to the U.S. (RELIGST 18N)

Interdisciplinary and comparative. Historical, political, sociological, and religious studies approaches. The relationship between religion and politics as understood in the U.S. and Europe. How this relationship has become tense both because of the rise of Islam as a public religion in Europe and the rising influence of religious groups in public culture. Different understandings and definitions of the separation of church and state in Western democratic cultures, and differing notions of the public sphere. Case studies to investigate the nature of public conflicts, what issues lead to conflict, and why. Why has the head covering of Muslim women become politicized in Europe? What are the arguments surrounding the Cordoba House, known as the Ground Zero Mosque, and how does this conflict compare to controversies about recent constructions of mosques in Europe? Resources include media, documentaries, and scholarly literature.
Terms: Win, Spr | Units: 3-4 | UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-EDP

JEWISHST 106: Reflection on the Other: The Jew in Arabic Literature, the Arab in Hebrew Literature (AMELANG 126, COMPLIT 145)

How literary works outside the realm of western culture struggle with questions such as identity, minority, and the issue of the other. How the Arab is viewed in Hebrew literature and how the Jew is viewed in Arabic literature. Historical, political, and sociological forces that have contributed to the shaping of the writer's views. Arab and Jewish (Israeli) culture.
Terms: Aut | Units: 4 | UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II, WAY-EDP

JEWISHST 185B: Jews, 1500 to the Present (HISTORY 185B)

(Same as HISTORY 85B. History majors and others taking 5 units, register for 185B.) Topics include the restructuring of Jewish existence during the Enlightenment and legal emancipation at the end of the 18th century in W. Europe; the transformation of Jewish life in E. Europe under the authoritarian Russian regime; colonialism in the Sephardic world; new ideologies (Reform Judaism and Jewish nationalisms); the persistence and renewal of antisemitism; the destruction of European Jewry under the Nazis; new Jewish centers in the U.S.; and the State of Israel.
Terms: Aut | Units: 5 | UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-EDP, WAY-SI

MUSIC 6A: From Gamelan to Kabuki: Musical Traditions of Far East Asia

Introduction to the musical traditions of Far East Asia. Study of prominent examples from diverse regions with an emphasis on Indonesia, China and Japan. Exploration of ethnic, social, cultural, and global perspectives. Survey of instruments and ensembles in a wide range of performance contexts, from sacred rituals to secular dance and theater. Traditional genres and their impact on contemporary composers. No musical background required. Lectures, listening to live and recorded music, attendance of a concert, video screenings.
Last offered: Autumn 2009 | UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II

MUSIC 7B: Musical Cultures of the World

An overview of selected musical cultures from Africa, Asia, Europe, and the Americas. Course objectives: cultivate an appreciation for the diversity of human musical expression; discover how music is used to shape social interactions and systems of meaning; develop active listening skills that can be used when encountering any music; gain a preliminary understanding of ethnomusicological concepts and vocabulary. No musical experience is necessary. Class format: Lecture, discussion, listening, guest performances, musical participation, and a concert analysis.
Terms: Aut | Units: 3 | UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II, WAY-EDP

MUSIC 13Q: Classical Music and Politics: Western Music in Modern China

Preference to sophomores. Social history, cultural studies, China studies, international relations, and music. From the Italian Jesuit, Matteo Ricci who presented a clavichord to the Chinese emperor to the emergence of a modern generation of Chinese musicians.
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom
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