2019-2020 2020-2021 2021-2022 2022-2023 2023-2024
Browse
by subject...
    Schedule
view...
 

51 - 60 of 73 results for: GERMAN

GERMAN 262: The Total Work of Art (TAPS 262S)

Frequently associated with the work of Richard Wagner, The Total Work of Art (or Gesamtkunstwerk) is a genre that aims to synthesize a range of artistic forms into an organic unity, a unity that both models and helps to forge an ideal state. This seminar will examine the history of the Gesamtkunstwerk from its roots in German Romanticism to the present day, focusing on the genre's relations with technology and mass culture across a wide range of media. Creations we will consider include Wagner's Festival Theatre at Bayreuth, Walter Gropius' plans for a Totaltheater, Bertolt Brecht and Kurt Weill's radio-oratorio The Lindbergh Flight, Leni Riefenstahl's Triumph of the Will, Walt Disney's theme parks, Andy Warhol's Exploding Plastic Inevitable, and Bill Gates' "home of the future." Taught in English.
Last offered: Autumn 2013 | UG Reqs: WAY-A-II

GERMAN 262A: Explosions of Enlightenment (COMPLIT 262A)

Eighteenth-century culture seen as permeated by intellectual and artistic practices and plays pushing principles of reason and rationality to an extreme that becomes self-undercutting. Such obsessions and practices are becoming more visible and prominent now, as the traditional concept of "Enlightenment" (synonymous with the 18th century) is undergoing a profound transformation. Among the protagonists of this seminar will be: Diderot as a philosopher and novelist; Lichtenberg as a scientist and writer of everyday notes; Goya, accusing violence and obsessed with nightmarish visions; Mozart as the excessive master of repetition and variation.
Last offered: Winter 2014

GERMAN 264: Post-Cold War German Foreign Policy

This course is devoted to Germany's role and policy in international relations since 1990. It is based on the premise that Germany's post-Cold War foreign policy was shaped by two potentially conflicting impulses which is historical learning versus the country's economic role and geopolitical position. The course's objective is to make students familiar with the overall conditions of German Foreign Policy in the post-Cold War era and to analyze related tensions and dilemmas. Empirical examples are Germany's role in the Yugoslavian wars in the first half of the 1990s, the transatlantic crisis over the Iraq war of 2003 and Germany's engagement in Afghanistan and German Foreign Policy during the country's tenure as a non-permanent member of the UN Security Council 2011-2012. Discussion in English; German reading knowledge required.
Last offered: Spring 2014

GERMAN 264A: Walter Benjamin (COMPLIT 264)

Walter Benjamin's work as cultural historian, critic, literary author and philosopher, seen from the trajectory of a German-Jewish intellectual life in the context of the first half of the 20th century. Providing such a historical perspective will be the condition for an actively critical reading of Benjamin's works; a reading that -- counter to the predominant Benjamin-reception -- will try to distinguish between works of purely biographical and historical interest and those Benjamin texts that prove to be of great and lasting intellectual value. Taught in English.
Last offered: Winter 2014

GERMAN 271: Futurity: Why the Past Matters (COMPLIT 271A)

Drawing on literature, the arts, political discourse, museums, and new media, this course asks why and how we take interest in the watershed events of the modern era; how does contemporary culture engages with modern, made-made disasters such as the World Wars or 9/11? Readings and viewings include the literature of G. Grass, W. G. Sebald, Ian McEwan, Toni Morrison and Cormac McCarthy; the cinema of Kathryn Bigelow and Steven Spielberg; speeches by Barak Obama; and the theoretical writing of Walter Benjamin, Hayden White, Fredric Jameson, among others. Taught in English.
Last offered: Winter 2015 | UG Reqs: WAY-A-II

GERMAN 282: Martin Heidegger (COMPLIT 213A, COMPLIT 313A, GERMAN 382)

Working through the most systematically important texts by Martin Heidegger and their historical moments and challenges, starting with Being and Time (1927), but emphasizing his philosophical production after World War II. The philological and historical understanding of the texts function as a condition for the laying open of their systematic provocations within our own (early 21st-century) situations. Satisfies the capstone seminar requirement for the major tracks in Philosophy and Literature. Taught in English.
Last offered: Autumn 2012 | UG Reqs: GER:DB-Hum

GERMAN 283: Brecht (TAPS 382)

Arguably the most influential theatrical artist of the twentieth century, Bertolt Brecht continues to be a lightning rod for debates over art and politics. This course will consider Brecht as playwright, director, and theorist. Alongside reading and discussing texts such as Threepenny Opera, Mother Courage, and Galileo, students will also be expected to participate in occasional in-class performances in order better to grapple with his plays and theories. No previous theatrical experience is necessary.
Last offered: Spring 2015

GERMAN 284: The Nervous Age: Neurosis, Neurology, and Nineteenth-century Theatre (HUMBIO 162, TAPS 354)

The nineteenth century witnessed profound developments in neurological and psychological sciences, developments that fundamentally altered conceptions of embodiment, agency, and mind. This course will place these scientific shifts in conversation with theatrical transformations of the period. We will read nineteenth-century neuropsychologists such as Charles Bell, Johannes Müller, George Miller Beard, Jean-Martin Charcot, and Hippolyte Bernheim alongside artists such as Percy Shelley, Georg Büchner, Richard Wagner, Émile Zola, and August Strindberg.
Terms: Spr | Units: 5
Instructors: Smith, M. (PI)

GERMAN 285: Environmentalism, Literature and Cultural Criticism

Concern for environmental threats increasingly draw on traditions of cultural and civilizational criticism. This course explores literary and cultural dimensions of environmentalist discourse, especially in German-speaking Europe but with opportunities for comparative treatments of ecological tendencies in other countries. Topics include: Environmentalism as progressive or as conservative; ambivalence toward technology; sustainability and the critique of growth; humans and animals. Authors such as F. Jünger, Jahnn, Wolf, C. Amery, Dath, with comparisons to Leopold, Atwood, Ghosh, Latouche and others. Reading knowledge of German or permission of instructor.
Last offered: Winter 2014

GERMAN 289: Buechner and Wedekind (TAPS 289)

Modern theatre owes an incalculable debt to two German playwrights: Georg Büchner (1813-1837) and Frank Wedekind (1864-1918). We will read their still-shocking portraits of sex, madness, and social brutality in plays such as Woyzeck and Spring's Awakening, and explore the international journeys these works have made from stage to film and from opera to musical theatre.
Last offered: Winter 2015
Filter Results:
term offered
updating results...
teaching presence
updating results...
number of units
updating results...
time offered
updating results...
days
updating results...
UG Requirements (GERs)
updating results...
component
updating results...
career
updating results...
© Stanford University | Terms of Use | Copyright Complaints