printer friendly pageMUSIC 176C: Trombone
May be repeated for credit a total of 14 times.
Terms: Aut, Win, Spr
| Units: 1-3
| UG Reqs: WAY-CE
| Repeatable
15 times
(up to 45 units total)
Instructors:
Kenley, M. (PI)
MUSIC 176D: Tuba
May be repeated for credit a total of 14 times.
Terms: Aut, Win, Spr
| Units: 1-3
| UG Reqs: WAY-CE
| Repeatable
15 times
(up to 45 units total)
Instructors:
Clements, T. (PI)
MUSIC 177: Percussion
May be repeated for credit a total of 14 times.
Terms: Aut, Win, Spr
| Units: 1-3
| UG Reqs: WAY-CE
| Repeatable
15 times
(up to 15 units total)
Instructors:
Veregge, M. (PI)
MUSIC 182: Diction for Singers
The international phonetic alphabet and its application to German, French, and Italian vocal literature. Open also to pianists interested in vocal coaching and choral conducting.
Terms: Win
| Units: 1
Instructors:
Dahl, L. (PI)
MUSIC 183A: German Art Song Interpretation
Including composers from Beethoven and Schubert to Wolf and Strauss. for advanced singers and pianists as partners. Performance class in a workshop setting. Prerequisite: consent of instructor. Recommended: 170 for pianists or 182 for singers. May be repeated for credit a total of 2 times.
Terms: Spr
| Units: 1
| UG Reqs: WAY-CE
| Repeatable
3 times
(up to 3 units total)
Instructors:
Dahl, L. (PI)
MUSIC 183B: French Art Song Interpretation
Composers include Fauré, Debussy, Ravel, and Poulenc. For advanced singers and pianists as partners. Performance class in a workshop setting. May be repeated for credit a total of 2 times. Prerequisite: consent of instructor. Recommended: 170 for pianists or 182 for singers.
Last offered: Spring 2009
| UG Reqs: WAY-CE
| Repeatable
3 times
(up to 3 units total)
MUSIC 190H: Sex, Sacrifice, and Civilization: Baroque Opera and Tragedy (ENGLISH 185, HUMNTIES 185)
The revival of ancient tragedy in the Baroque opera house. The central mysteries of tragedy: knowledge of suffering, necessity of sacrifice, pleasure of pathos. How tragic drama and opera used poetry, dance, and music to sway the passions and prompt reflection. Greek myths of Medea, Iphigenia, Alceste, Idomeneo. Plays by Euripides and Racine; operas by Mozart, Gluck, and Charpentier.
Terms: Aut
| Units: 4-5
| UG Reqs: GER:DB-Hum
Instructors:
Hadlock, H. (PI)
;
Hoxby, B. (PI)
MUSIC 192A: Foundations of Sound-Recording Technology
For upper division undergraduates and graduate students; preference given to Music majors with MST specialization. Topics: elementary electronics; the physics of sound transduction and microphone operation, selection, and placement; mixing consoles; connectors and device interconnection; grounding and shielding; principles of analog magnetic recording; operation maintenance of recording equipment; and principles of recording engineering. Enrollment limited. Prerequisites: 151; algebra, physics basics, and consent of instructor.
Terms: Aut
| Units: 3
| UG Reqs: GER:DB-EngrAppSci, WAY-SMA
Instructors:
Kadis, J. (PI)
;
Hamilton, R. (TA)
MUSIC 192B: Advanced Sound Recording Technology
Topics: noise reduction techniques; dynamics and time-delay audio effects; the principles of digital audio; disk- and tape-based digital recorders; digital audio workstations and editing; advanced multitrack techniques; SMPTE and MIDI time code and device synchronization; MIDI sequencing and synchronization. See
http://ccrma.stanford.edu/courses/. Prerequisite: 192A.
Terms: Win
| Units: 3
| UG Reqs: GER:DB-EngrAppSci, WAY-CE
Instructors:
Kadis, J. (PI)
MUSIC 197: Undergraduate Teaching Apprenticeship
Work in an apprentice-like relationship with faculty teaching a student-initiated course. Prerequisite: consent of instructor. (Staff)
Terms: Win, Spr
| Units: 1-2
Instructors:
Applebaum, M. (PI)
;
Sano, S. (PI)
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