printer friendly pageMUSIC 176B: Trumpet
May be repeated for credit a total of 14 times. Admission is by audition only. There is a fee for this class. Please visit
http://music.stanford.edu/Academics/LessonSignups.html for class fees and audition information.
Terms: Aut, Win, Spr
| Units: 1-3
| UG Reqs: WAY-CE
| Repeatable
15 times
(up to 45 units total)
Instructors:
Johnson-Hamilton, J. (PI)
;
Worley, J. (PI)
MUSIC 176C: Trombone
May be repeated for credit a total of 14 times. Admission is by audition only. There is a fee for this class. Please visit
http://music.stanford.edu/Academics/LessonSignups.html for class fees and audition information.
Terms: Aut, Win, Spr
| Units: 1-3
| UG Reqs: WAY-CE
| Repeatable
15 times
(up to 45 units total)
Instructors:
Kenley, M. (PI)
MUSIC 176D: Tuba
May be repeated for credit a total of 14 times. Admission is by audition only. There is a fee for this class. Please visit
http://music.stanford.edu/Academics/LessonSignups.html for class fees and audition information.
Terms: Aut, Win, Spr
| Units: 1-3
| UG Reqs: WAY-CE
| Repeatable
15 times
(up to 45 units total)
Instructors:
Clements, T. (PI)
MUSIC 177: Percussion
May be repeated for credit a total of 14 times. Admission is by audition only. There is a fee for this class. Please visit
http://music.stanford.edu/Academics/LessonSignups.html for class fees and audition information.
Terms: Aut, Win, Spr
| Units: 1-3
| UG Reqs: WAY-CE
| Repeatable
15 times
(up to 15 units total)
Instructors:
Veregge, M. (PI)
MUSIC 183A: German Art Song Interpretation
By audition only. For advanced singers and pianists as partners. Performance class in a workshop setting. Composers include Beethoven, Schubert, Wolf and Strauss. May be repeated for credit a total of 2 times. Enrollment limit: 20 (ten singers maximum). Prerequisite: consent of instructor. Recommended prerequisite: 170 (pianists) or 182 (singers).
Terms: Spr
| Units: 1
| UG Reqs: WAY-CE
| Repeatable
2 times
(up to 2 units total)
Instructors:
Dahl, L. (PI)
MUSIC 183B: French Art Song Interpretation
By audition only. For advanced singers and pianists as partners. Performance class in a workshop setting. Composers include Fauré, Debussy, Ravel and Poulenc. May be repeated for credit a total of 2 times. Enrollment limit: 20 (ten singers maximum). Prerequisite: consent of instructor. Recommended prerequisite: 170 (pianists) or 182 (singers).
Last offered: Spring 2013
| UG Reqs: WAY-CE
| Repeatable
2 times
(up to 2 units total)
MUSIC 184B: Topics in Opera Stagecraft
This course is a practical workshop in vocal repertoire for the stage. Each quarter's offering emphasizes a specific genre or period, therefore the course can be repeated with permission of the instructor. In addition to broadening the student's knowledge of vocal repertoire, the following skills are developed: text preparation, foreign language translation and diction; rehearsal etiquette for performance and/or recording. Prerequisite: vocal or instrumental instruction, as the class is open to singers or collaborative artists.
Terms: Aut, Win
| Units: 1-3
| UG Reqs: WAY-CE
| Repeatable
12 times
(up to 36 units total)
Instructors:
Catsalis, M. (PI)
MUSIC 187: Music and Culture from the Land of Fire: Introduction to Azerbaijani Mugham
Nestled in the Caucasus, Azerbaijan is a crossroads between East and West; its rich musical heritage contains threads of Turkish, Central Asian, Persian, Caucasian, Russian, and Arabic traditions. In this course, master-musician Imamyar Hasanov teaches students to perform and appreciate Azeri music. Content includes classical mugham, Eastern theory, improvisation and microtonality. We¿ll discuss Azeri music culture, supplemented by guest lecturers and Skype¿ interviews with musicians in Azerbaijan. Open to students with any experience playing a musical instrument (including voice). No previous experience with Azeri music necessary. Supported by the SF World Music Festival.Questions? Email schultza@stanford.edu.
Terms: Spr
| Units: 1-5
| UG Reqs: WAY-CE, WAY-EDP
MUSIC 192B: Advanced Sound Recording Technology
Topics: noise reduction techniques; dynamics and time-delay audio effects; the principles of digital audio; disk- and tape-based digital recorders; digital audio workstations and editing; advanced multitrack techniques; SMPTE and MIDI time code and device synchronization; MIDI sequencing and synchronization. See
http://ccrma.stanford.edu/courses/. Prerequisite: 192A.
Terms: Win
| Units: 3
| UG Reqs: GER:DB-EngrAppSci, WAY-CE
Instructors:
Kadis, J. (PI)
;
Castellanos Macin, P. (TA)
MUSIC 222: Sound in Space
Historical background, techniques and theory on the use of space in music composition and diffusion. Listening and analysis of relevant pieces. Experimental work in spatialization techniques leading to short studies to be diffused in concert at the end of the quarter.
Last offered: Spring 2013
| UG Reqs: WAY-CE
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