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81 - 90 of 121 results for: COMPLIT

COMPLIT 360B: The Theory of the Novel (ENGLISH 360B)

Topics will include: theories of the novel's origin; novelistic subjectivity; voice and text; body and text; the problem of the quotidian; democracy, revolution and novelistic form; and the peculiar dynamic of the novelistic trinity (author, character, reader).
Terms: Spr | Units: 5
Instructors: Moretti, F. (PI)

COMPLIT 368: Imagining the Oceans (COMPLIT 168, ENGLISH 168, ENGLISH 368, FRENCH 168, FRENCH 368)

How has Western culture constructed the world's oceans since the beginning of global ocean exploration? How have imaginative visions of the ocean been shaped by marine science, technology, exploration, commerce and leisure? Readings might include voyage accounts by Cook and Darwin, sailors' narratives by Equiano and Dana, poetry by Coleridge, Bishop and Walcott, novels by Melville, Verne, Conrad and Woolf. Visual culture might include paintings by Turner and Redon, and films by Jean Painlevé, Kathryn Bigelow, Jerry Bruckheimer and James Cameron. Critical texts will be drawn from interdisciplinary theorists of modernity and mobility, such as Schmitt, Wallerstein, Corbin, Latour, Deleuze + Guattari, and Cresswell.
Terms: Spr | Units: 5
Instructors: Cohen, M. (PI)

COMPLIT 369: Introduction to Graduate Studies: Criticism as Profession (DLCL 369, FRENCH 369, GERMAN 369, ITALIAN 369)

A number of faculty will present published work and discuss their research and composition process. We will read critical, theoretical, and literary texts that address, in different ways, "What is a World?" Taught in English.
Terms: Aut | Units: 5

COMPLIT 371: China in the World (CHINLIT 371)

How aesthetics and politics intertwine and break apart in Western and Eastern traditions. Aesthetics for understanding culture, morality, and power in crosscultural contexts. Readings include Hegel, Kant, Marcuse, Lukacs, and Adorno; and Chinese thinkers Wang Guowei, Lu Xun, Li Zehou, and Mao. Prerequisite: CHINLIT 127/207 or consent of instructor.
Terms: Aut | Units: 2-5 | Repeatable for credit
Instructors: Wang, B. (PI)

COMPLIT 390: Tolstoy's Anna Karenina in Dialogue with Contemporary Philosophical, Social, and Ethical Thought (COMPLIT 190, SLAVIC 190, SLAVIC 390)

Anna Karenina, the novel as a case study in the contest between "modernity" and "tradition," their ethical order, ideology, cultural codes, and philosophies. Images of society, women and men in Tolstoy v. those of his contemporaries: Marx, Mill, Nietzsche, Weber, Durkheim, Freud. Open to juniors, seniors and graduate students. Requirements: three interpretive essays (500-1000 words each). Analysis of a passage from the novel; AK refracted through a "philosophical" prism and vice versa (30% each); class discussion and Forum (10%).
Terms: Aut, Win | Units: 3-5
Instructors: Freidin, G. (PI)

COMPLIT 396L: Pedagogy Seminar I (ENGLISH 396L)

Required for first-year Ph.D students in English, Modern Thought and Literature, and Comparative Literature. Preparation for surviving as teaching assistants in undergraduate literature courses. Focus is on leading discussions and grading papers.
Terms: Aut | Units: 2
Instructors: Woloch, A. (PI)

COMPLIT 399: Individual Work

Terms: Aut, Win, Spr, Sum | Units: 1-15 | Repeatable for credit

COMPLIT 40Q: Aesthetics of Dissent: the Case of Islamic Iran (INTNLREL 71Q)

Censorship, Borges tells us, is the mother of metaphors. The Islamic regime in Iran censors all aethetic production in the country. But Iranian dissident artists, from film-makers and fiction writers to composers in a thriving under-ground musical scene, have cleverly found ways to fight these draconian measures. They have developed an impressive body of work that is as sophisticated in style as it is rich in its discourse of democracy and dissent. The purpose of the seminar is to understand the aesthetic tropes of dissent in Iran, and the social and theological roots of rules of censorship. Masterpieces of post-revolutionary film, fiction, and music will be discussed in the context of tumultuous history of dissent in Islamic Iran.

COMPLIT 802: TGR Dissertation

Terms: Aut, Win, Spr, Sum | Units: 0 | Repeatable for credit

COMPLIT 125: Past Desire Made Present: The Traditions of Erotic Poetry in Medieval Iran and Europe

Aims to make present and accessible, to our early 21st-century experience, convergences and differences between medieval Persian and medieval European love poetry. Poetry will be dealt with as a discursive and institutional means through which it is possible to make present and tangible that which is absent -- both in space and time. If we accept that medieval Persian and European love poetry conjured up moods of homo- and heteroerotic desire for contemporary audiences, then this desire can also become present for us today through a close reading of those same texts.
| UG Reqs: GER:DB-Hum
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