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201 - 210 of 295 results for: MUSIC ; Currently searching offered courses. You can also include unoffered courses

MUSIC 197: Undergraduate Teaching Apprenticeship

Work in an apprentice-like relationship with faculty teaching a student-initiated course. Prerequisite: consent of instructor. (Staff)
Terms: Aut, Win, Spr | Units: 1-2

MUSIC 198: Concentrations Project

For concentration program participants only. Must be taken in senior year. Multiple concentrators may enroll in one section of 198 per concentration.
Terms: Aut, Win, Spr | Units: 2-4 | Repeatable 5 times (up to 20 units total)

MUSIC 199: Independent Study

For advanced undergraduates and graduate students who wish to do work outside the regular curriculum. Before registering, student must present specific project and enlist a faculty sponsor. May be repeated for credit a total of 14 times.
Terms: Aut, Win, Spr, Sum | Units: 1-5 | Repeatable 15 times (up to 75 units total)
Instructors: Abel, J. (PI) ; Alessandrini, P. (PI) ; Applebaum, M. (PI) ; Aquilanti, G. (PI) ; Arul, E. (PI) ; Arul, K. (PI) ; Bar-David, E. (PI) ; Berger, J. (PI) ; Berger, K. (PI) ; Berger, T. (PI) ; Berners, D. (PI) ; Bosi, M. (PI) ; Brandenburg, M. (PI) ; Brotzman, S. (PI) ; Catsalis, M. (PI) ; Chafe, C. (PI) ; Chowning, J. (PI) ; Clements, T. (PI) ; Clevenger, J. (PI) ; Costache, I. (PI) ; Costanza, C. (PI) ; Costigan-Kerns, L. (PI) ; Dahl, L. (PI) ; DeMarinis, P. (PI) ; Doheny, A. (PI) ; Ferguson, C. (PI) ; Fong, D. (PI) ; Fujioka, T. (PI) ; Gill, D. (PI) ; Grey, T. (PI) ; Hadlock, H. (PI) ; Harms, D. (PI) ; Harrison, S. (PI) ; Hawley, A. (PI) ; Hinton, S. (PI) ; Holmes, M. (PI) ; Jennings, K. (PI) ; Kapuscinski, J. (PI) ; Kenley, M. (PI) ; Kretz, H. (PI) ; Kronengold, C. (PI) ; Lee, J. (PI) ; Linduska, M. (PI) ; Lopez-Lezcano, F. (PI) ; Low, M. (PI) ; Luftman, A. (PI) ; MacNeill, D. (PI) ; Mahrt, W. (PI) ; Martin, A. (PI) ; Morgan, R. (PI) ; Moyer, B. (PI) ; Myers, H. (PI) ; Mysore, G. (PI) ; Nadel, J. (PI) ; Olivier, R. (PI) ; Payne, C. (PI) ; Phillips, P. (PI) ; Psarras, P. (PI) ; Ragent, L. (PI) ; Robertson, L. (PI) ; Rodin, J. (PI) ; Rose, F. (PI) ; Sano, S. (PI) ; Schultz, T. (PI) ; Selfridge-Field, E. (PI) ; Sharp, R. (PI) ; Sherriff, S. (PI) ; Slaney, M. (PI) ; Smith, J. (PI) ; Ulman, E. (PI) ; Uyechi, L. (PI) ; Van Dyke, K. (PI) ; Virzi, N. (PI) ; Wang, G. (PI) ; Weldy, F. (PI) ; Wright, M. (PI) ; You, H. (PI) ; Zerlang, T. (PI) ; Howard, R. (SI)

MUSIC 200B: Proseminar in Ethnomusicology

A graduate-level introduction to the field of ethnomusicology. Issues and debates are traced through the history of the discipline, with emphasis on influences from anthropology, performance studies, linguistics, and cultural studies. Topics include music and: social organization, "culture," structure, practice, comparison, representation, globalization, identity, transcription, and embodiment.
Terms: Win, Spr | Units: 3-5

MUSIC 201: CCRMA Colloquium

Weekly review of work being done in the field, research taking place at CCRMA, and tools to make the most of the CCRMA technical facilities.
Terms: Aut | Units: 1

MUSIC 220A: Fundamentals of Computer-Generated Sound

What are the basic tools that computer music researchers and artists use to create sound? This course will include a summary of digital synthesis techniques (additive, subtractive, wavetable, frequency modulation and physical-modeling), signal processing techniques for digital effects, (reverberation, panning, filters), and basic psychoacoustics. Programming experience is recommended, but not required. Majors (undergraduate or graduate) must take for 4 units. See https://ccrma.stanford.edu/courses/220a/.
Terms: Aut | Units: 3-4

MUSIC 220B: Compositional Algorithms, Psychoacoustics, and Computational Music

The use of high-level programming language as a compositional aid in creating musical structures. Advanced study of sound synthesis techniques. Simulation of a reverberant space and control of the position of sound within the space. To satisfy a Ways requirement, this course must be taken for at least 3 units. See http://ccrma.stanford.edu/. Prerequisite: 220A.
Terms: Win | Units: 3-4 | UG Reqs: WAY-A-II

MUSIC 220C: Research Seminar in Computer-Generated Music

Individual projects in composition, psychoacoustics, or signal processing. See http://ccrma.stanford.edu. May be repeated for credit. Prerequisite: 220B.
Terms: Spr | Units: 3-4 | Repeatable 4 times (up to 16 units total)

MUSIC 220D: Research in Computer-Generated Music

Independent research projects in composition, psychoacoustics, or signal processing. See http://ccrma.stanford.edu/. May be repeated for credit. Prerequisite: 220C.
Terms: Aut, Win, Spr, Sum | Units: 1-10 | Repeatable for credit
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