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131 - 140 of 189 results for: MUSIC

MUSIC 201: CCRMA Colloquium

Weekly review of work being done in the field, research taking palce at CCRMA, and tools to make the most of the CCRMA technical facilities.
Terms: Aut | Units: 1 | Repeatable 18 times (up to 18 units total)
Instructors: Worthey, N. (PI)

MUSIC 220A: Fundamentals of Computer-Generated Sound

Techniques for digital sound synthesis, effects, and reverberation. Topics: summary of digital synthesis techniques (additive, subtractive, nonlinear, wavetable, spectral-modeling, and physical-modeling); digital effects algorithms (phasing, flanging, chorus, pitch-shifting, and vocoding); and techniques for digital reverberation. Majors (undergraduate or graduate) must take for 4 units. See http://ccrma.stanford.edu/.
Terms: Aut | Units: 2-4

MUSIC 220D: Research in Computer-Generated Music

Independent research projects in composition, psychoacoustics, or signal processing. See http://ccrma.stanford.edu/. May be repeated for credit. Prerequisite: 220C.
Terms: Aut, Win, Spr, Sum | Units: 1-10 | Repeatable for credit

MUSIC 230: Advanced Orchestral Conducting

May be repeated for credit a total of 8 times. Prerequisite: 130B.
Terms: Aut, Win, Spr | Units: 2-4 | Repeatable 9 times (up to 36 units total)

MUSIC 231: Advanced Choral Conducting

Individual instruction continuing trajectory of Music 130C. Focus on gestural technique and analysis of works by genre and historical period. May be repeated for credit a total of 8 times. Prerequisite: 130C.
Terms: Aut, Win, Spr | Units: 2-4 | Repeatable 9 times (up to 36 units total)
Instructors: Sano, S. (PI)

MUSIC 243J: Studies in Music of the Classical Period: Franz Joseph Haydn (MUSIC 143J)

Music and Musicians in the Age of EnlightenmentnPrerequisites: MUSIC 22, MUSIC 41. (WIM at 4-unit level only.)
Terms: Aut | Units: 3-4 | Repeatable for credit
Instructors: Grey, T. (PI)

MUSIC 250A: Physical Interaction Design for Music

This lab and project-based course explores how we can physically interact with real-time electronic sound. Students learn to use and design sensors, circuits, embedded computers, communication protocols and sound synthesis. Advanced topics include real-time media, haptics, sound synthesis using physical model analogs, and human-computer interaction theory and practice. Course culminates in musical performance with or exhibition of completed design projects. See http://ccrma.stanford.edu/.
Terms: Aut | Units: 3-4 | Repeatable 3 times (up to 10 units total)

MUSIC 256A: Music, Computing, and Design I: Software Paradigms for Computer Music (CS 476A)

Software design and implementation for computer audio. Strategies, best practices, and tradeoffs in building audio software systems of various sizes (S, M, L, XL), with a focus on interactive (real-time) systems. Lectures examine high-level designs as well as dissect code in a hands-on manner. Course work includes small programming assignments and a final software project. This course is the prerequisite for MUSIC 256B. Prerequisite: experience in C/C++ and/or Java.
Terms: Aut | Units: 1-4
Instructors: Wang, G. (PI)

MUSIC 269: Research in Performance Practices

Directed reading and research. May be repeated for credit a total of 5 times.
Terms: Aut, Win, Spr, Sum | Units: 1-5 | Repeatable 6 times (up to 30 units total)

MUSIC 272A: Advanced Piano

Private lessons and group masterclass weekly. May be repeated for credit a total of 14 times. Admission is by audition only. There is a fee for this class. Please visit http://music.stanford.edu/Academics/LessonSignups.html for class fees and audition information. All participants must enroll. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure.
Terms: Aut, Win, Spr | Units: 1-3 | Repeatable 15 times (up to 45 units total)
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