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1 - 10 of 10 results for: FILMPROD ; Currently searching spring courses. You can expand your search to include all quarters

FILMPROD 104: Screenwriting II: Intermediate Screenwriting (FILMPROD 301)

Priority to Film and Media Studies majors. Craft, form, and approaches to writing for the screen. Prerequisites: FP104 Visual Writing or EGL190F Fiction into Film and consent of the instructor.
Terms: Spr | Units: 5
Instructors: Tobin, A. (PI)

FILMPROD 105: Script Analysis (FILMPROD 305)

Analysis of screenplay and film from the writer's perspective, with focus on ideation, structure, and dramatic tension in narrative features. Sources include screenplays and screenings.
Terms: Aut, Spr | Units: 4
Instructors: Tobin, A. (PI)

FILMPROD 106: Image and Sound: Filmmaking for the Digital Age

Despite the rise of emerging forms like two-minute YouTube videos, six second Vines, or interactive storytelling modules, many core principles of visual storytelling remain unchanged. In this hands-on film production class students will learn a broad set of filmmaking fundamentals (basic history, theory, and practice) and will apply them creating film projects using tools such as iPhones, consumer cameras and FCPX.
Terms: Aut, Win, Spr | Units: 3 | UG Reqs: WAY-CE

FILMPROD 114: Introduction to Film and Video Production

Hands-on. Techniques of film and video making including conceptualization, visualization, story structure, cinematography, sound recording, and editing. Enrollment limited to 12 students. Priority to junior/senior Film & Media Studies majors.Admission determined on the first day of class.
Terms: Aut, Spr | Units: 5 | UG Reqs: WAY-CE

FILMPROD 301: Screenwriting II: Intermediate Screenwriting (FILMPROD 104)

Priority to Film and Media Studies majors. Craft, form, and approaches to writing for the screen. Prerequisites: FP104 Visual Writing or EGL190F Fiction into Film and consent of the instructor.
Terms: Spr | Units: 5
Instructors: Tobin, A. (PI)

FILMPROD 305: Script Analysis (FILMPROD 105)

Analysis of screenplay and film from the writer's perspective, with focus on ideation, structure, and dramatic tension in narrative features. Sources include screenplays and screenings.
Terms: Aut, Spr | Units: 4
Instructors: Tobin, A. (PI)

FILMPROD 403: Advanced Documentary Directing

Restricted to M.F.A. documentary students. Further examination of structure, empasizing writing and directing nonfiction film. Prerequisite: consent of instructor.
Terms: Spr | Units: 4
Instructors: Meltzer, J. (PI)

FILMPROD 404: Advanced Video Production

Restricted to M.F.A. documentary students. Techniques of visual storytelling and observational shooting. Final quarter of professional training in documentary video production. Prerequisite: consent of instructor.
Terms: Spr | Units: 4
Instructors: Keca, S. (PI)

FILMPROD 406B: Documentary M.F.A.Thesis Seminar II

Restricted to M.F.A. documentary students. Editing and post-production of film or video project. Emphasis is on aesthetic choices (structure, narration, music), distribution, contracts, and audience. Prerequisite: consent of instructor.
Terms: Spr | Units: 4
Instructors: Krawitz, J. (PI)

FILMPROD 801: TGR Project

Terms: Aut, Win, Spr, Sum | Units: 0 | Repeatable for credit
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