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How do we come to care about causes not related to our lives directly? During the Spanish Civil War, people from around the world joined the International Brigade to fight fascism. In our own age, hundreds of thousands of people around the world urge a ceasefire in Gaza. We study moments in history where immediate political interest gives way to a more capacious sense of obligation and commitment.

How does race function in performance and dare we say live and in living color? How does one deconstruct discrimination at its roots?n nFrom a perspective of global solidarity and recognition of shared plight among BIPOC communities, we will read and perform plays that represent material and psychological conditions under a common supremacist regime. Where and when possible, we will host a member of the creative team of some plays in our class for a live discussion. Assigned materials include works by Lin-Manuel Miranda, Amiri Baraka, Young Jean Lee, Ayad Akhtar, Susan Lori Parks, David Henry Hwang, Betty Shamieh, Jeremy O. Harris, and Christopher Demos Brown.n nThis class offers undergraduate students a discussion that does not center whiteness, but takes power, history, culture, philosophy, and hierarchy as core points of debate. In the first two weeks, we will establish the common terms of the discussion about stereotypes, representation, and historical claims, but then we will quickly move toward an advanced conversation about effective discourse and activism through art, performance, and cultural production. In this class, we assume that colonialism, slavery, white supremacy, and oppressive contemporary state apparatuses are real, undeniable, and manifest. Since our starting point is clear, our central question is not about recognizing or delineating the issues, but rather, it is a debate about how to identify the target of our criticism in order to counter oppression effectively and dismantle long-standing structures.n nNot all BIPOC communities are represented in this syllabus, as such claim of inclusion in a single quarter would be tokenistic and disingenuous. Instead, we will aspire to understand and negotiate some of the complexities related to race in several communities locally in the U.S. and beyond.

(Same as HISTORY 47. HISTORY 147 is 5 units; HISTORY 47 is 3 units) Introduction, focusing particularly on the modern era. Topics include: precolonial African societies; European colonization; the impact of the mineral revolution; the evolution of African and Afrikaner nationalism; the rise and fall of the apartheid state; the politics of post-apartheid transformation; and the AIDS crisis.

American higher education has had to continually struggle with issues of difference, particularly racial and ethnic cultural difference, throughout its history. While the civil rights and student protest era of the 1960s are easily recognized as moments of cultural struggle, they evolve and take new forms, extending and re-framing ideological and material conflict in the academy. These include battles over: the content of the curriculum; access to college and admissions; and the domains of legitimate knowledge. In this course, we will critically examine and discuss the research and discourse concerning issues of diversity and equity in the current era. We will examine the political, cultural, and social contours of these issues and as well as the efficacy of campus responses to them such as race-conscious admissions policies, identity-based offices, ethnic studies programs, and other DEI (diversity, equity, and inclusion) initiatives.

In the contemporary United States, supposedly race-neutral immigration laws have racially-unequal consequences. Immigrants from Mexico, Central America, and the Middle East are central to ongoing debates about who's includable, and who's excludable, from American society. These present-day dynamics mirror the historical forms of exclusion imposed on immigrants from places as diverse as China, Eastern Europe, Ireland, Italy, Japan, and much of Africa. These groups' varied experiences of exclusion underscore the long-time encoding of race into U.S. immigration policy and practice. Readings and discussions center on how immigration law has become racialized in its construction and in its enforcement over the last 150 years.

More enslaved people from Africa were forced to Brazil than any other country and Brazil was the last country to abolish the practice of slavery in the Americas. How do these two facts impact the cultural history of Brazil? How and why was the country mythologized as a 'racial democracy' in the twentieth century? This class engages these questions to explore the origins, development, and centrality of Afro-Brazilian culture. We will immerse ourselves in the cities of Salvador and Rio de Janeiro, explore samba and Carnaval, take a dive into syncretic religious practices such as Candomblé, observe dances like capoeira, and study literary and artistic expressions from an anti-racist perspective to gain a fuller picture of Brazilian society today. Taught in English.

This course is designed for 2024 CCSRE undergraduate summer fellows and students approaching CCSRE capstone projects in 2024-25. Our communal objective is to provide scaffolding, support, and space for critical reflection as students develop an outline and timeline for their summer or capstone project; build a foundation of knowledge, skills, and strategies to facilitate their project's success; and invest in relationships with their community partners, mentors, and peers. Rooted in critical race studies, this course is also meant to support students in learning about the varieties, limits, and possibilities of racial justice work in and beyond the academy. CCSRE undergraduate summer fellows need to sign up for the second part of this class, CSRE 199B, in the following fall quarter.

Supports the research and writing of the CCSRE honors thesis with the support of a faculty project advisor and a secondary reader. Required for all admitted students completing an honors project in CCSRE, regardless of major.