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COMM 257: Networked Governance: Democracy and New Technology (COMM 357)

Interdisciplinary seminar. The impact of technology on government institutions. How to use communications, law, and technology to engage experts and the broader public in decision making. Student teams develop implementation ready pilot projects for the next presidential administration.

COMM 258: Free Expression and Intellectual Property in the Digital Age (COMM 158)

(Graduate students register for COMM 258.) How intellectual property law fosters and hinders free speech. When does an author or inventor have a right to re-use someone else's creative expression? Are appropriation of other people¿s art, music sampling, and reverse engineering a theft of property or the basis of innovation? How technologies such as as wikis, virtual worlds, youtube, and search engines challenge the balance between constitutional protection of intellectual property and the First Amendment. Fundamentals of trade secret, patent, copyright, and trademark law and policy. No prior legal knowledge required.

COMM 326: Advanced Topics in Human Virtual Representation

Topics include the theoretical construct of person identity, the evolution of that construct given the advent of virtual environments, and methodological approaches to understanding virtual human representation. Prerequisite: consent of instructor.

COMM 331G: Communication and Media Ethics

Limited to Ph.D. students. Advanced topics in press ethics and responsibility. Prerequisite: 231 or consent of instructor.

COMM 338: Democratic Theory: Normative and Empirical Issues (COMM 238)

Conflicting visions in terms of normative conflicts and empirical evidence. How citizens communicate with each other and their representatives, and how their representatives deliberate. Topics include theories of deliberation, how democracy is transformed when brought to the mass public, how informed a public is needed, and potential pathologies of small group communication in settings including juries, town meetings, and contemporary public consultations. Readings include Madison, Burke, Mill, Lippmann, Dewey, Schumpeter, Dahl, Sunstein, and Mansbridge.

COMM 357: Networked Governance: Democracy and New Technology (COMM 257)

Interdisciplinary seminar. The impact of technology on government institutions. How to use communications, law, and technology to engage experts and the broader public in decision making. Student teams develop implementation ready pilot projects for the next presidential administration.

COMM 379: History of the Study of Communication

The origins of communication/media theory and research emphasizing the rise of communication as a separate field of study. The influence of schools of thought concerning the scope and purpose of the study of communication. Readings include foundational essays and studies. Prerequisite: Ph.D. student or consent of instructor.

COMM 386: Media Cultures of the Cold War (ARTHIST 475)

The intersection of politics, aesthetics, and new media technologies in the U.S. between the end of WW II and the fall of the Berlin Wall. Topics include the aesthetics of thinking the unthinkable in the wake of the atom bomb; abstract expressionism andmodern man discourse; game theory, cybernetics, and new models of art making; the rise of television, intermedia, and the counterculture; and the continuing influence of the early cold war on contemporary media aesthetics. Readings from primary and secondary sources in art history, communication, and critical theory.

COMPLIT 10N: Shakespeare and Performance in a Global Context

Preference to freshmen. The problem of performance including the performance of gender through the plays of Shakespeare. In-class performances by students of scenes from plays. The history of theatrical performance. Sources include filmed versions of plays, and readings on the history of gender, gender performance, and transvestite theater.
Last offered: Spring 2009 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-A-II

COMPLIT 11Q: Shakespeare, Playing, Gender

Preference to sophomores. Focus is on several of the best and lesser known plays of Shakespeare, on theatrical and other kinds of playing, and on ambiguities of both gender and playing gender. Topics: transvestism inside and outside the theater, medical and other discussions of sex changes from female to male, hermaphrodites, and fascination with the monstrous.
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II, GER:EC-Gender, GER:DB-Hum
Instructors: Parker, P. (PI)
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