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101 - 110 of 235 results for: all courses

ENGLISH 53Q: Writing and Gender in the Age of Disruption (FEMGEN 53Q)

In this course, we will read a wide cross-section of British and American women writers who turned to fiction and poetry to examine, and to survive, their times: Virginia Woolf, Nella Larsen, Rebecca West, Zora Neale Hurston, Jean Rhys, Jessie Redmon Fauset, Katherine Mansfield, H.D., Marianne Moore, and Una Marson. You will learn how to pay close attention to the often radically new ways these writers bent language to their purposes to express complex emotions and vexed political realities; in your own essay writing, you will learn how to write clearly and persuasively about small units of text and to craft longer critical analyses attentive to language, history, and culture. Always, students will be encouraged to draw connections between then and now, to ponder what has changed, and what remains to be changed, in our own turbulent times.
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: Staveley, A. (PI)

ENGLISH 61N: Jane Austen's Fiction

Austen's finely wrought novels were unlike any previous fiction, offering an intensely realized example of literary originality. This class focuses on Austen's major writing, all published in a remarkable ten year period. These novels - including Pride and Prejudice, Emma, Mansfield Park and Persuasion - have had a profound impact on the development and understanding of the novel as an art form. We'll take the measure of Austen's inventiveness and her subtle, engrossing experiments in narrative voice, fictional character, representation and literary form. Our two goals will be to closely engage each novel (looking at the major interpretative and aesthetic questions that are generated) and to track the rich dialogue that takes place between her different texts when they are read together.
Terms: Aut | Units: 3 | UG Reqs: WAY-A-II
Instructors: Woloch, A. (PI)

ENGLISH 90Q: Sports Writing

Study and practice of the unique narratives, tropes, images and arguments that creative writers develop when they write about popular sport. From regional fandom to individualist adventuring, boxing and baseball to mascot dancing and table tennis, exceptional creative writers mine from a diversity of leisure activity a rich vein of sports writing in the creative nonfiction genre. In doing so, they demonstrate the creative and formal adaptability required to write with excellence about any subject matter, and under the circumstances of any subjectivity. Discussion of the ways in which writers have framed, and even critiqued, our interest in athletic events, spectatorship, and athletic beauty. Writers include Joyce Carol Oates, Roland Barthes, David James Duncan, Arnold Rampersad, John Updike, Maxine Kumin, Susan Sterling, Ernest Hemingway, Norman Mailer, Dervla Murphy, Haruki Murakami, Don DeLillo, Henry Louis Gates, Jr., Annie Dillard, John McPhee, and Laura Hillenbrand. Close readings of essays on form and sport, as well as book excerpts. Students will engage in class discussions and write short weekly papers, leading to a more comprehensive project at the end of the quarter.
Terms: Aut | Units: 3 | UG Reqs: WAY-A-II, WAY-CE
Instructors: Evans, J. (PI)

ENGLISH 93Q: The American Road Trip

From Whitman to Kerouac, Alec Soth to Georgia O'Keeffe, the lure of travel has inspired many American artists to pack up their bags and hit the open road. In this course we will be exploring the art and literature of the great American road trip. We will be reading and writing in a variety of genres, workshopping our own personal projects, and considering a wide breadth of narrative approaches. Assignments will range from reading Cormac McCarthy's novel, 'The Road,' to listening to Bob Dylan's album, 'Highway 61 Revisited.' We will be looking at films like 'Badlands' and 'Thelma and Louise,' acquainting ourselves with contemporary photographers, going on a number of campus-wide field trips, and finishing the quarter with an actual road trip down the California coast. Anyone with a sense of adventure is welcome!
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II, WAY-CE

ENGLISH 94Q: The Future is Feminine (FEMGEN 94Q)

Gender is one of the great social issues of our time. What does it mean to be female or feminine? How has femininity been defined, performed, punished, or celebrated? Writers are some of our most serious and eloquent investigators of these questions, and in this class we'll read many of our greatest writers on the subject of femininity, as embodied by both men and women, children and adults, protagonists and antagonists. From Virginia Woolf to Ernest Hemingway, from Beloved to Gone Girl (and even "RuPaul's Drag Race"), we'll ask how the feminine is rendered and contested. We'll do so in order to develop a history and a vocabulary of femininity so that we may, in this important time, write our own way in to the conversation. This is first and foremost a creative writing class, and our goals will be to consider in our own work the importance of the feminine across the entire spectrum of gender, sex, and identity. We will also study how we write about femininity, using other writers as mo more »
Gender is one of the great social issues of our time. What does it mean to be female or feminine? How has femininity been defined, performed, punished, or celebrated? Writers are some of our most serious and eloquent investigators of these questions, and in this class we'll read many of our greatest writers on the subject of femininity, as embodied by both men and women, children and adults, protagonists and antagonists. From Virginia Woolf to Ernest Hemingway, from Beloved to Gone Girl (and even "RuPaul's Drag Race"), we'll ask how the feminine is rendered and contested. We'll do so in order to develop a history and a vocabulary of femininity so that we may, in this important time, write our own way in to the conversation. This is first and foremost a creative writing class, and our goals will be to consider in our own work the importance of the feminine across the entire spectrum of gender, sex, and identity. We will also study how we write about femininity, using other writers as models and inspiration. As we engage with these other writers, we will think broadly and bravely, and explore the expressive opportunities inherent in writing. We will explore our own creative practices through readings, prompted exercises, improv, games, collaboration, workshop, and revision, all with an eye toward writing the feminine future.
Terms: Win | Units: 3 | UG Reqs: WAY-A-II, WAY-CE
Instructors: Pufahl, S. (PI)

