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ARTHIST 660: Independent Study

For graduate students only. Approved independent research projects with individual faculty members.
Terms: Aut, Win, Spr, Sum | Units: 1-15 | Repeatable for credit

ARTHIST 660E: Extended Seminar

May be repeated for credit. (Staff)
Terms: Aut, Win | Units: 4 | Repeatable for credit

ARTHIST 802: TGR Dissertation

Terms: Aut, Win, Spr, Sum | Units: 0 | Repeatable for credit

ARTHIST 105: Introduction to Medieval Art (ARTHIST 305)

Chronological survey of Byzantine, Islamic, and Western Medieval art and architecture from the early Christian period to the Gothic age. Broad art-historical developments and more detailed examinations of individual monuments and works of art. Topics include devotional art, court and monastic culture, relics and the cult of saints, pilgrimage and crusades, and the rise of cities and cathedrals.
| UG Reqs: GER:DB-Hum

ARTHIST 106A: Art of Pilgrimage and Crusade (ARTHIST 306A)

Focus is on the artistic production of Mediterranean 12th-13th centuries exploring the phenomena of pilgrimage and Crusade. The rise of the Normans; the establishment of the pilgrimage to Santiago de Compostella as part of the Reconquista of Spain; the Crusader capture of Jerusalem in 1099 and the subsequent formation of Crusader states in the eastern Mediterranean; the rise of the Ayyubids and the emergence of the Italian city-state trade. The interconnection between the rise of narrative and conquest; the emergence of monumental sculpture; and the clash between tactile and optical visuality.

ARTHIST 108: Virginity and Power: Mary in the Middle Ages (ARTHIST 308)

The most influential female figure in Christianity whose state cult was connected with the idea of empire. The production and control of images and relics of the Virgin and the development of urban processions and court ceremonies though which political power was legitimized in papal Rome, Byzantium, Carolingian and Ottonian Germany, Tuscany, Gothic France, and Russia.
| UG Reqs: GER:DB-Hum

ARTHIST 111: Introduction to Italian Renaissance, 1420-1580 (ARTHIST 311)

New techniques of pictorial illusionism and the influence of the humanist revival of antiquity in the reformulation of the pictorial arts in 15th-century Italy. How different Italian regions developed characteristic artistic cultures through mutual interaction and competition.
| UG Reqs: GER:DB-Hum

ARTHIST 121S: 19TH CENTURY EUROPEAN PAINTING

Lecture and discussion of the major movements of 19th century Europe. Critical and theoretical readings, object analysis of Cantor Arts Center collections.

ARTHIST 126: Post-Naturalist Painting (ARTHIST 326)

How conceptual models from language, literature, new technologies, and scientific theory affected picture making following the collapse of the radical naturalism of the 1860s and 1870s. Bracketed in France by the first Impressionist exhibition (1874) and the first public acclamation of major canvases by Matisse and Picasso (1905), the related developments in England, Germany, Belgium, and Austria. Additional weekly discussion for graduate students. Recommended: some prior experience with 19th-century art.
| UG Reqs: GER:DB-Hum

ARTHIST 153A: American Art, 1900-1945 (ARTHIST 353A)

Painting, sculpture, photography, and design. Focus is on the emergence of diverse cultural forms in the search for a modern, American form of artistic expression. Topics include: Robert Henri and the Ash Can school; the Armory Show and the influence of European modernism; Marcel Duchamp and plumbing; futurism, cubism, and the machine aesthetic; Stuart Davis and jazz; Dorothea Lange and documentary photography; Alfred Stieglitz and his Seven Americans; Thomas Hart Benton and regionalism; the arts of the WPA; and the role of artists in wartime propaganda.
| UG Reqs: GER:DB-Hum
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