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DRAMA 224: Introduction to the Profession

Audition technique, material selection, and graduate school and MFA program guidance. Guest theater professionals. Selection and delivery of classical and contemporary audition material. Techniques for a confident approach to the audition situation.

DRAMA 251: Adaptation: Turning into Drama

Adaptation in theater: from script to production, from book to stage and screen, from one period and culture to another. The adaptations that a single author, Chekhov, has undergone: different productions of his plays and different dramatizations of his prose.

DRAMA 257T: Performance and Ethnography (DRAMA 157T)

Performance as a mode of engagement in fieldwork, as conceptual framework, and as a mode of representing cultural data. Readings from Clifford Geertz, Smadar Lavie, Dwight Conquergood, Victor Turner, Richard Schechner, Barbara Meyerhoff, Diana Taylor, Ruth Wilson Gilmore, Antonin Artaud, Soyini Madison, E. Patrick Johnson, Renato Rosaldo, Jon van Maanan, and Diane Wolfe.

DRAMA 258T: Performance and Resistance

Theories of cultural domination and performed resistance. Readings include Foucault, Angela Davis, James Scott, Joy James, Kimberle Crenshaw, and Dwight Conquergood. Sources include live performance, film, and visual arts from Teatro Campesino, Guillermo Gómez-Peña, Coco Fusco, Adrian Piper, William Pope.L, Christian Boltanski, and Marina Abramovic.

DRAMA 262: Performance and the Text (DRAMA 162)

Formal elements in Greek, Elizabethan, Noh, Restoration, romantic, realistic, and contemporary world drama; how they intersect with the history of performance styles, character, and notions of action. Emphasis is on how performance and media intervene to reproduce, historicize, or criticize the history of drama.

DRAMA 263: Performance and America (DRAMA 163)

Dramas by women, men, Asian Americans, Latino Americans, and African Americans are examined with regard to the role of dramatic performance within contemporary American society, and as an affective and effective arena for inducing social change.

DRAMA 265: Theater History: Classical to 1900 (DRAMA 165)

A dramaturgical, historical, and design approach to the study of drama, theater, and performance.
| Repeatable 1 times (up to 4 units total)

DRAMA 266: Twentieth-Century Theater History: Production Research and Design (DRAMA 166)

A dramaturgical, historical, and design approach to the study of drama, theater, and performance.
| Repeatable 2 times (up to 8 units total)

DRAMA 267: Avant Garde Theater (DRAMA 167)

From its origins in the early 19th century to the present.

DRAMA 268H: Art and Life: The Second Avant Garde (DRAMA 168H)

Experiments in the second half of the 20th century that produced new genres such as happenings and performance art, and theoretical debates that attempted to reformulate relations between art forms and their changed role in society. How these fundamentals of performance were challenged and reshaped.
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