ENGR 159Q: Japanese Companies and Japanese Society (MATSCI 159Q)

Preference to sophomores. The structure of a Japanese company from the point of view of Japanese society. Visiting researchers from Japanese companies give presentations on their research enterprise. The Japanese research ethic. The home campus equivalent of a Kyoto SCTI course.
Terms: Spr | Units: 3 | UG Reqs: GER:DB-SocSci
Instructors: Sinclair, R. (PI)

EPS 30N: Designing Science Fiction Planets (GEOPHYS 30N)

(Formerly GEOLSCI 30N) Science fiction writers craft entire worlds and physical laws with their minds. While planetary formation in the real world is a little different, we can use fantastical places and environments from film, television, and literature as conversation starters to discuss real discoveries that have been made about how planets form and evolve over time. The class will focus on the following overarching questions: (1) What conditions are required for habitable planets to form? (2) What types of planets may actually exist, including desert worlds, lava planets, ice planets, and ocean worlds? (3) What kids of life could inhabit such diverse worlds? (3) What types of catastrophic events such as supernovas, asteroid impacts, climate changes can nurture or destroy planetary habitability? Change of Department Name: Earth and Planetary Science (Formerly Geologic Sciences).
Terms: Aut | Units: 3 | UG Reqs: WAY-SMA
Instructors: Tikoo, S. (PI)

EPS 38N: The Worst Journey in the World: The Science, Literature, and History of Polar Exploration (EARTHSYS 38N, ESS 38N)

(Formerly GEOLSCI 38N) This course examines the motivations and experiences of polar explorers under the harshest conditions on Earth, as well as the chronicles of their explorations and hardships, dating to the 1500s for the Arctic and the 1700s for the Antarctic. Materials include The Worst Journey in the World by Aspley Cherry-Garrard who in 1911 participated in a midwinter Antarctic sledging trip to recover emperor penguin eggs. Optional field trip into the high Sierra in March. Change of Department Name: Earth and Planetary Science (Formerly Geologic Sciences).
Terms: Aut | Units: 3 | UG Reqs: GER: DB-NatSci

EPS 145Q: Nuclear Issues: Energy, Weapons and the Environment

(Formerly GEOLSCI 145Q) The advances of nuclear science and technology is closely tied to the development of nuclear weapons and nuclear energy. This seminar reviews basic concepts of nuclear physics and nuclear chemistry and then describes the history of the development of nuclear weapons and nuclear power plants. For nuclear weapons, the course focuses on proliferation and the theory of deterrence. We will use case studies to understand the nuclear threats from Russia, China and North Korea. For nuclear energy, the course focuses on power production, nuclear fuel cycles, the cost of nuclear power plants, nuclear accidents (Chernobyl and Fukushima Daiichi) and nuclear waste management and disposal. Finally, the students will examine the impact of nuclear power, as an energy source that has very low levels of greenhouse gas emissions, on global climate change. Each student will complete an individual research project/paper and make a presentation that will be focused on an aspect of the energy, nuclear weapons and climate change nexus. Change of Department Name: Earth and Planetary Science (Formerly Geologic Sciences).
Terms: Win | Units: 3 | UG Reqs: WAY-SMA
Instructors: Ewing, R. (PI)

ESS 14N: Sustainable Adaptation

How do we adapt to the rapid global environmental changes that are happening around us? How do we do so in a way that is sustainable, enhancing human and environmental wellbeing, now and in the future? In this course, we will explore these questions through an interdisciplinary lens, drawing from the social sciences, engineering, and public health. We will focus on people¿s responses to a range of impacts related to global environmental change from sea level rise to extreme weather events. Example responses include changes in fishing practices, taking protective action during wildfires or hurricanes, and migrating to a new location. Often, we will draw case studies from frontline communities, those who experience the "first and worst" of global environmental changes. Through readings, film, and field trips, we will ask what adaptation to global environmental change is, what does it mean to be sustainable, and how can it be sustained.
Terms: Aut | Units: 3
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